Brown Jenkin
First Post
pezagent said:You're wasting my time, and I'm offended.
No problem. I will cease to discuss this with you as you aparently don't want to.
pezagent said:You're wasting my time, and I'm offended.
Not mine. Despite the several dictionary definitions quoted word for word, he's essentially said, "no, use this definition. It's better than yours because I went to college."Storminator said:P.S. Pezagant, despite your occasionally testy attitude (obviously from frustration), you have earned my respect. You clearly have the chops to break down a tale, and I find myself wishing I could go back to my college days and trade in a couple of physics courses for some of your dramatic analysis training.
Joshua Dyal said:Not mine. Despite the several dictionary definitions quoted word for word, he's essentially said, "no, use this definition. It's better than yours because I went to college."![]()
Although I disagree that he's been rude, he's also been pedantic and argumentative to the point of silliness.
What's offensive to me are the many people who have gone out of their way to be offended by statements that were clearly not meant to offend, and IMO are clearly not offensive anyway. A few folks added to my ignore list, to be sure.
Not that I'm disagreeing with you, but where do we see more than a single giant Eagle in FotR? I realize that we here them discussed with some length in the books, but I was under the impression we were discussing the movie, and I honestly don't recall if Gandalf makes mention of there being more than a single great eagle.Storminator said:The eagles are not "introduced suddenly." To fit that definition, this would have to be the first scene we see eagles in, but it's not. The eagles were previously introduced, and everything they do is entirely consistent with their characters: they fly, they have sharp talons, they are large enough to carry people. Eagles as Deus ex Machina fails on two points (not suddenly introduced, not resolving plot points).
Storminator said:If you look closely, Pezagent is using his terms very precisely and consistently (and to my limited knowledge, accurately). The point of the attack at the Black Gate is to draw Sauron's eye. That all the heroes will die is given. Therefore, there is no plot problem. In fact, the attack is completely successful.
Storminator said:The eagles are not "introduced suddenly." To fit that definition, this would have to be the first scene we see eagles in, but it's not. The eagles were previously introduced, and everything they do is entirely consistent with their characters: they fly, they have sharp talons, they are large enough to carry people. Eagles as Deus ex Machina fails on two points (not suddenly introduced, not resolving plot points).
Storminator said:While DeM is supernatural, and it is aid, it does not fill the same literary role. Supernatural aid, as a techinical term, still requires support in the context of the story. Perseus's magic sword and boots are supernatural aid, and we see them provided before they are used. As a contrast, the Holocaust Cloak in Princess Bride is a DeM, because we never even hear mention that such a thing could possibly exist until it is needed, and then it turns out our heroes already have one, and it's the perfect tool for the job.
Storminator said:You can't use definition 1 of DeM unless you are specifically refering to Greek or Roman drama. That's right there in the definition. That leaves with definitions 2 and 3. Defintion 3 does not refer to drama at all, and is there to cover the cases in real life that mimic the DeM, such as when an unexpected buyer appears to save your nearly bankrupt company from oblivion. That leaves, in the context of fiction, definition two, which happily coincides with the classic literary definition of DeM. This is why pezagent focuses on this definition: it is correct to do so.
DeM clearly has negative connotations, in all modern literary critiques. This is because it is artistically unsatisfying, almost be definition.
Storminator said:PS
P.S. Pezagant, despite your occasionally testy attitude (obviously from frustration), you have earned my respect. You clearly have the chops to break down a tale, and I find myself wishing I could go back to my college days and trade in a couple of physics courses for some of your dramatic analysis training.
P.P.S. As the trilogy winds away, I foresee a time when there are no more LotR threads, at least not how we're used to seeing them. To me, that makes this thread sort of the swan song of LotR discussion on ENWorld. It's kind of sad how it's needlessly degenerated into bitterness and acrimony.
Brown Jenkin said:Your mostly right. For the characters the attack is successful (Maybe), but as the ring is not destroyed yet they can't realy be sure. Until they know the ring is destroyed this is just a gamble. If they die too early Sauron will then shift his attention elsewhere and Frodo will be caught and Sauron wins. No, for the characters the longer they survive the better, not because they wan't to live but because the longer they survive and draw Sauron's attention the better.
Plus like with the Hobbits the reader wants Aragorn and company to live even if they are happy in dying.
The eagles are mention in The Lord of the Rings twice previously, Once in FotR and Once in TT. Each time it is not an army of eagles but just Gwaihir giving gandolf a ride and the scenes are told as stories not as direct narative. The fact that they show up in number and to fight can very well be taken as sudden and whether it resolves a plot point has already been discussed pages ago.
Your right I am not an expert so I can't fight a battle of litterary terms well, but writing is a form of art and it is up to the individual to interprete as they wish. Whatever we feel about or interprate in a work of art is right for us. Experts might have a wider base to draw their own interpretations from but they still can't tell me my own feelings about something are wrong.
Here's the three definitions.Once again we differ on our interpretations of a definition. As we all learned we can't even agree on what the definition of "is" is.
1.In Greek and Roman drama, a god lowered by stage machinery to resolve a plot or extricate the protagonist from a difficult situation.
2.An unexpected, artificial, or improbable character, device, or event introduced suddenly in a work of fiction or drama to resolve a situation or untangle a plot.
3.A person or event that provides a sudden and unexpected solution to a difficulty.
I too was hoping for a good discussion and I even respect Pezagant for his writing ability and broad base of experience even if I disagree with him. I hope that everyone in this thread can continue on without bitterness. But there will be more discussions. We will go over this all again in a year when the Extended Edition comes out and we have yet another take on the story.
Not the very first dictionary definition quoted. It's ironic that we're mentioning Classic litreature. I think a great example of modern-day hubris to come to a message board and say (paraphrasing), "No, that dictionary is wrong -- I know better than that dictionary. No, trust me, I really do. You're problem is that you're not trained in literary criticism."Storminator said:I agree with him. As my post above showed, I think people have misapplied dictionary definitions.
Yes, one of my biggest flaws.Storminator said:Offensensitivity.
Joshua Dyal said:Not the very first dictionary definition quoted. It's ironic that we're mentioning Classic litreature. I think a great example of modern-day hubris to come to a message board and say (paraphrasing), "No, that dictionary is wrong -- I know better than that dictionary. No, trust me, I really do. You're problem is that you're not trained in literary criticism."
Flexor the Mighty! said:And yes, the Dragonlance novels were far more user friendly.