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Now that The CW is out of the question I suppose we won't be subjected to a B5 crew made up of late 20-somethings, playing late-teens, in constant love triangles.
Truth is a three-edged sword. There’s his truth, her truth, and ima bang Kosh.
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Now that The CW is out of the question I suppose we won't be subjected to a B5 crew made up of late 20-somethings, playing late-teens, in constant love triangles.
Truth is a three-edged sword. There’s his truth, her truth, and ima bang Kosh.
Now that The CW is out of the question I suppose we won't be subjected to a B5 crew made up of late 20-somethings, playing late-teens, in constant love triangles.
They're cutting costs and ordering a lot more documentaries and reality shows.Apparently, the CW is about to make a hard turn, as they've done the sort of market research one would have assumed they were doing all along. It turns out their actual viewers are in their 40s and 50s, rather than teens and early 20s.
/nod It's the predicted oversatureation of the streaming market. Too many services an not enough dollars. Now everyone is trying to crank up profits and put out just enough content to keep the viewers. As far as Scifi and fantasy shows netflix is repeating the Scifi debacle. They decided that Horror shows were more profitable so they started killing popular shows like Dark Space. Now they want thier scifi fans back but they keep trying to give us Futuristic Horror instead of actual SciFi. Disney is trying to cut down the amount of content they put out to make thier service more profitable.(don't ask me what idiot came up with that).For this reason, mainly:
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Netflix Has Created A Self-Fulfilling Cancelation Loop With Its New Shows
A couple weeks ago, I remarked that Netflix now felt like it was “actively stealing time from me.” I can almost not even remember which cancelation I was talking about at the time, given that there have been so many, but I believe it was 1899www.forbes.com
For me it started with the cancellation of Archive 81, a show I really liked but they cancelled after a single season. Thankfully it was relatively self-contained. But then it happened with 1899 from the creators of Dark, a series I adored. I hadn't watched 1899 yet because, like the most recent season of Entrapped, I was saving it up, enjoying having something I know I'll like in the queue. But evidently 1899 ended on a cliffhanger, so now I'm not even going to bother.
And now it is Warrior Nun, a show I only watched half an episode of and decided wasn't my cuppa, but is causing a Twitter furor. So while I'm not disappointed in its cancellation, I commiserate with fans who are.
So basically we're left with the phenomena of Netflix only renewing series that are not only popular, but popular very quickly. A high concept series like 1899 needs time to build an audience - it will never be an instant hit. I'm a good example of this: I didn't watch Dark until last year (2022), and then consumed all three seasons in the course of a couple months.
I am reminded of what happened to mid-list authors in the publishing world. Basically big publishers will only give offers to bestsellers (or close to bestsellers) and new authors, and then for new authors the clock is ticking, with about a three book window to see if they can establish a sizable audience. Mid-listers either have to find smaller publishers or self-publish.
The end result is a dumbing down and homogenization. There's still some range of diversity, of course, but not nearly as much as there could be, if profit margins were a bit more lenient (meaning, shows like 1899 probably still generate profit, just not as much as Netflix requires to continue).
Anyhow, mostly venting...
No they decided that the superhero shows that had solid viewing audiences werent' bringing in enough dollars for the cost so they are giving up on the comic fans and targeting documentaries and reality shows because they are cheap. They think they'll make more money that way and they might. Modern Scifi budget get stupid because special effects have become more important than the story. I think that's the real story. A lot of reality TV shows give people more to connect with than the tired save the universe trope.They're cutting costs and ordering a lot more documentaries and reality shows.
Seems like what they were doing WAS working, even if it wasn't the audience they expected... would be foolish of them to try to court the 40-50 with shows they THINK they would want rather than the type of shows that were already attracting the 40-50 folks to their brand!Apparently, the CW is about to make a hard turn, as they've done the sort of market research one would have assumed they were doing all along. It turns out their actual viewers are in their 40s and 50s, rather than teens and early 20s.
People are getting WAY too demanding when it comes to special effects. Giant blockbusters have totally spoiled viewers. Star Trek became a classic with plywood decors and deserts out of LA standing in for alien planets. You don't need giant budgets to make good fantasy and sci-fi TV dangit! Ultraman is always reusing monster suits and miniatures with probably a budget for their half-season shows that's lower than a single episode of Game of Thrones, but still manages to create interesting and engaging stories!No they decided that the superhero shows that had solid viewing audiences werent' bringing in enough dollars for the cost so they are giving up on the comic fans and targeting documentaries and reality shows because they are cheap. They think they'll make more money that way and they might. Modern Scifi budget get stupid because special effects have become more important than the story. I think that's the real story. A lot of reality TV shows give people more to connect with than the tired save the universe trope.