What Authors Have Most Inspired Your Campaign?

What Authors Have Most Inspired Your Campaign?

  • Bulfinch, and other compilers of classical mythology

    Votes: 62 20.3%
  • J.R.R. Tolkien

    Votes: 158 51.8%
  • Michael Moorcock

    Votes: 78 25.6%
  • Robert Howard

    Votes: 77 25.2%
  • Fritz Lieber

    Votes: 68 22.3%
  • H.P. Lovecraft

    Votes: 94 30.8%
  • Terry Brooks

    Votes: 23 7.5%
  • Robert Jordan

    Votes: 36 11.8%
  • E. Gary Gygax

    Votes: 72 23.6%
  • Ed Greenwood

    Votes: 50 16.4%
  • R.A. Salvatore

    Votes: 49 16.1%
  • Margaret Weis

    Votes: 48 15.7%
  • Bram Stoker

    Votes: 29 9.5%
  • Terry Pratchett

    Votes: 35 11.5%
  • Other (please explain below)

    Votes: 132 43.3%

Surely all D&D campaigns are influenced by EGG? or at least for all of us that started with OD&D, Basic Set or 1e. But I suppose mainly with authors deliberately emulated its Leiber, Howard, Pratchett. Tolkein is more of a negative influence in my avoiding the 'epic' quest type approach.
 

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Other.

Michael Grant is a history writer. Alot of his stuff deals with the Hellenistic period my homebrew is based on.

Amin Maalouf wrote The Crusades Through Arab Eyes. The book is full of double dealing and campaign ideas. I just have to read a few pages and I can map out a campaign.

* * * * *
(Edit, I found an excerpt from Maalouf's book, a campaign kernal in less than a page.)

Before that, however, Aleppo was to pass through the most erratic period of its long history. At the end of November 1113 Ibn al-Khashab learned that Ridwan lay seriously ill at his palace in the citadel. He gathered his friends together and told them to prepare for action. The King died on 10 December. As soon as the news was known, groups of armed militiamen fanned through the quarters of the city, occupied the major buildings, and seized many of Ridwan's supporters, notably the adherents of the Assassins sect, who were immediately put to death for their collaboration with the Frankish enemy.

The qadi's aim was not to seize power himself but to make an impression on the new king, Alp Arslan, the son of Ridwan, so as to induce him to follow a policy different from that of his father. At first this young man of sixteen, who stuttered so badly that he was nicknamed 'the Mute', seemed to endorse the militant stance of Ibn al-Khashab. With unconcealed delight, he had all Ridwan's collaborators arrested and beheaded forthwith. The qadi became uneasy. He urged the young monarch not to subject the city to a bloodbath but simply to punish the traitors so as to set an example. But Alp Arslan paid him no heed. He executed two of his own brothers, several officers, a few servants, and in general anyone to whom he took a dislike.

Little by little, the citizenry realized the horrible truth: the king was mad! The best available source dealing with this period is the chronicle by Kamal al-Din, an Alleppan author-diplomat, written a century after the events but based on the testimony of contemporaries.

One day, he recounts, Alp Arslan assembled some emirs and notables and took them to visit a sort of cellar dug into the citadel. Once they were inside, he asked them, 'What would you say if I had all your heads cut off right here?'
'We are slaves subject to your majesty's orders', answered one of the unfortunates, pretending to consider the threat a good joke.
And it was thus, in fact, that they escaped death.

It was not long before the demented young king was being given a wide berth. Only one man still dared to approach him, his eunuch Lulu, 'Pearls'. But finally he too began to fear for his life. In September 1114 he killed his sleeping master and installed another of Ridwan's sons, aged six, on the throne.

Aleppo was sinking deeper into anarchy day by day. While uncontrollable groups of slaves and soldiers cut one another to pieces in the citadel, armed citizens patrolled the street of the city to protect themselves against the marauders. During this initial period, the Franj of Antioch did not seek to take advantage of the chaos paralyzing Aleppo.

Tancred had died a year before Ridwan, and his successor Sir Roger, whom Kamal al-Din calls Sirjal, lacked sufficient self-assurance to engage in action of any scope. But the respite was of brief duration. In 1116 Roger of Antioch, now sure of his control over all the routes to Aleppo, occupied the major fortresses ringing the city one after another. In the absence of any resistance he even managed to impose a tax on every Muslim pilgrim leaving for Mecca.

In April 1117 the Eunuch Lulu was assassinated. According to Kamal al-Din, the soldiers of his escort hatched a plot against him. While he was walking east of the city one day, they suddenly drew their bows , crying 'After the hare, after the hare,' to make him believe they were hunting that animal. In fact it was Lulu himself who was riddled with arrows. After his death, power passed to another slave, who, unable to assert his authority, asked Roger to come to his aid. The subsequent chaos was indescribable.

While the Franj prepared to lay siege to the city, the military officers continued to fight among themselves for control of the citadel.

* * * * *

Sorry for the long post, but I just really love that book.
Tormenet
 
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Peirs Anthony and Terry Pratchet.

FYI, my games used to be pretty zany, over-the-top, crazy magical. Those two sources provided the constant flow of subtle resources i needed. :)
 

Another vote for Sepulchrave here.

For my Eberron campaigns, I'm drawing on China Mieville, Lovecraft, Randall Garrett and Tim Powers.
 


influencing authors

Michael Moorcock for the overall feel of his Multiverse. I find that R.E. Howard and Edgar Rice Burroughs gave me the feel for day to day adventures. Zelazny's Amber books also helped contribute to the overall feel of the campaign (alternate worlds, etc.).

I think the writers I read in the 70's and 80's have had the most influence, but I still pull ideas from the books I read today. I've used some of the theme's from Wilbur Smith's books about historic Africa for some of my campaigns.

Other writers:

Marion Zimmer Bradley (Darkover)
Tanith Lee (Birthgrave)
C.J. Cheryh (Various books)
John Norman (Gor)
Fritz Leiber (Fafhrd and Grey Mouser)
Frank Herbert (Dune)
Louis Lamour (Westerns)
Robert Adams (Horseclans)
Philip Jose Farmer (Riverworld)
 

Tolkein for majesty

Leiber for whimsy

Myths and Sagas (not by "compilers", per se, but in translation) from all over the world for wonder, soul, and blood

And then a wide variety of not-necessarily fantasy authors for depth: Italo Calvino, Robertson Davies, Ray Bradbury, Storm Constantine, Ursula LeGuin, Charles de Lint, Margaret Atwood, Patrick O'Brian, Bill Mauldin, Lewis Carroll/Rev. C.L. Dodgson, Sigrid Undset, Dorothy Dunnett, Victor Hugo.

But of all of the writers who influence me, I would have to put good ol' Anonymous of Beowulf, Sir Thomas Malory of Le Morte d'Arthur, and Chretien de Troyes with his cycle of Arthurian tales ... mixed with P.G. Wodehouse ;)
 



Howard inspired comics when I was but a glimmer in Croms eye, but alot of my materal of late is inspired by Bede (Ecclesiastical History of the English People) and Dark Ages History in general.
 

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