What are you reading in 2024?

I recently finished reading Project Hail Mary by Andy Weir, and it was an absolute blast, his mix of humor, science, and high-stakes survival never disappoints. Right now, I’m diving into The Three-Body Problem by Liu Cixin, which has been a fascinating but dense read so far. It’s definitely a shift in tone, but I’m enjoying the exploration of complex ideas about humanity and the universe.
 

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Wait. Was that one of his kickstarter novels?
Nope, it is the fifth Stormlight Archives book, of a prospective 10 volumes ultimately following the Way of Kings. Sort of his "Go Big or Go Home", no-holds-barred big Epic with a Capital E series.

For anyone who doesn't like unfinished series, though, this is a good time to start Way of Kings, because Wind and Truth wraps up a satisfying narrative arc across 2 million words. The second book, Words of Radiance, is the highest rates novel of all time on Goodreads (serioualy, across all genres after hundreds of thousands of individual reviews), and I think that is mostly people underwriting the following books. Enough of Way of Kings is totally free to read to see if it is up one's alley:


 


My son randomly picked this off my shelf for me to read, so AA Attanasio's Radix is next.

Another Nebula nominee, published in 1981. Hopefully it won't be too cringey sexist racist other -ist.
 

I finished "Blue Sisters" by Coco Mellors yesterday. Its a #booktok hype, which made me sceptical, because I've DNFed multiple books that were hyped on tiktok now - but I am a sucker for family stories, so I gave it a try. And its actually good! I really liked the dynamic between the sisters and the observations how addiction and trauma manifests through generations. Despite the topics it was not a downer of a book but a relatively "lighthearted" read (not in general, just relatively for the topics) that is more inspiring and hopeful than depressive and it has a lot of comedic moments anyway. Which I like, the best tragedies are served with comedy IMO.

What impressed me most is the perfect pacing. I've read a lot of books this year that needed better editing (Sanderson...), but this one was so well done. The narrative knew exactly when to indulge in details to get atmospheric and when to get into action. Or when to switch from snappy dialogue to reflection and introspection of the characters.

A lot of topics clearly were very personal to the author as her afterwords prove, which I liked. This story came from her heart. The only thing unfortunately I can't believe: That she knows how to grow up in poverty. The characters are supposed to live in precarious circumstances as children and I don't think the author know how that is. Its a bit of the shame because the rest of the topics are very personal to her (alcoholism, sisterhood, trauma and even boxing), but she didn't dare to make the characters childrens of a marketing executive and a doctor like herself - or to research how it might actually feel to grow up in poverty.
 

Really enjoyed the Thursday Murder Club series by Richard Osman, the group of aging pensioners solving crime from their sheltered housing estate is the sort of pace I want with my thrillers. It's like Miss Marple but with a mixed group of interesting busybodies.
 
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Finished Multiverses: An Anthology of Alternate Realities, edited by Preston Grassmann. You'd think with that title it'd be a collection of, well, multiverse stories, but it's actually divided into three flavors:
  • Parallel Universes: Stories about what happens when the multiverse opens up to people. My top pick here was Paul Di Filippo's "Nine Hundred Grandmothers", about a drug addict experiencing the ultimate intervention.
  • Alternate Histories: More traditional counterfactuals, like Ken Liu's "A Brief History of the Trans-Pacific Tunnel". Though it also includes "The Cartography of Sudden Death" by Charlie Jane Anders, which is a time travel story set in a completely unrecognizable (and presumably fictional) alternate timeline.
  • Fractured Realities: Only fits the theme of the anthology in the loosest sense of the phrase, nearly all urban fantasy and/or weird fiction with a thin multidimensional theme. Honestly felt like stuff that should have been in an another anthology, even if some of the most engaging stories were here. (I particularly liked Annalee Newitz's "#Selfcare", where a beauty-products chain runs afoul of the fae, and Alix E. Harrow's "A Witch's Guide to Escape", about a magical public library.)

Overall, though, this is just an OK anthology - no bad stories, but no great ones either, just B/B+ material.

(As a bonus, the book also includes (surprisingly tame) poetry by Clive Barker.)
 

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