rounser said:
I suppose it's a fact of life that people by default associate the stylistic extreme of emphasis on a grim, negative atmosphere with coolness and originality.
Indeed.
I visualise the ultimate "grim and gritty" setting as having no dialogue whatsoever. It would be much like an 80s graphic novel or European arthaus movie. All changes of mood ("grim", "gritty", "grim-and-gritty", and "dead") will be conveyed by nuances of facial expression, camera angle, and graphic violence. (In European grim and gritty settings, however, casual, joyless sex may be substituted for some of the graphic violence.)
The ultimate grim and gritty setting will also have no light whatsoever. Light merely serves to dilute the intensity of grittiness, create a contradiction between intent and outcome, and highlight the crappy sets. It also makes for more interesting fight scenes if the combatants can't see one another.
The ultimate grim and gritty setting will also have no storyline whatsoever. Grimness is an existential metaphor, highlighting the absurdity of life and the pointlessness of human endeavour. To actually have a purpose would clearly go against the whole point of a grim and gritty setting, which is to instigate as much graphic violence (and/or joyless sex) as possible.
The ultimate grim and gritty setting can be summed up thus: eat, crap, kill.
The ultimate European grim and gritty setting can be summed up thus: eat, crap, bonk, kill.
I'll make millions.