billd91
Not your screen monkey (he/him) 🇺🇦🇵🇸🏳️⚧️
stevelabny said:wanted to jump back in with a few mor comments about other people's comments.
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west coast avengers: this was a great series. john byrnes run on this title was amazing and the last good thing he did. force works was an incredibly stupid idea. Killing off Wonderman (again) mere weeks after he found out he was basically immortal and couldnt die because hes an energy being was ridiculous. replacing him with grey-skinned alien with fighting staff Century was even worse. oh well, all good things come to an end.
the ultimate line: without ever spending a dime, ive read the first issue or ultimate spiderman and first six issues of ultimate x-men. theyre awful. a lot of people swear by ultimate spider-man now, but this simple fact remains, if its a good spiderman story, they couldve just used it in the REGULAR series and there was no reasont o create the ultimate line. period.
aging characters: saying that the simpsons or peanuts dont age so its ok that superheroes dont age is easily the least thought out reasoning ive EVER heard.
the reason it doesnt matter for those characters is because they just exist for jokes. there is no DRAMA. in order to have dramatic tension, the characters need to change and grow. if the characters dont evolve, and only exist for "cool superhero battles" then i'm not interested.
wolverine's claws: i've never seen so much outrage about this subject. back in the day, when marvel mutants were only allowed ONE mutant power, wolverine's heightened senses and healing power were grouped together under some sort of "feral" label and fanboys used to wonder if his claws were real or not. it was a natural porgression. having Magneto rip his adamantium out was an amazing visual. popping bone claws was another great visual that revealed more about wolverine that actually MADE SENSE. The story arc of wolvy having to get used to life without the adamantium was actually a character defining moment. which is impressive for a character who is already an icon and usually a bad parody of himself. i really dont understand how anyone coul dhave thought this was lame or stupid.
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and as for what numion said about being grateful that the movie producers dont stick too true to the material. you couldnt be more wrong.
the reason the spidey and xmen movies are so great is because they are VERY CLOSE to the source material.
and as much bad stuff that has come out of the comics industy in the past 60 years, there has been more good stuff than television, movies, or books have produced. when it comes to best medium, comics wins easy.
Vive le difference, I guess. I haven't seen a view toward the comix that may be more opposed to my own (in general) than the postings that you have contributed to this thread.
I think the continual retooling of Wolverine has been awful, and the bone claws is just the capper on a festering pile of crapulence. In my opinion.
As far as the Ultimate line goes, I haven't been spending much time on Spiderman and X-men, but the Ultimates perfectly rocks. Coolest Avengers stories in a LONG time.
I will agree that West Coast Avengers was very good, particularly Byrne's run on it. But then, Human Torch was always one of my favorite characters. Invaders was one of my favorite titles as a kid.
Aging characters, can be good for some books but not for all of them. It works for "For Better or Worse". But most monthly comics might not work too well. Actually both systems create potential problems. Never aging leads to major continuity problems as characters get retooled, elements of character are forgotten, and they build up goofy baggage (bone claws, seriously?). On the other hand, over the course of 40 years, how many generations of X-men should we have seen? What if there's a particular mix of the characters that everyone just prefers and they're all now too damn old to be a bunch of superheroes? In many ways, it's the special miniseries that do best in portraying possible storylines outside of the regular timeline.
And I think we really SHOULD be grateful that movies don't stick too closely to the comix in all cases. Sometimes it works, sometimes it doesn't. But treading too closely from time to time could be really disappointing. The X-men movies could be heading for serious trouble on the Jean Grey front because the original story (much abused by subsequent events in X-Factor) was so damn good. Still the highwater mark for the X-men in my opinion. Just think how bad you'll think the movie is if it doesn't come close to the same emotional feel of the original.
Look at the Dark Knight Returns. Now imagine them making a movie of it. The comic is so good, with brilliant cinematic imagery, that an adaptation of it that comes too close would probably suck like Van Sant's version of Psycho, a shot-by-shot redoing of the original. Ugh. The whole thought sickens.
Other stuff I've considered so bad as to be mind boggling in the history of comics:
Elementals Porn
Contest of Champions
Cargo costumes for characters who DON'T carry stuff in them ... like Thor's costume at this time. Blech.
X-men, c 1989 with their extended and boring stay in the Outback
Just about anything Cerebus "Reads" and later
Storm in punk style - I still cringe
Retconning Apocalypse into Cyclops's past
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