Berandor said:oh, and I remembered a book I put down. After 3 years of absence to this literary genre, I recently tried the D&D novel (FR novel) "Lady of Poison". I didn't finish it.
While I shall not stoop to insulting your intelligence, as was your particular recourse, I will merely point out that IN MY OPINION (as noted in every one of my previous posts) a bad start does make a bad book. If you had read the first 40 pages of the Eye of the World, though to yourself, "Gee, this is unmitigated drivel," and then put it down forever, I would call that opinion valid.Storm Raven said:A book (or movie) can only be fairly judged as a whole, or at least upon reviewing a substantial part. I can fairly say that Pitch Black was a bad movie, because I watched it the whole way through and it was bad. I can say The Eye of the World was a bad book, because I read it the whole way through. I can't validly say that the Wheel of Time is a bad book series, because I didn't read past the first book.
A bad start does not make a bad book though. The problem here is that people are confusing a slow start and a difficult character for a bad book.
That book is my curse.EricNoah said:Not every book I have put down stayed down ... I wasn't mentally ready to tackle Umberto Eco's Focault's Pendulum, so I put it down after a few pages. A year later I tried it again and it suddenly "clicked" with me. It was a great reading experience once I was in the right frame of mind for it.
Try the second book (Cugel the Clever). The tone does change, and there is more story, and you don't have to have read the Dying Earth stories to understand it. But if you don't like the first Cugel story there is little point in continuing - skip Eyes of the Overworld as well (it's more of the same). Give the last book (Rhialto the Marvelous) a try - it's the only one fo the four that was written as a complete novel, but if you didn't like any of the preceding then it's not likely to be to your taste.Kanegrundar said:I started reading Jack Vance's Compleat Dying Earth (the misspelling is intentional) and put it down after the second story. There was little in the way of story, it was too weird, and the characters were terrible. I had always heard how great Vance was, well, I don't see it.
takyris said:Stating it in a brusque manner makes it brusque. In a perfect world, I carefully consider all the facts, regardless of the tone in which it's delivered. In this world, you've made it wholly unlikely that I'd agree with you on anything.
Maybe I deleted the bit where I was talking about how the chair required you to sit in a different position, which might eventually make you more comfortable. I might've thought the analogy was taking up too much screen-space.
I might be coming at this from too professional a viewpoint. When I spent a summer reading manuscripts in New York (short fiction, not novels), the editor in question watched me read a few short stories all the way through before form-rejecting them, and then she asked me when I knew that the story was bad. I said, "The first or second page." She said, "Then that's when you reject them."
She is not in the minority in the editing field. Now, granted, all the fiction that gets published has passed this test with at least a few editors, but as a consumer, I can very quickly decide whether or not I'm being entertained. And thus, I can decide whether or not to continue.
And that doesn't make the book bad in an objective sense, but, as I've said twice with no response from you, when you're reading a thread titled "What's the worst you've ever read?", I think it's fairly obvious that we're talking about personal opinion rather than objective critical discussion. And thus, "It was bad" can be read as "I did not enjoy it" without much irate discussion on the subject.
With respect, bull. It's interesting, because I thought that you just didn't get (or didn't accept) that we were talking opinion, here. But now I know that according to Storm Raven, I'm not even allowed to have an opinion until I finish the novel.
As much as you enjoyed declaring the ineptitude of my chair metaphor, I'm going to have to turn this analogy down. A book series is not a television series. The media are different, and the number of variables are different, and it's perfectly possible for a show to dramatically improve or decline. Perhaps they get a bigger budget. Perhaps there's a change in the main cast. Maybe they bring on new writers. None of these things are possible (or matter to the same extent, at least) in books. R.A. Salvatore doesn't have to worry about Drizzt Do'Urden's actor getting hospitalized in a car accident. Martin doesn't have to worry about the budget for his fight scenes. Jordan doesn't lose sleep wondering if Fox is going to air his books out of order in order to save the most exciting ones for sweeps.
The_Universe said:While I shall not stoop to insulting your intelligence, as was your particular recourse, I will merely point out that IN MY OPINION (as noted in every one of my previous posts) a bad start does make a bad book. If you had read the first 40 pages of the Eye of the World, though to yourself, "Gee, this is unmitigated drivel," and then put it down forever, I would call that opinion valid.