Favorite Movie Entrance

Wormwood said:
My favorite movie entrance of all time:

- The Big Lebowski: The Jesus. All others pale in comparison.

End of discussion.

hehehe...HAHAHAHA! I'm going to be chuckling to myself for the next several hours about this one. How could I forget The Jesus???

Another Boondock Saints fan, I see. Great flick. Why have so few heard of it? I smell a new thread coming on...
 

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I love Maximus walking along his troop line-up at the beginning of Gladiator.

It's not the most memorable but I always liked Arnold's entrance in Predator--a helicoptor landing in a isolated military camp, a his team gets off one by one, finally the last is Arnie, in a sleaveless top, musclebound, and carrying one dufflebag which he tosses out.

OK, here's an obsure one, the midnight scene in The Black Stallion where teh Black runs a trial run for a well-known race promoter. The moment when race promoter get's out of his car is incredibly well done, of not over the top. The scene has all the cliche trappings--It's midnight, raining, cold, the promoter comes at the last moment, the promoter gets out of his car, staining his white shoes and slacks in the mud. Love that scene.
 

Hmmm... Great thread.

Although it's been said countless times, Darth Vader's entrance is the best in cinematic history. I suppose I ought to say "entrances" since he reprises a powerful appearance in The Return of the Jedi when, accompanied by a bold and chilling statement of The Imperial March, he descends from the shuttle and through a cloud of smoke (the exhaust fumes from the shuttle). Brilliant.

The Balrog in FotR. First we hear its roar, which sends the goblins packing. Then you see the dread creep into the face of the Fellowship, particularly Gandalf and Legolas. Then you see the halls lit with flames as something huge approaches. Then Gandalf says, "Run!" and they do. After a long, action packed sequence on a bridge (great encounter!), just when the audience thinks the Fellowship escaped the invisible threat, just as they're racing to the Bridge of Khazad Dum, Gandalf turns to a wall of fire when this huge, horned monstrosity emerges (fantastic teleport spell-like ability) and roars. It's so hot that the air wavers before it. And The Balrog gives chase.

Sauron in FotR. In one shot, Sauron knocked Vader down as being the best dressed villain in fantasy. First we get the horrific zoom-in to his helmed face right before we see his entire form surrounded by flames. If that's not a satanic image, I don't know what is. Oh, and let's not forget what happens when he comes out and lays the smack down on the Last Alliance. Awesome Blow owes its existance to that single sequence in the film.

Superman. As Lois dangles from the helicoptor, a witless Clark Kent exists the Daily Planet and sees a piece of Lois' clothes on the floor. As soon as he looks up and realizes what's happening, the dazed, goofy look on his bespeckled face disappears and he's all business. Accompanied by building chords that hint the Superman fanfare, he looks around for a place to change (ignoring the small phone booth). Then, he finds his place and, with an especially heroic statement of the Superman March, he pulls rips his shirt away to reveal the "S" shield. BRILLIANT!

Batman. Two pathetic muggers think they're safe on the roof tops of Gotham City, having just purloined a wallet and purse from witless tourists. As they go through their ill-gotten loot, they don't see the huge, winged form descend from the night sky behind them until it's too late...

Khan from Star Trek: The Wrath of Khan. Held in check by a bunch of super humans, Chekov and his Captain are forced to watch the apparent leader of the cabal, slowly remove his mask and protective gear. With the slowness of dripping bile, the gloves, then the cloak, and then finally, the mask is removed to reveal.... Khan.

Pinhead from Hellraiser II: Hellbound: When the Cenobites are called back to this plane early in the film and Pinhead emerges from the illuminated cooridor... pissed as all Hell.

The Headless Horseman from Sleepy Hollow: Although we get a glimpse of him early in the film and when he kills elder Masbeth, it's the scene with the Magistrate that takes the cake. As Crane confronts the Magistrate about the legend, first we see the lambs take off. Then, the wind picks up. Then we hear the shriek of a horse. As the Magistrate takes off, the Headless Horseman tears out of the surrounding woods to deliver once of the best (and most... well... amusing) decapitations in film.

Keyser Soze/Verbal Kint in The Usual Suspects: Although this is at the end of the movie, in a way, depending on how one reads it, this is the only introduction of the films antagonist. Having been released from the LAPD, Verbal Kint leaves the building just as Agent Kuon (sp?) has a revelation. We watch as the "gimp" limps down the sidewalk... as his limp suddenly disappears and how he draws and lights a cigarette with his formerly palsied hand. "And like that... he's gone!"

Merlin in Excalibur: The best known wizard emerges from a blood red, smokey haze to witness the final triumph of Uther over all those opposed to the future Merlin hopes to orchestrate. First we see his shadow, and then we see him, and then we get a close up. Cool.

Hannibal Lecter from The Silence of the Lambs: Yeah. We hear about Lecter for at least 10, 15 minutes before we, along with Starling, are rushed deeper and deeper into the bowls of the earth, listening to instructions that should keep us safe. Then, we and Starling are forced to walk a long, narrow hall, until we reach the last cell where, waiting for us, is Hannibal "The Cannibal" Lecter. So debonair. So dapper. So dangerous.

Wow. There're so many!
 

The Serge said:
The Balrog in FotR. First we hear its roar, which sends the goblins packing. Then you see the dread creep into the face of the Fellowship, particularly Gandalf and Legolas.

But they didn't do the line!

'Ai! ai! ' wailed Legolas. 'A Balrog! A Balrog is come!'

I want my 'Ai! ai!', damn it!

-Hyp.
 

Shelob, the second time, when she creeps up behind Frodo. Nothing that big has any business being that nimble and that quiet. Then he looks round, sees nothing, looks back, and.....WHAM.

Memorable for a wholly different reason, Rene Russo's entrance in The Thomas Crown Affair
 


The Witch-King of Angmar in ROTK. It plays like a grim parody of all of those "suiting up" shots in football movies.

Darth Vader in Star Wars. It's been said so many times, but still.

Godzilla in the original 1954 movie. A lot of teaser shots, a foot here, a destroyed boat there, his head over a mountain, and then he just marches up the shore towards Tokyo, like a force of nature. Sure, I'm a geek, but still...

Demiurge out.
 

Tucco, Angel Eyes, & Blondie from a movie that I shouldn't have to name.

Lee Van Clief walks into the house of a man he's been paid to kill, starts eating dinner with him, accepts a commission to kill the person who hired him in the first place, guns down the man and his oldest son, then goes back and kills the man who originally sent him on the mission...Angle Eyes always finishes his jobs.

What a flick!
 



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