Skyfall (possible spoilers)

It's a common mistake to look at something like this and say, "Things had to happen exactly as they did and it would be impossible or nonsensical for the villain to have a plan like this."

Most of the time, though, it makes more sense if you look at the villain as making constant adjustments to their plans and planning for contingencies.

For example, in Skyfall it's pretty clear that the entire capture-and-escape plan is a contingency plan. "If I get caught, what will I need to do to escape?" Notice that the plan works just as well if he gets captured after killing M. Or captured at any other point after he gets emergency protocols engaged. And that it's unlikely he planned to be captured by Bond in the moment that he was captured, because that hinged on Bond suborning the girl.

Q does say this was all planned, but that's true whether it's just a well-prepared escape plan or a crucial element in killing M.

The problem is that even as a back-up plan, it's insane. The "escape" part of his plan relies on Q, the supposed computer genius, connecting the captured laptop to the MI6 network - an act of monumental stupidity.

And he was prepared for Bond suborning the girl - sufficiently prepared to have his agents on the boat to turn the tide against our hero. He therefore had ample opportunity to elude capture at this time, but he elected not to do so.

Was that hubris? Possibly - it's possible he neglected to consider the possibility that Bond might turn the tables again and so capture him. Except... if that's the case, why have a backup plan?

I'm sorry, I just don't buy it. This one was a plot hole.
 

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I'm a HUUUUGGGEEE BOND FAN. The new Daniel Craig films are the best of the bunch. I could argue for the Connery originals, but that was a long time ago. These three Craig films are certainly better than anything since a Bond film featuring Connery--and even he made a dud or two (Never Say Never, anyone? Diamonds Are Forever really doesn't stand the test of time.

I also think that the Craig films are closest to the Bond we read in Fleming's novels and short stories--at least since Connery.

That said, I'm a contrarian on this film. I think it's the weakest of Craig's three films. SKYFALL doesn't have the energy and pizzazz that the producers injected into CASINO ROYALE and QUANTUM OF SOLACE.

If I used a grading scale of 0 to 5 stars...

0 = Hated It. One of the worst films ever made.
1 = Didn't Like It.
2 = Passible if in the mood for it.
3 = Average, OK, everyday good film.
4 = Liked it a lot!
5 = Loved it! One of the best films ever made.

I'd rate Craig's three efforts like this:

5 Stars = Casino Royale
4 Stars = Quantum of Solace
3 Stars = Skyfall

Which basically says neither of the two Craig sequels live up to his debut, and the film series seems to be getting weaker.

That's not to say that I didn't think that I don't have good things to say about Skyfall. I do. 3 Stars is a strong rating.



SOME THINGS THAT COME TO MIND THAT I LIKED: I thought Moneypenny was fantastic. In fact, all of the acting was top notch.

The opening action scene is a 5 star sequence, just as good as any in CASINO ROYALE or QUANTUM OF SOLACE.

The story plays like an Ian Fleming novel. CASINO ROYALE (along with DOCTOR NO, which doesn't count because the screenplay and novel were written with each other in mind, and FROM RUSSIA WITH LOVE) is one of the closest films, plot-wise, to any James Bond movie that carries an Ian Fleming title. SKYFALL is one of the closest completely original films, plot-wise, that plays out the way Ian Fleming would structure a tale.

I liked how the term "Skyfall" was used in the film. The audience is lead to believe that it's a code word for some top secret MI-6 operation--probably the one that becomes the McGuffin in the opening action sequence.

I like how the whole Craig series writes in themes from the Fleming novels. In Skyfall, it's Bond seeming to be killed. This is shades of YOU ONLY LIVE TWICE (both the book and the movie, though each feature plots that are quite different from each other).





SOME THINGS THAT COME TO MIND THAT I DIDN'T LIKE: Though I liked how the film played (as an Ian Fleming novel), it did not fell "tight" at all. I think the screenplay needed to be tighten up a bit. Or, maybe it's the editing. The storytelling felt, for lack of a better term, non-traditional and "wierd".

The DB5's appearance. I'd have this is the "LIKE" column except that the producers are confusing the facts of the series. In CASINO ROYALE, Craig's Bond wins the DB5 in a poker game from one of the bad guys. In SKYFALL, the DB5 is one of the "gadgets" used by the old MI6 back in the 60's, before Bonds time (an obvious tip of the hat to the Connery films where the DB5 appeared, like THUNDERBALL and GOLDFINGER).

