IcyCool
First Post
I'll respond to your points this time around, but we should probably make a new thread if you think this line of discussion will continue.
Therein lies the rub. Is a work "low brow pedestrian" if you like it? Or does it only meet that criteria if you don't like it, but the "lowest common denominator" does? Talent has very little to do with success. Appeal has everything to do with it (IMHO, of course).
The questions I asked were out of honest curiousity. Dustyboots is apparently someone who is a part of that industry, and likely has knowledge about it's inner workings that I do not. Also, I'd like to know what he/she has done, as I might enjoy it. No problem on the misunderstanding though. Words on a screen don't generally convey context or intent. Readers add those in all the time.
But what qualifies as "low brow pedestrian"? Maybe I thought the dick and fart jokes in movies such as Clerks and Mallrats were "ground-breaking" or "innovative". And maybe you thought they were "low brow". These are subjective terms, to be sure.
We have a pretty solid way of measuring the value and success of a movie or novel, and it isn't with terms like "ground-breaking" or "innovative". It's called "sales".
Certainly, predicting what will appeal to the majority of people isn't an exact science, and neither is it even easy.
Again, what you find to be highly creative, I might find to be utter rubbish.
As true then as it is now.
Also, to your junk comment, I'll throw another platitude at you: "One man's trash is another man's treasure."
I don't mean to say that opinion is not a valuable point, but neither do I think that just because my friends and I think an author or actor is talented, they are.
I think talent is a very difficult thing to measure in such a subjective field.
All I'm saying is, if I ever decide to write a novel, you can be sure I'm doing it from the comfort of the new house that was paid for by all the trashy romance books I wrote.
Chain Lightning said:In my opinion? Both. Of course, I don't know how much validity my opinion really has. But it seems to me, a lot of the really stand out movies, tv shows, and books we like had both big sales and big talent. Granted, there is plenty of evidence to the contrary. The movie "Armageddon" was (if I recall correctly) the biggest money success that year (and I think its safe to say that most of us agree on its low level of quality -- as far as story goes).
Therein lies the rub. Is a work "low brow pedestrian" if you like it? Or does it only meet that criteria if you don't like it, but the "lowest common denominator" does? Talent has very little to do with success. Appeal has everything to do with it (IMHO, of course).
Chain Lightning said:This is one of those times where I am the guy who put his foot in his mouth. For some reason, I had read your post too quickly and perceived a tone of sarcasm when there probably was no evidence that it was written with that intent. When I read your "What have you written? Do you have a popular fantasy series?" I thought that was a challenge marked with sarcasm. For this misunderstanding, I fully apologize.
The questions I asked were out of honest curiousity. Dustyboots is apparently someone who is a part of that industry, and likely has knowledge about it's inner workings that I do not. Also, I'd like to know what he/she has done, as I might enjoy it. No problem on the misunderstanding though. Words on a screen don't generally convey context or intent. Readers add those in all the time.
Chain Lightning said:Oh, I completely agree....the main purpose is to make money with movies. But as we've seen, the innovative or just the "plain well done" movies make MORE money than the safe bet lowest common denominator property. Again, yes I'm aware of low brow pedestrian works have also made lots of money, but I think its usually the well crafted ones that hit it bigger more often.
But what qualifies as "low brow pedestrian"? Maybe I thought the dick and fart jokes in movies such as Clerks and Mallrats were "ground-breaking" or "innovative". And maybe you thought they were "low brow". These are subjective terms, to be sure.
We have a pretty solid way of measuring the value and success of a movie or novel, and it isn't with terms like "ground-breaking" or "innovative". It's called "sales".
Chain Lightning said:Here's where the grey areas start to show themselves. What's going against the masses and what's not? To me, I think if the masses is the center line in which we creatively travel along, my intent was to say that we can veer slightly to the left and right of it to achieve uniqueness without putting mass appeal into jeopardy. Only when you veer drastically like ....let's say David Lynch's films, do yo lose mass appeal.
Certainly, predicting what will appeal to the majority of people isn't an exact science, and neither is it even easy.
Chain Lightning said:I think its possible to maintain mass appeal and be highlly creative at the same time. This is the hard part of being an Editor, Producer, whatever.....
Again, what you find to be highly creative, I might find to be utter rubbish.
Chain Lightning said:Having the skill to be able to see what is unique and new , but yet understandable to most people, is rare skill indeed. In my opinion, those who are both well skilled in writing as well as being a fan/consumer too are the ones that can see it the best. Lots of "suits" don't realize this and that's why I think we have lots of junk out there too.
Ecclesiastes 1 said:there is nothing new under the sun
As true then as it is now.
Also, to your junk comment, I'll throw another platitude at you: "One man's trash is another man's treasure."
I don't mean to say that opinion is not a valuable point, but neither do I think that just because my friends and I think an author or actor is talented, they are.
I think talent is a very difficult thing to measure in such a subjective field.
Chain Lightning said:That's a pretty safe tactic I must admit.![]()
All I'm saying is, if I ever decide to write a novel, you can be sure I'm doing it from the comfort of the new house that was paid for by all the trashy romance books I wrote.
