Viking Bastard said:
I'd say he's still the second best Bond. In fact, the only (possibly)
redeeming feature of the movie was Brosnan (along with his ultrakewl
stonecold line "I never miss."). Brosnan's great.
DAD was going so well for half the movie. I was giddy with excitement
(I'm a big Bond fanboy) and then they went to Iceland and the movie
turned into Charlie's Angels. I freaked out. Literally. I was just angry. To
have my little loveable country linked to this travestry.
LOL. Charlie's Angels! That didn't even occur to me, but you're right.
I personally love how, when he was in the jet car, going 100 mph, trying to outrun the laser, the beam is about 10 ft behind him. But then when he stops at the ravine, the beam is now 100 ft away and going all of 2 mph.
The only good part about the movie is the death of the villain. Too bad it was wasted in a terrible film.
Of course, the movie features the worst Bond theme ever and a cameo by its singer, Madonna. The minute she appears onscreen, the film screeches to a halt. You have A-level actors and then, dropping into the middle of it, someone who's at the level of a 9th grader performing in her first school play.
And the next film, Mariah Carey is supposed to sing the theme and have a part! Argh!
BTW, the reason that I consider Brosnan worse than Dalton and Moore is that 1.) he's a big enough star to turn a film down, 2.) he wanted to quit after Tomorrow Never Dies but came back to make The World Is Not Enough (which means he must have liked the script), and 3.) he keeps pushing to add more "drama" to Bond and "update" him.
Basically, Brosnan wants the lovestory drek in TWINE and XXX-like action in DAD. But, simply put, that's not Bond. Bond does what it does well. When you try altering that formula, well, you end up with the last 2 films.