The continuity of the timeline is messed up because of this. Bond just happened to win a DB5 of the same exact color as that stored in the old MI6 warehouse? It's goofy and probably shouldn't have been left in the script because of the scene from CASINO. Or, the DB5 could have been used, sans the gadgets, if the film showed that it was Bond's car--the same one he won in CASINO.

Another thing I didn't buy about the film is the location of the climax. I do like the revalation that "Skyfall" is the name of Bond's family home. This is akin to Ian Fleming's estate in Jamaica, which was named (in real life) "Goldeneye" (or, even, Bond's fictional Jamaican estate given to him by author Raymond Benson, "Shamelady"). What I can't believe is that, as smart and bad-ass as M and Bond are, the two of them, together, can't figure out a way to get some help from MI6? They're in freakin' England, for chrissakes! We couldn't have a scene where Tanner or Moneypenney or Q or even the new "M" couldn't figure out how to help them out?

Script-wise, this could have been fixed, easily. Bond and M had too much time on their hands. The bad guy should have been hot on their heels with NO TIME for the MI6 cavalry to arrive. Of course, if that had happened, then we wouldn't have the Ewok's vs. The Emperor's top troops scene where the the bad guy attacks, in waves, and Bond has to MacGuyver make-shift booby-traps.

This is part of the script-tightening I mention above.

I thought Javier Bardim did an excellent job as a Fleming-esque, Bondian villian. All of the villians in the Craig series, so far, have had 5 stars handed to them by me.

But, again....wasn't Bardim just a little too akin to The Joker from The Dark Knight? Every time he'd hoot and hum, use his toys, and try to show how mad he was, I kept seeing Heath Ledger's should-have-won-an-Oscar Joker staring back at me.

C'mon, you didn't think that when Bardim flicked the switch and the transit tube fell on Bond? I could easily see the Joker climbing that ladder and Batman ducking from the crash.





I could go on, but I think this will give a taste of why I thought the film was just "OK" and did not live up to Craig's previous two films.





EDIT: Above, I say, "They're in freakin' England, for chrissakes! We couldn't have a scene where Tanner or Moneypenney or Q or even the new "M" couldn't figure out how to help them out?" Although I make the same comment, I need to correct that they're in Scotland. That's the "American" in me coming out. We think of that entire region as "England" and forget the differences in the terms "Britian" and "England". My apologies. Still, Bond and M should have had some help, or they should have been rushed so that help had no time to arrive--maybe even with Q watching the events via satellite, unable to do anything about it or with shots of him looking at the clock, knowing that the helo with the Marines on it won't get to Skyfall in time to make a difference in the fight.
 
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And he was prepared for Bond suborning the girl - sufficiently prepared to have his agents on the boat to turn the tide against our hero.

His agents are always on the boat. She's under constant surveillance.

The "escape" part of his plan relies on Q, the supposed computer genius, connecting the captured laptop to the MI6 network - an act of monumental stupidity.

I won't disagree on the monumental stupidity part. But there's also no indication that this is his only backup plan. It's just the one that happens to be triggered onscreen.
 

His agents are always on the boat. She's under constant surveillance.

My point exactly. You don't put someone under constant surveillance unless you're prepared for a betrayal.

Additionally, since the agents on the boat know she's been turned, they have ample time to phone their boss to let him know. Indeed, assuming any of the characters involved have half a brain, it needs to be assumed that they did so - simply turning up with an enemy agent, even if he is a captive, should be an absolute no-no in any properly run evil empire.

I won't disagree on the monumental stupidity part. But there's also no indication that this is his only backup plan. It's just the one that happens to be triggered onscreen.

Yes, but given how elaborate this backup plan was, just how many such plans are we supposed to assume that he has? Especially since it would be much easier to simply avoid capture in the first place.

Indeed, if his goal is "confront M and then kill her", then the film has already shown one much easier way to achieve that - just break into her house, like Bond did.

Incidentally, regarding some of your other examples...

You can see similar moments in The Dark Knight: What happens if the Joker isn't captured and taken to the ICU? Well, then he probably succeeded in killing Dent and possibly revealing Batman's identity and would just need to figure out some other way to take out the accountant. (Which he probably could, since he has access to both of the traitors working for Gordon.)

I had no problem with that, because the Joker's "deliberate capture" plan was the product of a demented mind, and because the deliberate capture gave him something that he otherwise didn't have - access to the lawyer. Plus, his escape plan was well in place before then, and not reliant on the good guys doing anything out of character.

Similarly, John Doe's plan in Se7en makes a certain amount of sense, because he needs to get close to Bard Pitt, and because he's already achieved almost everything he needs to achieve anyway. And, of course, he doesn't need to stage an escape.

And Loki's plan in Avengers Assemble gives him three things he didn't have otherwise: the ability to sow dissent amongst the heroes, the ability to 'activate' the Hulk, and the ability to have Hawkeye track the heroes' hidden base.

Even so, I'm not sure any of these is a good plan, but at least they all give the bad guys some recognisable advantage.

(For Skyfall, a better approach may have been the folowing: the goons we see later in the film are actually tracking the laptop, which they follow to MI6's new hidden base. They break in, free their boss, and wipe out most of the remaining agents. That explains the capture, the escape, and it also explains why Bond then rushes off up North without backup, to a barely-fortified location that he hasn't visited in decades and so doesn't even have any real local knowledge of.)

And The Phantom Menace: What happens if the Jedi don't miraculously escape at the beginning of the film, rescue Amidala, and bring her to Coruscant?

The Phantom Menace makes a lot more sense if Qui-Gon is actually working for Palpatine the whole time (especially if Darth Maul doesn't know this):

Palpatine arranges the invasion, and when Valorum dispatches two Jedi to negotiate, Qui-Gon uses his influence to get the job. The attempt by the Trade Federation to kill the Jedi is staged, which is why Qui-Gon is able to identify the poison used - he can't do it by scent, since it's an inhaled poison, and he surely can't identify it by sight since it's just a sort of smoke.

So, the Jedi go to the planet and 'rescue' Amidala. This explains why the Federation can't shoot down a ship with no shields - they were trying not to. Oh, and the hyperdrive wasn't mysteriously "damaged" - it was sabotaged by the Federation while the ship was on the ground, under Palpatine's never-explained orders.

Why go to Tatooine? Well, Palpatine wants Qui-Gon to pick something up for him - the child conceived by his old master, Plaguis. (That explains why Darth Maul is able to track the ship to Tatooine, when both Qui-Gon and Obi-Wan make it clear no transmissions were to be sent - he didn't; Palpatine told him to go there. It also explains why Qui-Gon engages in this madness over the Pod Race, when it would make more sense just to pop to Mos Eisley and hire a freighter, or just borrow some money from Jabba, or find a money-changer, or...)

And then they take Amidala to Coruscant. This is an instrumental part of Palpatine's plan - he needs her to call for the vote of no-confidence, because if he does it then he won't get the job. Politicians are notoriously averse to rewarding the hand that weilded the knife.

It's only after that that the plan starts to unravel, with Amidala returning to Naboo and defeating the Federation, and with Darth Maul killing Qui-Gon. Suddenly, Qui-Gon isn't around to train Anakin, and so Palpatine needs to take a more direct hand. And he also needs a new crisis with which to deepen the conflict.

--

Seriously, up until RotS came out, I had half expected that to be the big reveal of the movie. There had even been hints of this in AotC, what with Dooku turning out to be Qui-Gon's mentor, and his line "don't be so sure..."

The layout you give on your blog is interesting... but I'm afraid I put much less store in the genius of George Lucas. I think instead he just had a vague sequence of events in mind (that is, the things that happened in the films), but really needed someone to help him out with the details.
 

I enjoyed the film, but there were quite a few issues that bothered me and reminded me that I was watching a movie during the movie (it kicks me out of the moment).

1) The need to have action scenes that cannot be seen. Grabbing the elevator was a nice addition, but it was followed up by a scene in the dark with reflections off a bunch of glass where it's hard to see some things, then followed by a fight scene where the audience cannot tell who is who part of the time because the fight is in the dark. Or, the fight scene on the island where they zoom in, so one doesn't see how James manages to take out five guys, instead one has to fill in the blanks themselves as to where each bad guy was at the time that James makes his move and takes them out. This type of shakey, hard to see filming started appearing in the movie The Rock and has been a staple of action films ever since (the opening scene of Quantum of Solace was this way as well).

2) When James enters the tunnel at SkyFall, the first thought in my mind (and my wife's as she later told me) is, why did he not close the door behind him? He just set up a huge bomb behind himself.

3) Using a flashlight on the moors in the dark when there are dozens of bad guys a few hundred feet away? What was up with that? "Hey bad guys! Here we are!"

4) I was also bugged by how incompetent they made Bond appear to be in his testing. He went from being the cream of the crop to not even capable. That was too much of a stretch IMO. Not quite on par with Bruce Wayne being a cripple with a cane, coming back, getting his back broken, and then coming back again, but similar. They are trying to make Bond seem more vulnerable and human, but then have him do superhuman things anyway.

5) And just standing there and watching an assasination happen without trying to stop it is just plain creepy and way out of character for Bond. It's one thing to kill someone to accomplish a goal, but not to just watch murder as it is happening. He could be cold when necessary, but not totally callous and unfeeling. This isn't the Bond in any of the other movies, or the books that I remember. In the other movies, he actually helps people or saves people. That's why he is a hero, not a villain. The scene where he was concerned about his fellow agent at the beginning was Bond, but not the assassination. I was also bugged when the painting had no blood or a hole on it, even though it was in the line of fire of as assassin's rifle bullet. Huh?

6) The villain was just willing to blow M away in the courtroom, but was then suddenly suicidal at the end? What was up with that? I prefer villains that are consistent in their behaviors. He was only a little nuts on the island, but a lot nuts there (Joker level nuts). He also could have blown James away on the ice, but instead stands there talking? Just a few minutes earlier, he was throwing firebombs into the building, but now, it's time to talk? And the villain has henchmen on the island that he trusts so much that he doesn't even carry a weapon? This villain wasn't a world class Bond villain. His biggest threat was to kill a few agents and cause some harm to the reputation of MI6. Where was the threat to the well being or the economy of the world, or at least the destruction of a major city? In the end, James didn't even save M the main target of the villain, he just killed the bad guy. He didn't thwart the bad guy's plan. Meh.

7) And, of course, hooking a captured laptop into a secure intelligence network. Hmmm. That just fails on so many levels.

8) No cool gadgets. The homing radio hardly counts as cool and the earpiece/headsets are items that regular people sometimes use. The souped up DB5 shouldn't have even existed (due to the Craig reboot). The best they could do was the gun that only works for him.

The recent Craig films have been heavily short of gadgets, but it's pretty bad when wikipedia lists a smart phone, just to get the list up to 4 items.

http://en.wikipedia.org/wiki/List_of_James_Bond_gadgets

9) Villain bases are affected by the recession I guess. What a dump. I guess film location budgets are limited these days. ;)

10) What was with the major bomb that allowed the subway train to derail into a totally different area? When did the villain have time to set that up? Was it in that little bag that his henchmen handed to him with the clothes in it? He wasn't carrying it on the train. I guess he was psychic enough to know the path he would be taking when leaving and his henchmen set it up off camera.


It's just little things like this that take a great movie and drop it to the level of an ok movie. Sure, some of them are required in order to keep the plot moving, but isn't there a better way? If it is required to have the bad guys follow on the moors, then instead of crashing the helicopter into the building, have it fly around the moors and spot M. M gets lucky and shoots down the helicopter, but everyone then knows where she is. When supposedly trained professionals do stupid things, it's annoying. The flashlight felt extremely forced.


All in all, it was an ok film, maybe even a good film. Better than some Bond films, especially several of the Roger Moore ones. It just wasn't a great film or really a Bond film. And most of it was because they are trying to do a James Bond reboot of some sort. Take away his gadgets. Take away his motivations. Take away the threat of the villain. Meh.

The opening action scene, the Komodo dragons, the casino (sort of, but no gambling), the yacht, and the DB5 felt like a Bond film. Little else did. He didn't save the day, he killed the (fairly lame with respect to goals) villain.

Get rid of the insecure semi-normal Human Bond and bring back James Bond. This was a decent standalone action spy film. Put different character names on it and except for a few minor nits, it would have been a pretty good film. But they ripped the guts out of it being a Bond film.

The hero insecurity and physical incapability, the villain being a deluded maniac, the villain being captured and imprisoned, but having a way out. This just feels like a ripoff of the most recent Batman movie.
 

