Desdichado
Legend
Also, where's the main page of the "classics of fantasy" list? I'd like to browse through those articles, but I can't seem to find a link to them anywhere.
If you go to the books page, there's a tiny link at the bottom to the archives. You'll have to scan through the list looking for "classics of fantasy"...Joshua Dyal said:Also, where's the main page of the "classics of fantasy" list? I'd like to browse through those articles, but I can't seem to find a link to them anywhere.
Thanks. I certainly found it interesting.Joshua Dyal said:That article you posted, mmadsen, is interesting.
I'm actually not a gigantic Leiber fan, but I didn't mind seeing him lionized like that. Of course, one reason I don't count myself a huge fan is that I haven't read the books in a long, long time, and when I tried to reread them, I found the first book uninteresting (and didn't finish it). Of course, the article points out why that might be:Joshua Dyal said:Although I do enjoy Fritz Leiber immensely, the writer of that article seems to want to deify him beyond what he deserves.
I may have to hunt down the "right" stories to read.Those interested in sampling the series would be well advised to skip over the stories in Swords and Deviltry (late additions to bring the two characters together and provide them with "origin stories") as well as the frame story for Swords Against Death and plunge right into the heart of the series with "The Jewels in the Forest" and the stories that follow in the second volume (Swords Against Death). Other outstanding stories include "The Cloud of Hate" (Swords in the Mist), "The Frost Monstreme"/"Rime Isle" (Swords and Ice Magic), and most of The Swords of Lankhmar. Like the first volume, the final (The Knight and Knave of Swords) is best avoided by all but completists.
He calls Howard an honest hack, and -- while I love his work -- he is a hack: his writing isn't "literature"; it's pulp fiction, written for money. I can respect that:Joshua Dyal said:Also, to call one of the most influential writers of the genre an "innocent hack?" Ouch!
Sword and sorcery was a mainstay of the fantasy pulp magazines, best exemplified in the work of Robert E. Howard, whose Conan series (1932-36) pretty much set the standard for decades to follow. Howard may have been a hack, but he was an honest hack, able to vividly convey his own wild-eyed enthusiasm for violence as a solution to virtually any problem. Conan himself is a paean to the virtues of the Noble Savage who grows in character throughout the series, culminating in the novel Hour of the Dragon (also known as Conan the Conqueror) where a middle-aged Conan has acquired a sense of responsibility and fights to defend the subjects of his usurped kingdom.
There isn't a main page for the "Classics of Fantasy" column anywhere? How do you know if you missed one or not?mmadsen said:If you go to the books page, there's a tiny link at the bottom to the archives. You'll have to scan through the list looking for "classics of fantasy"...
(Ooh, they've posted a new one: Hobberdy Dick.)
Ah, my mistake. Still, according to that definition, there are few (if any) non-hack authors who have been published. Shakespeare is a mere hack. Not only that, the connotations involved with the word imply that Howard did nothing original or had no skill, both of which are untrue.mmadsen said:He calls Howard an honest hack, and -- while I love his work -- he is a hack: his writing isn't "literature"; it's pulp fiction, written for money. I can respect that: