Finally saw THe Last Samurai

Heh. I enjoyed the movie, even if it was "the Meiji Restoration, done Tom Cruise-style" Visually stunning at points, but I agree the plot felt somewhat rehashed. Considering how history would progress from that point, I'm not sure how I felt about the ending.

Poor Billy Connoly...one day he'll be in a movie where he isn't killed off so quickly.
 

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Seen worse movies. Seen better movies. I imagine the most annoying part was the painfully flashy final battle.

You know, this is rather simmilar to my view having just watched Windtalkers. I though Windtalkers had some good acting, and a pretty good story. The problem was it gide highjacked by being a John Woo film. Without the over the top action stuff, I would have liked it a lot more.

buzzard
 

I half expected this to be one of those idiotic "No, we were not teaching him. It is he that was teaching us!" movies, with Tom Cruise showing the Japanese how a real samurai is supposed to act, but I was pleasantly suprprised.
 

In the years to come, will it be a (fact?) that nearly everything "new" will be a better or worse copy/immitation of something else we have allready seen?

I mean this happens more and more in film industry, music and everywhere.For how much more will people be able to breakthrough?

We will never stop moving forth, or there is a point that everything stops?

________________
The Wizard
 


I haven't seen Dances with Wolves, but even if I had, I doubt I'd have liked it as much as Last Samurai. Being a Japanese Studies major, I'm just more prone to finding things about contemporary Japanese culture (this isn't quite contemporary, but close, since the Meiji Restoration was the beginning of mass modernization in Japan) interesting.

Personally, I liked the film quite a bit. It doesn't matter to me that other films have taken the same angle...while the specifics are endlessly variable, as far as themes go, there are only so many; it's not how original a theme is, but how well it's done. And The Last Samurai protrayed it's theme exceptionally well, in terms of music, scenery, acting, etc. I found that the film was great at expressing "aware" (pronounced "ah-wah-ray"), which is the concept of longing, one that pervades Japanese art. Admittedly though, sometimes the movie went too far, moving into outright angst - I think that this is because American cinema tries a bit too hard to evoke emotion in its audience (as a generality); "aware" is quiet longing, but at several points the movie was trying to portray a much deeper sense of loss.

It was also interesting to view the movie against its historical context. The Satsuma Rebellion wasn't nearly as cut-and-dried as they portrayed it. As it actually happened, the Rebellion was based on political reasons; not cultural ones.
 
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I enjoyed it despite its flaws. The film is interesting in that it's pure Hollywood in a way, yet targetted as much at a Japanese as an American audience, both by casting the incredibly popular Mr. Cruise and its unique mixture of flattery, appeal to national pride and sentiment.

The film was *very* successful in Japan and even reviews (although they might point out historical inaccuracies) seem to have been overwhelmingly favorable.

(I'm interested in the globalization of cinema, since - as I've noted in a few other places - my wife is currently in the director's program at USC's School of Cinema-Television.)
 

If you don't mind the over-pathetic (and unbeliavable in the worst sense) finale, a few approximations, and a somewhat ahistorical feel to this movie, it's really pretty good.
 

Viking Bastard said:
Dancing With Samurais.

Watanabe was good. And the ninjas. And Billy Connolly. And the jokes about
the old bodyguard that never wanted to talk to Cruise. But the rest was awful.

The ninjas were bad. Let's throw in an evil ninja horde to pit against the good samurai! The entire movie was a pretty contrived Hollywoodization of Meiji Japan, but that scene was the most blatant.

I enjoyed the movie in its context, but still that scene made me cringe.
 

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