Great script and direction. I liked the pacing. Without some ups and downs I don't think I would have been as invested in side points, like feeling bad for the "scotch girl," or feeling elated when
Moneypenny
is introduced, or as much at the
death of M
. I think the action scenes were plenty well paced and only tempered in parts to
emphasize Bond's struggle with thinking he might be losing a step
. Connery is now in second place on my list of favorite Bonds.
 

I have not been that much of a fan of the Craig, they have been good movies just not sure if I saw them as "Bond" films, I am a old fart and I think the market was hit with a lot of action spy dramas and that watered down what I grew up with.

Again, they have been good movie and this one may be the best.

I think Bond was being setup as soon as he got the text message from an unknown caller in the bar, from that point on, it was a trap.

Villain was good but as said, better by others, just a changed up version of those that came before.

No really over the top sexy Bond girls in the movie, Moneypenny needed meat on her bones and did not have a WOW factor.

Overall, 4 out 5 as a spy action movie - The Girl With The Dragon Tattoo was as much a Bond movie.
 
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Indeed, if his goal is "confront M and then kill her", then the film has already shown one much easier way to achieve that - just break into her house, like Bond did.

Sure. But since that explicitly isn't his goal, it's becoming increasingly clear that you're more interested in trying to gotcha an imaginary plot hole than actually discussing the movie.

4) I was also bugged by how incompetent they made Bond appear to be in his testing.

I actually kept expecting the reveal to be that they'd faked his test results knowing that Silver had access to their databases.

5) And just standing there and watching an assasination happen without trying to stop it is just plain creepy and way out of character for Bond.

I agree. This was the one sour note for me in the whole movie. And he basically does the exact same thing a few minutes later when he lets Silver murder the girl and then immediately displays his ability to take out everyone present.

But it's not the first time Craig's Bond has done this: In Casino Royale he simply stands outside a door listening to a woman about to be mutilated by terrorists.

And although circumstances are somewhat different, he's actually allowed Bond girls to get needlessly murdered by the bad guy in all three of his movies. I don't mind seeing Bond girls killed (it's part of the formula), but traditionally it's been due to a failure on Bond's part and not simply a lack of caring.
 

Sure. But since that explicitly isn't his goal, it's becoming increasingly clear that you're more interested in trying to gotcha an imaginary plot hole than actually discussing the movie.

There's also the business with the list of agents, but he already has that. In the second half of the film, the only motivation I recall seeing (or that wikipedia's plot summary indicates) is revenge on M.

If I've missed something then by all means enlighten me.
 

2) When James enters the tunnel at SkyFall, the first thought in my mind (and my wife's as she later told me) is, why did he not close the door behind him? He just set up a huge bomb behind himself.

Hmm. I'd assumed that he had, but that the force of the explosion blew through it.

4) I was also bugged by how incompetent they made Bond appear to be in his testing. He went from being the cream of the crop to not even capable. That was too much of a stretch IMO.

I didn't think this was unreasonable. He'd been shot and seriously injured, near-drowned, then spent months out of action. Plus, since then he'd been engaged in all manner of self-destructive behaviours and appeared to be held together with too much alcohol and pain killers.

I actually really liked this aspect of the film, and the way it highlighted that the life of a secret agent is extremely destructive. Plus, it tied in to "Casino Royale", where after the fight in the stairwell Bond is only able to pull himself together by consuming a near-lethal amount of alcohol.

6) The villain was just willing to blow M away in the courtroom, but was then suddenly suicidal at the end? What was up with that? I prefer villains that are consistent in their behaviors.

Again, I didn't have a problem with this. He basically had mommy issues, and desperately wanted to kill her (and, indeed, himself). And as long as he kept moving, it was easy to continue in his hate. Even the courtroom was fine, because the heat of the moment stopped him from thinking about it too much.

But at the end, once everything was stripped away, and it came down to cold-blooded murder, he suddenly found that he couldn't pull the trigger.

He also could have blown James away on the ice, but instead stands there talking? Just a few minutes earlier, he was throwing firebombs into the building, but now, it's time to talk?

Yeah, that was problematic.

This villain wasn't a world class Bond villain. His biggest threat was to kill a few agents and cause some harm to the reputation of MI6. Where was the threat to the well being or the economy of the world, or at least the destruction of a major city?

