The Shaman said:
Taking something that doesn't belong to you is wrong
But acquiring information does not take that information from someone else. If I acquire information without paying for it I have not removed that information from any other person's possession. I may have deprived that person of potential income by not paying him/her a fee for use of the information.
Shining Dragon said:
Didn't Stephen King also try this? With a serialized novel called The Plant that didn't go beyond 6 installments. It seemed that $1 was too much for some to pay per installment.
Sort of . . . he actually attempted to charge people for each viewing of the chapters which is effectively the same as selling the book per copy. Had he instead agreed to publish each chapter after he received a specified amount in donations he could have followed that model and been happy. Also, if I recall correctly, that particular work was crap (according to people's who's opinion I respect), so people were not willing to pay for it.
Kem said:
Based on how much Mozart I hear, how much artwork from Leonardo, how much calculus I see being used, I will say outright, right in the open, that they where NEVER compensated for what they made, based on the popularity, and value placed on their items today.
So, the value of a person's effort to create information, art, etc. should be based on the number of people that make use of the information, art, etc., not on the effort required to produce it? That's how we try to do things today, but it doesn't work. Those damn pirates screw it up!
The gist of my argument is that the information, art, etc. does not have value in and of itself, but the effort to create/discover the work does. If the creator receives reasonable compensation for his/her initial efforts that is sufficient. Recurring income for later use of the information is not necessary to ensure "proper" compensation to artists, et al.
jgbrowning said:
Value is a relationship between availability and need/desire.
But information/intellectual property is highly available. The supply is effectively infinite regardless of the level of demand. Therefore the equilibrium price of information, art, etc. approaches zero. The concept of intellectual property (ownership of information) skews the supply and demand relationship.
Aus_Snow said:
So, is a printed book just 'information' too? Just need that cleared up, first.
The physical book itself is indeed property and one could reasonably charge a consumer for providing information in that physical medium. Some people will prefer their information in such formats and will always be willing to pay for such formats. Others will be satisfied with an electronic medium that should have (practically) zero cost.
Aus_Snow said:
And how would a full-time writer (for example) make a living, if this belief system were to become dominant in the world?
- A full-time writer could demand a pre-determined amount of donations before publishing his/her work (see the Ransom Method above).
- A full-time writer could request donations/charity before or after publishing his/her work.
- A patronage system could develop in which interested parties (EN World members, for example) pay the writer an annual salary to provide them with his/her works.
- A patronage system could develop in which individuals pay a writer an annual salary to publish good works.
- Writers could become much like research professors at universities. The university pays a salary. The professor does research and publishes the information (usually) at no charge to the public.
Jonny Nexus said:
If I kept a diary, and said that it was *my* diary, and that I didn't want anyone else to read it - would you find that offensive?
Absolutely not. But if you later published that diary and told me that I couldn't reproduce it . . . yeah, that would bother me. Your right to privacy is in no way threatened by this idea.
jasper said:
The cost of pdf covers in part paying for the time of someone to collect the information.
Under current intellectual property models that is the method by which we attempt to compensate artists, et. al. I'm simply proposing an alternative method of compensation.
jasper said:
On bills especially plumber and car bills this is generally called labor and both of those guys charge a min hourly free. So next time don’t pay your plumber his full bill because he just used his specific information to do the job, the pipes were only $3 a foot from Lowes.
… serious infringements on individual liberty.. you forgot the duty of individual not to harm other individuals because the liberty thief is stealing from the creator.
If I entered into an arrangement with a laborer to fix my sink then I have to pay him for that work. I have not entered into any agreement with any artist, author, etc. to pay them for their work. I don't have a moral obligation to pay them for their efforts. I would gladly pay them (and do on a regular basis) for their work. In a world where intellectual property law did not exist they would have to get their payment from some means other than charging per copy. I have propsed several such options.
jasper said:
Oh BN since information is free can you pm the numbers from the bottom of your check, after all that is just information you, the bank, and store used. It is no use for you.
