Upper_Krust
Hero
Yes, fair point Joker.
Another thing that has been baffling me is that Hollywood seems to have forgotten that conflict, both emotional and physical, is best engineered between opposites, or at any rate people of different 'character'.
In Wrath of the Titans the principle party is made up of basically three characters who are almost interchangeable in their dialogue and actions.
Whereas in say Star Wars or even the D&D cartoon, each character has just that - a clearly defined 'character'. One's a pessimist, another's an optimist, one's a coward, the other's reckless, one's naive, one's wise, etc.
Between all that you get characters reacting off each other.
In Wrath, because there's so little definition in character for the main protagonists, there's no friction (either playful or serious) between them.
Another thing that has been baffling me is that Hollywood seems to have forgotten that conflict, both emotional and physical, is best engineered between opposites, or at any rate people of different 'character'.
In Wrath of the Titans the principle party is made up of basically three characters who are almost interchangeable in their dialogue and actions.
Whereas in say Star Wars or even the D&D cartoon, each character has just that - a clearly defined 'character'. One's a pessimist, another's an optimist, one's a coward, the other's reckless, one's naive, one's wise, etc.
Between all that you get characters reacting off each other.
In Wrath, because there's so little definition in character for the main protagonists, there's no friction (either playful or serious) between them.