I actually like that the new Bond films tend to have a much smaller scope - Casino Royale was about turning a single agent, Quantum of Solace chipped away at the edges of a conspiracy, and now Skyfall is about a single rogue agent with a personal agenda. That seems much more in keeping with the books, where most often the villains weren't about world domination (or at least weren't in a position to achieve it). Besides, once you've saved the world a couple of times, it becomes increasingly difficult to come up with a credible threat for next time.

8) No cool gadgets. The homing radio hardly counts as cool and the earpiece/headsets are items that regular people sometimes use. The souped up DB5 shouldn't have even existed (due to the Craig reboot). The best they could do was the gun that only works for him.

Actually, all the gadgets are rather problematic.

The gun really doesn't make sense. Bond is a secret agent whose duties occasionally include outright execution (see "Casino Royale"). That being the case, what he wants is an anonymous, easily disposed weapon. With this gun, a simple ballistics check that identifies his weapon also definitively ties the shot fired back to him. Additionally, because he can't even wear gloves while firing it, if he has to dispose of the weapon in a hurry (or otherwise loses it) it is guaranteed to bear his identfying marks.

The radio likewise didn't make too much sense. In most of the world, it achieves nothing that a mobile phone doesn't. If its benefit is better range, then it probably makes more sense to instead give Bond a better mobile phone. The radio is only really of much use if Bond has had his phone taken from him... but if that's the case then it's probably better to give him a radio that doesn't look like a radio. Plus, this radio is quite amusing, given the subdermal tracker Bond gets in CR, and the lengths he goes to to remove it.

You're right that the DB5 didn't fit, but it's just cool. If you need to explain it in-universe: the car obviously belonged to some other agent in the past. MI6 had scheduled it for destruction as a relic, but Bond saw it, thought "cool!", rescued it from the scrap heap and has spent the last several years lovingly restoring it. Or something.

(Of course, there's also Q's reference to the exploding pen of Goldeneye days. Basically, the universes seem to be colliding. :) )

Again, I quite like that the gadgets have been few and far between recently. They just weren't a big feature of the books, and had both become part of the comic relief element of the Bond films and a part of them become rather formulaic. Plus, our technology has now reached a point that much of what they might give him has either already been done or would seem very sci-fi in nature.

All in all, it was an ok film, maybe even a good film. Better than some Bond films, especially several of the Roger Moore ones. It just wasn't a great film or really a Bond film. And most of it was because they are trying to do a James Bond reboot of some sort. Take away his gadgets. Take away his motivations. Take away the threat of the villain. Meh.

I dunno. As I said, I liked that they've toned down the gadgets. But Bond's motivations seemed quite solid - he's an agent for Queen and country, with a very strong personal loyalty to 'M'. Just like in the books, in fact. What will be interesting to see will be whether he transfers his loyalty to the new M, or if they'll be shown to have issues, at least in the next film.

And the villain seemed nasty enough - his initial threat was really quite nasty (expose the agents), and his later personal obsession with M also seemed vicious enough to be a credible (albeit small-scale) threat. I didn't really have an issue with any of that.

The opening action scene, the Komodo dragons, the casino (sort of, but no gambling), the yacht, and the DB5 felt like a Bond film. Little else did. He didn't save the day, he killed the (fairly lame with respect to goals) villain.

IIRC it wasn't explicitly stated, but my understanding was that he did save the day - when he captured Silva (and his laptop), he also recovered the list. It's just that after that point Silva's plan moved on from "cause trouble for MI6" to his real goal of "kill M". At that point, Silva no longer needed the list (and the plot can move forward), but in the bigger picture it was actually that, rather than the threat to M, that MI6 were most concerned about.

(Of course, if Silva's real goal wasn't "kill M", and the capture/escape wasn't part of his original plan, then it really doesn't make sense that the list would be on the laptop. A villain capable of putting together an elaborate contingency plan to escape capture would also not put his only copy of the list on a laptop that he might well have to abandon as part of his escape.)

Get rid of the insecure semi-normal Human Bond and bring back James Bond.

The good news is that I think they have here. The Bond we see in the last scene is very far from the Bond we see in M's house. He's regained his edge and exorcised his demons. Bond is back.

(Yes, despite my major issue with the whole capture/escape thing, I really enjoyed this film.)

Oh, I did have one other nitpick, though. "Country? England." WTF? Firstly, Bond is Scottish, or at the very least spent his early years in Scotland. And he works for the government of the United Kingdom. England, indeed! Bah! :)
 

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