Ah, but you see, KNOWING those numbers is not a problem. If you choose to use those numbers to deprive me of my wealth . . . then you have actually committed a crime: theft of some sort; probably wire fraud. Hell, I don't know.
JoeBlank said:
while I disagree almost 100% with you opinions on intellectual property, I want to thank you for explaining your position so well.
Well thank you! Just wait til I get drunk and start ranting!
JoeBlank said:
you cite examples of IP that was created before the concept of IP, I think earning a living is the greatest motivator. By allowing people to sell the IP they create, we encourage to production of IP.
Do you really believe that the current environment
encourages the production of IP to a greater extent than we had during the Renaissance period in Western Europe? I believe that the current publication environment very much
discourages production of IP. How many artists, muscians, etc. will you NEVER hear about because major publishing houses don't believe they could sell? If, on the other hand, it was common place for people to make donations/give charity to artists they prefer you would see thousands (millions?) of people publish their works in an effort to earn fame (probably first) and income (probably second).
Joshua Dyal said:
software and rpg material are not good analogs.
True, but that doesn't mean it's not POSSIBLE to make money publishing "freeware" RPGs. Again, I refer to donations made to keep EN World up and running as a perfect example of paying for a service when you don't have to pay for. I'm sure people would pay for RPGs as well.
Joshua Dyal said:
How many open source success stories are there, anyway? I only know of one.
In addition to Linux, there's the Eclipse Project (software development environment), JBOSS (Java web development suite) and many others. I posted a link to Source Forge earlier. There are dozens of projects there that people have earned a pretty good living developing without charging for the product.
Jonny Nexus said:
Okay, I'm not even sure what point I'm making here, but I guess what narks me about the whole "creative work = discovered information" argument is that it implies that if I write something creative I haven't made the world a better place by creating something that didn't previously exist, but have instead merely discovered words that were already there.
No, I don't believe that is the case. A person that creates art (in any form) almost certainly makes the world a better place and deserves some compensation for his/her efforts. I just believe that the current method of compensating artists for their efforts is asinine and immoral.
Falkus said:
And if you couldn't make money off of them, there would be no more published thoughts, ideas or series of msuical notes arranged in a certain way. Your philosophy has a complete lack of understanding of the human psyche. Open source is the exception, not the rule. Why do you think the vast majority of software isn't open source. It's not the road to success like you claim it is.
Hmm . . . you haven't read the whole thread . . . that's ok. People will continue to create art even if they are not compensated for each copy of their work. They absolutely should be compensated for their effort in creating, conceiving, etc. the work. After the work is published it should be free to anyone to use as they see fit.
drothgery said:
So the largest, and most active d20 RPG site was able to generate less than $1 per user from voluntary donations, and you think this can be the basis for a viable economic model?
I don't think there are nearly that many active users on this system. I would wild-assed guess that there are probably somewhere less than 3,000 unique users of this system each week. So, now we're talking nearly $5.00 per user donated. Of course, most people probably didn't donate. That's fine. If $13,000 was the amount required to run the site, and that's what they got . . . so be it. If they needed more I bet they would have gotten more. If they didn't get the amount needed then that would be clear evidence that EN World is not a viable enterprise.
The current publishing paradigm pretty much ensures that the proliferation of art, music, literature, and scientific knowledge is controlled by a relatively small group of people in major publishing houses. Were most people to reject the idea of Intellectual Property we would come to understand that we must still compensate artists, musicians, writers, etc. for their work, but that a per copy compensation model doesn't work. So instead we would see voluntary payment arrangements made between artists and fans that would probably benefit both parties significantly.
When you buy a CD for $15.99 how much of that cash goes to the artist? I don't know the answer, but I would guess somewhere less than $2.00. Wouldn't it be cool if you could just sign on to the artist's web site and pay him via PayPal $2.00 or $5.00 or whatever you thought the music was worth . . . or not pay anything if you really don't value the music.
I could make similar arguments about books, RPGs, etc.