From a post a long time ago, to a newsgroup far, far away.
Jane Austen: /Pride and Prejudice/
One of the classic works of the genre. Austen is a master of the time-travel novel. Her particular strong point is background research: her settings are filled with innumerable titbits and little touches of detail that really contribute to the feeling that we are really there in the England of the 18th century. As with her previous works /Emma/ and /Sense and Sensibility/ the plot is nothing to write home about, the characters stereotyped and the dialogue rather long-winded; but the sense of _being there_ is what puts this story into the forefront of modern SF. A test: can you spot anything that appears even the slightest bit incongruous; or is not authentically 18th century? No, you can't, can you? QED. Watch for the film adaptation starring Gwyneth Paltrow, Emma Thompson and Arnold Schwarzenegger as Darcy.
Clifford Stoll: /The Cuckoo's Egg/
This story purports to be a near-future cyberpunk thriller about a global ring of crackers. Unfortunately, the book demonstrates only that Stoll clearly has no idea about the genre. The strongest drug he mentions in the book, for instance, is _caffeine_: the anonymous protagonist and narrator has a liking for tea. Every aspiring cyberpunk writer knows that one of the mainstays of the genre, along with mirrorshades and cybernetic augmentation, is oodles and oodles of narcotics. And the descriptions of netrunning are tedious in the extreme, so much so that you have to wonder why anyone would bother. Stoll should do more research on computers and cyber-culture in general; until then, his work will remain resolutely B-grade.
Brian Kernighan and Dennis Ritchie: /The C Programming Language/
An ambitious attempt to combine cyberpunk SF with the cutting edge of postmodern literature, it's the story of a laboratory experiment that conquers the world. You'll see lots of trendy jargon, bizarre bizarre grammatical constructs, strange spelling conventions, and comical names like 'foo' and 'bar'. But in the end it's just too much work to try to understand sentences like
Code:
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main(v,c)char**c;{for(v[c++]="Hello, world!\n)";(!!c)[*c]&&
(v--||--c&&execlp(*c,*c,c[!!c]+!!c,!c));**c=!c)write(!!*c,*c,!!**c);}
[/color]
Certainly not in the same class as Wirth's elegant "Pascal" series, and the Wintermute AI in /Neuromancer/ is far more believable.
Leo Tolstoy: /War and Peace/
This is a large scale work about dynastic struggles against a backdrop of war and civil strife. I found it rather long for one volume though -- this is definitely a book that should have been split out into a trilogy. This would also give him the chance to explore and develop many more potentially intriguing sub-plots than he does. As it is, you'll leave this book with a sense of wasted opportunities; there's just so much more he could have done. If you want a rollicking yarn that will take you months to finish, Robert Jordan's "Wheel of Time" series is still better value for money.
Richard Wagner: /The Ring Cycle/
A work in four parts, this is a love story involving a young Germanic warrior and a mutant pegasus-riding Amazon. In a story clearly influenced by post-feminist thinking, Brunnhilde is smart, sassy and nobody's fool -- until she falls for the quiet, sensitive new-age guy Siegfried. However, this series really is far too long. Wagner should ditch the tedious bits at the start involving dwarfs, nymphs, giants and other cliched elements of the fantasy genre. Similarly, the apocalyptic conclusion involving the death of the gods is telegraphed miles down the track. Simply put, this plotline has been done many, many times, by far better authors -- take the "Dragonlance" series, for example. Slimmed down to novella form, this could form a nice, satisfying read when you're in the mood for something romantic, but as it is, it's just bloated and self-indulgent.
Stephen Hawking: /A Brief History of Time/
This is a rather brief, chatty tale about a Cambridge professor's journey of self-discovery. The human drama is powerfully developed, with the protagonist finding out he has Lou Gehrig's disease, which drives him to complete his work before succumbing. The science is rather slipshod and far-fetched, unfortunately, with bizarre tales about evaporating black holes, arrows of time reversing, and phase transitions in the early universe. Newton and Galileo make cameo appearances toward the end of the book, although their integration into the story is clumsy. Overall, a creditable first effort, but one hopes that for his next feature, Hawking will take the trouble to read a physics textbook.
Maurice Kendall: /The Advanced Theory of Statistics/
It appears that this book is a translation from the Greek original, although this is not mentioned anywhere in the introduction. For some reason -- lack of money? -- the translation seems to be incomplete: large slabs of text remain encrusted with incomprehensible Greek symbols. From what little I could make out, the story is about the struggle between conformity and individualism; hence the references to "normal distributions", "standard deviations", "outliers" and so forth. Recommended as long as you have a dictionary or a classical scholar handy.