clark411 said:
I'll play Devil's Advocate vs some of jdavis' comments for giggles (and because I actually enjoyed the show, and am looking forward to tomorrow's episode... no accounting for taste ^_^)
I thought the first five minutes of the show were fine. Is it silly that the Cylons bother to board? Absolutely. Would it have been superior in a cinematic sense if they had simply had the guy start to nap and then blow up? Absolutely not. It is far more appropriate, looking at the trope of the show, for the Cylons to juxtapose the cold, machine-like execution of murder via space-missiles alongside the somewhat-primal smoochies of Cylon Slutbot Six. If they somehow managed to negate the "Gee that's Stupid of them Factor" of blowing up their own resources while still trying to touch upon the various themes their going for, it would have been better- but they did better leaning closer towards Entertainment value rather than Realism.
Here I'll fix the scene for both realism and entertainment, it will only take a second:
Keep everything the same up to the point where the hookerbot tries to taste the old dudes tonsils, instead of that awkward old man molesting scene have her just walk up and announce that the cylons are withdrawing from the peace agreement, then shoot him in the head and all three cylons leave. Then show the station being blown up. See that wasn't that hard and it didn't force me to watch a cylon tongue hockey game, if they had gotten that camera any closer it would of been inside their mouths.
Set Design didn't really strike me as a problem so much as the cinematography. There seemed to be a good amount of potential to make clear the complexity of the bridge environment, or even do a few roaming camera shots through the halls. The closest they pulled off was doing a moving shot or two during the non-action sequences (Adama and his speech, for instance). Looking at another of the themes of the show, it is quite clear that the set design was intentionally crude or below what is to be expected- the Galactica is an old ship and they spend at least two exchanges making this point evident (the public relations tour guide spiels, and Adama refusing to allow networked computers onboard). Whether this is to explain away a low set budget or not, I dunno- but I won't fault the Sci Fi channel for their efforts and struggles with budgetting- they've come a pretty long way in the Originals series.
Yea I got the it's supposed to be old bit, that wasn't my problem with the set, my problem was that it was just a one level loop for jogging and any door could lead to any random area of the ship. I don't mind crude and old for the set but it really needs to look like they are on a actual ship and not in Dr Evil's underground lair and it needs to be huge, a Battlestar is a vast ship, you know with more than two levels to it. All this ship had was the hallway and the hanger deck and it wouldn't of suprised me if any of those random doors opened up to the hanger deck from the hallway, for goodness sake put in a elevator or something, or is a elevator too much advanced technology for a spaceship.
The CGI was the best that Sci Fi has done in an Original movie, and they went to a good amount of effort to make it somewhat realistic, if not pretty. Unlike most, they kept the lens flare to a minimum and instead focused on jerky camera action that, admittedly seemed ill-fitting in relation to the camera action in the live shots. Their attention to inertia (even bothering with it) along with the presence of attitude thrusters gave me a nice Babylon 5 flashback. The gripe I had with it was the size of the CGI engineers that were blown out of the ship... unless I'm mistaken, they looked to be about 20-40 ft tall, in proportion to the section they were shown flying out of.
Ok I'll give you that this is the best CGI Sci Fi channel has done but it wasn't to the level of Farscape or Stargate SG1 or Babalon 5 or even Andromeda, the bar on CGI on tv shows has been raised pretty high and you shouldn't go around bragging about your effects if they are not better than the ones on Kevin Sorbo's freaking show. The realistic space bit isn't new or original it's just never caught on, why because in the end most of your fans want
cool effects not just
realistic effects. Yes you can have both at the same time but that herky jerky hard to watch without getting dizzy act will wear old, I want to see cool dogfight action not dizzy herky jerky or blurtacular effects. I don't care about the physics myself but it better look cool on screen whether they use guidance thrusters or not.
While it was sad to not get scenes showing the destruction of the cities, the fleet, or the headquarters, it again seems to boil down to the plot theme of no one knowing exactly what is going on. News comes in lil slips of paper, and via transmissions. By not showing the entire situation, they do not allow for the viewer to see beyond the viewpoints of the main characters. Personally, I would liked to have seen the boom boom, but I appreciate not seeing the action as well (kinda like Wolf 359 transmissions in TNG... I say, opening my Dork Sails to full).
Not seeing the action is a sign of "we don't got the money to show the action" and that is what this show was lacking the most, funding. Everybody picks on the old show and it really hasn't aged well but you have to remember those were cutting edge effects back then, the only other thing like it at that time was Star Wars. The reason the old show got cancelled was it cost so much to make. I understand Sci Fi's budget woes but come on you have to show some freaking cylons attacking, what were they invisible? Give me a single shot of cylon ships over the planet, heck give me a radar blip showing a actual attack fleet over the planets, anything at all will do. When I watched it it actually took me a while to figure out they were actually attacking with ships, heck I'm still not sure about that, it could of been hookerbots with built in atomic bombs walking into towns for all I know. You got to have enough money in the budget for a single flyby shot or even a fleet on a radar screen. How much money would a shot of a fleet on a radar screen cost? No wonder the Colonials didn't know what was happening, the audience was kept in the dark too.
On the whole, I thought it was entertaining- if not a little conflicting. They had FTL drives but still relied on Nuclear weaponry. They had Artificial Intelligence that was capable of attempting to overthrow its masters and make sexy Fembots but seemed incapable of advancing technologically in a military sense despite forty years of gearing up for an armageddonish coup de grace. Cinematics were a hodgepodge, where it was obvious the CGI guys had little to no interaction with the director beyond the basics. The storytelling was good, and there were several themes to it that, despite being outdated (a given, given the fact that it's Battlestar Galactica), were present... which says a lot in comparison to most the shows out there. I wasn't asking for much, but got more than I expected and will probably pick it up on DVD when it releases.
(PS.. yeah the baby neck snapping was a little too much, but I suppose it is an acceptable way of showing the Cylons lack of compassion when it comes to children. It's a pretty big deal that the Battlestar Galactica will be a warship with kids on it, and that colony ships will be endangered. Perhaps just a blunt scene of what was to come- it's not like the nukes didn't take out a few babies along with the millions.)
I got to wonder about graphic baby murder and their target audience here, I mean who were they aiming to draw in with baby murder? They could of made the point without that in there, it just wasn't necessary to the show at all, her saying that all the humans would die was enough for me to realize she was a killer robot.
Hey I'm picking at it but it actually wasn't all that bad, don't get me wrong it wasn't anything worthwhile but it did have enough to give me hope for the next episode.Just for comparison my friend with the film degree sent me a e-mail about the show, all it said was "
OOF!"I'm not nearly as down on it as he was.