Umbran said:
Well, I think there's a few things going here...
First, really good writers are not the most common things around. You have to hunt them up, and find the right venue for them - a person who is a great writer for a mundane prime-time drama may not be suited for a genre show, and vice versa.
Not to mention that
some — err make that
most — primetime dramas and sitcoms tend to be rather uninspired in the first place. A lot of them have crappy writing too. Look how many new fall shows are off the air by January. Even shows that manage to survive often recycle the same batches of writers and not all of them are good writers in the first place.
And let's face it how many of the shows are really all that differnet? You might have different locations and different casts and characters but the types of shows are essentially the same, and have been te same since the beginning of television. With dramas you've got cop shows, hospital shows, lawyer shows, action shows, and family shows. Westerns used to be a drama staple, but are basically dead these days. Sitcoms you've got office/workplace sitcoms, the group of friends sitcoms and family sitcoms. Most the fictional television that's on the networks even today fall into one of these categories. After 55 or so years of television, really how much is there left to do?
Then comes the simple fact that the writers are not necessarily at fault for everything. Producers and network execs have a great deal of influence on what goes into a show. And sometimes they don't know what they are talking about.
I have no respect for producers. And I certainly don't think that most of them have any brains. IMO, the only time a Hollywood exec shows anything even remotely resembling cunning is when he's seducing a naive young woman:
Aspiring actress: I don't know, I really don't think I should have sex with you.
Exec: Nonsense, it'll help your career! You want to be famous don't you?
Aspiring actress: Yeah, you're right. Ok, I'll do it.
Star Trek: Voyager and Enterprise, Gene Roddenberry's Andromeda, Babylon 5 and B5: Crusade, Farscape and Firefly all showed the figerprints of meddling (in various ways) by non-writers that cost the shows dearly. So, don't lay everything on the writers.
Well, I don't really know about Farscape and Firefly, but I certainly know what you mean in all the other cases. Hell, the original Trek series had problems with NBC meddling, and that was one of the reasons Roddenberry turned his back on the networks in the first place. And i can think of several other examples of promising Sci-Fi shows with good premises that were sunk by networks thinking they knew how to improve ratings. Anyone remember SeaQuest?