MoogleEmpMog
First Post
Whizbang Dustyboots said:That's why I talked about LotR being a de facto (if imperfect) start for modern fantasy. You're working with a different timeline, obviously. In a different timeline, Howard and his contemporaries obviously set the trend early on.
What point would you start with for fantasy? And do you not see a dividing line between the sword & sorcery and pulp fiction -- which to a large extent became a rather small part of genre publishing by the time LotR was rediscovered -- and what's come after LotR's renaissance in the 1960s?
I would tend to start modern fantasy with Howard's first Conan stories, with a nod to Lord Dunsany and Lewis Carol, because post-Howard (and post-Lovecraft), we have a relatively steady flow of new fantasy written in a related mileu, and the emergence of "fantasy" as a distinct genre. Prior to Conan, fantasy is essentially lumped in with sci-fi, or even historical adventure.
Fantasy essentially undergoes a reset when Lord of the Rings becomes widely popular in the '60s, and a new generation of fantasy writers arises catering to this new market. Epic fantasy becomes the dominat subgenre and sword and sorcery becomes comparatively obscured. I'm not sure how much sword and sorcery really fades at this point; it's more a matter of epic fantasy being much bigger than sword and sorcery had been.
Nonetheless, the popularity of epic fantasy eventually leads to a renewed interest in sword and sorcery, as evidenced by the popularity of writers like Martin, and to hybrid "military fantasy" writers like Harry Turtledove, who essentially apply a sword and sorcery mindset to an epic fantasy plot.
Whizbang Dustyboots said:The differences between Lewis and Lackey are more a matter of real-world religious and philosophical differences, rather than what's actually on the page. Both posit a world where Good and Evil are real forces, and both posit that Good is the default state of the universe, and that authority and groups in general tend towards Goodness in the absence of active interference by Evil.
That's a huge difference from the worlds of Howard or (I always spell his name wrong) Leiber, and I would say a larger difference between what exists between Lewis and Lackey.
I would largely agree with this. However, the real-world religious and philosophical differences (and also, I wager, the difference in the caliber of writing between the two specific examples ) make a huge difference in who enjoys the stories.