Fast Learner said:Any potential competition problems would be the simple result of genre clash, modern drama vs. modern drama. I agree that if UPN wanted to win viewers in the time slot, it would sure seem like running comedy vs. modern drama, or reality show vs. modern drama, or even comedy clip show vs. modern drama would be a better way to go.
That was a more accurate way of saying what I was trying to say.
Cultural target audience, however, has nothing to do with it, that's my bet.
I'm not sure what the "it" you're referring to is, and I might disagree with you. If I'm remembering right, UPN's African-American-cast sitcoms did pretty well, for UPN, against NBC's white-people-in-overlarge-apartments sitcom line. The shows had different-enough audiences that they could effectively be considered different types of shows -- maybe not as much as the difference between a sitcom and a procedural drama, but at least as much as the difference between a family-friendly WB sitcom and a raunchy man's man sitcom on Fox.
Which is not to say that no black people watch LOST, or that no white people watch Girlfriends.
Regardless, I'm apparently massively racist, and UPN is being completely smart by scheduling a suspense thriller against a much more popular suspense thriller, instead of putting one of their sitcoms, one of their reality shows, or some other not-competing-for-the-same-market show on against LOST. I'll get cracking on my white supremicist Veronica Mars site this weekend, with petitions to get Weevil kicked off the show.