Count me as another person who liked Dune as a book...AND the David Lynch film.
Sometimes, when you are "covering" someone else's work, you need to bring your own touch to it, or else it will only suffer in comparison. Make it too much your own, though, and you'll commit just as grave an error as being overly faithful.
Its a fine line, and not everyone can do it. In music, Jane's Addiction screwed up "Sympathy for the Devil" by getting overly goofy with it. OTOH, Joe Satriani- who, IMHO can do almost no wrong- bored me to death with his nearly slavish version of the classic song "Sleepwalk." It was as if he were afraid to be himself, too in love with the original to assert his own artistic vision on it. Brian Setzer's interpretation manages to be both faithful to the original's spirit, but also to Setzer's unique voice as a guitarist.
Lynch's Dune took Herbert's general storyline and generally followed it...but also re-imagined it into something completely new.
Sometimes, when you are "covering" someone else's work, you need to bring your own touch to it, or else it will only suffer in comparison. Make it too much your own, though, and you'll commit just as grave an error as being overly faithful.
Its a fine line, and not everyone can do it. In music, Jane's Addiction screwed up "Sympathy for the Devil" by getting overly goofy with it. OTOH, Joe Satriani- who, IMHO can do almost no wrong- bored me to death with his nearly slavish version of the classic song "Sleepwalk." It was as if he were afraid to be himself, too in love with the original to assert his own artistic vision on it. Brian Setzer's interpretation manages to be both faithful to the original's spirit, but also to Setzer's unique voice as a guitarist.
Lynch's Dune took Herbert's general storyline and generally followed it...but also re-imagined it into something completely new.