Agback said:
I still maintain, though, that LotR would be a better book for a heavy edit, and better still for a substantial abridgement.
Maybe. And maybe the readership would be better with a dose of patience and a little more literary theory.
I'm sorry, that's a bit of a knee jerk reaction. Much of people's problem with Tolkien is that it was not written for a modern audience. It uses different conventions. You find the same sort of thing with HG Wells - there have been enough decent treatments in film, and on TV, that people eventually get around to reading the original text, and get confused. It doesn't seem so great. As far as I can see, the issue isn't that the book is bad, so much as it is that we've become trained to Hollywood/soundbite pacing, and been rather deluged with bad writing.
The Hollywood influence is plain - we need fast pacing. We are not satisfied with a thing that is beautiful, in and of itself. If nothing is
happening we lose interest. So, movies like
Dances with Wolves are panned as boring, when actually you can spend the time enjoying the sheer beauty of the scenes and not feel your time was wasted.
The influence of bad writing is also pretty easy to see. We've seen so much of it that we automatically assume that if we don't immediately see the point, there must not be one, and that the words are bad, and should be cut or edited out. However, I think that if you look carefully you'll find that slowness, that long-windedness, is intentional, and well chosen....