I've been chewing on all things FATE these days, liking a lot of what I'm reading in both the core rules and community offerings online. One of the ideas that has come out of that reading is a very interesting discussion of Fractals in adventure design. Ultimately, this is a mindset for designing adventures that doesn't need to be tied to any RPG -- but it does make for a flexibility of design that will allow us to make room for player creativity and agency in ways that more linear design does not.
View attachment 58946
So, what the heck is Fractal Design?
Lets start at Fractals. A fractal is a pattern -- mathematical, perhaps, but not necessarily -- which is "self-similar" -- and by self similar, we mean "the same from near as from far. This sameness can be perfect, in some cases, or only nearly similar. There's a whole lot more to read about the concept of a Fractal on Wikipedia, so if you want more, follow the link and check it out.
The idea of the Fractal for adventure design comes out of the design ideas that are built into FATE, but the concepts aren't unique to FATE by any means. The basic idea works like this: the constructs that are used to define the elements of the game at the smallest level are also used to define the game at higher levels.
FATE Fractal Design
In FATE, this has a lot to do with Aspects. And they system lends itself to this sort of use quite well.
For those of you who don't know, in FATE-based games, the Aspect mechanic is at the heart of how the game is played. An aspect is a descriptor -- at best a sort of slogan or unique descriptor rather than a generic term. Those descriptors play an important role in the gameplay, are are used by the players to turn failures into successes, and by the game master to complicate the story for the players.
A PC or NPC has several aspects that define them (Duty-bound warrior, "No moss grows On me"). The room they're having their encounter in will have an aspect or two (Cluttered with boxes, Dimly lit). During the encounter, one of the things that players can do is add aspects to parts of the scene -- throwing a gluepot at a target might add "stuck to the floor" to an enemy. Each of these can be "invoked" to add or subtract modifiers to the success of a check.
What makes FATE work on a Fractal level is that, as you zoom out to see the larger story of the adventure, or the campaign, the region, the world -- each of these can also have an aspect, which operates with the exact same mechanics.
Of course, Aspects are not the only way in which the Fractal expresses itself in Fate. It's also possible to apply other micro game mechanics, like "stress" and "consequences" -- the damage mechanics for combat -- on a grander scale to organizations, cultures, campaigns, and so on.
Fractals in Other Games
Once you get the idea of the Fractal into your head, you'll start seeing it in other systems. For example. most games, from D&D to Savage worlds use combat mechanics like hit points and armor class for things like large vehicles and structures.
To take it a step further in those games, we might want to look at the mechanics that describe characters in D&D and how they might apply to macro campaign elements like organizations and nations. They might not have armor class and hit points, but they certainly could (and in some cases do) have others, like Alignment.
Depending upon your style and game system, these ideas may be of more or less use to you -- it's not easy to see a huge advantage to be gained, for example, in seeing a religious cult in D&D has having an alignment. Combat conditions might be interesting when applied on the macro level (can the cult be stunned? blinded? ) but the more abstract systems like savage worlds have a bit more flexibility there ("Shaken" when you're talking about a cult can mean something interesting because it's not quite so specific as "blinded".
Fractal Adventures
Here's an interesting moment in which my Google-Fu has failed me. My searches for articles on this subject turned up an interesting document about Fractal Adventure Design posted as a public Google Doc. The user who posted it is anonymous. There's no indication on the document of who wrote it, or if it's part of a larger project. So, if you're the author, or you know him -- post in the comments below and let me know.
The article presents an intriguing idea for a way to apply the Fractal concept to adventure design as a way to create and run adventures in a more flexible, responsive way -- so our adventures can move between macro and micro levels gracefully and allow us to allow players greater freedom and creativity in the game.
The cornerstone of the idea is to think of an adventure as a question. Can the players kill the legendary vampire Strahd von Zahrovich? Can they escape the pits of the slave lords?
Answering those questions leads us to other questions. Where will they find Strahd? What might they need to make it possible to defeat him? What allies might they find?
And, because this is fractal, answering THOSE questions leads us to more questions. What will those potential allies want in exchange for their aid? What sort of defenses will they have to overcome to find the magic sword they need? Can they overcome those defenses? How will they do it?
This network of nested questions becomes a flexible tree that can expand or contract as the players find answers to those questions. In some cases, they may have easy answers. Perhaps the party's token elf is the brother of a leader of a local elf tribe, and he can call upon filial obligations to get the tribe's aid against Strahd.
Other groups might need to complete a side quest to win over the Elven tribe's help -- what is that quest, what resources will it require to complete it, and so on. Playing out the completion of that quest finds the answers the question the same way the filial obligation did -- one took much longer to play out, but both could certainly be good play at the table.
Questions for D&D adventure Design
So, what does this really mean for our D&D games?
For me, it's more of a mindset than anything else. We can think of the adventures we run -- whether they're our own home-grown products or something off the shelf -- as a fractal nested set of questions.
Fractal methods give us a lens through which to study the adventure and be able to react more quickly when things go off the rails. Running Ravenloft, for example, we can be a lot more flexible when a PC comes up with some crazy plans to use extortion and other leverage to try to make the gypsies work for the party.
What do you think? Where are other examples of Fractals in game design? Do you think this can be a useful way to approach running your game? Writing for your game?
Additional Reading:
View attachment 58946
So, what the heck is Fractal Design?
Lets start at Fractals. A fractal is a pattern -- mathematical, perhaps, but not necessarily -- which is "self-similar" -- and by self similar, we mean "the same from near as from far. This sameness can be perfect, in some cases, or only nearly similar. There's a whole lot more to read about the concept of a Fractal on Wikipedia, so if you want more, follow the link and check it out.
The idea of the Fractal for adventure design comes out of the design ideas that are built into FATE, but the concepts aren't unique to FATE by any means. The basic idea works like this: the constructs that are used to define the elements of the game at the smallest level are also used to define the game at higher levels.
FATE Fractal Design
In FATE, this has a lot to do with Aspects. And they system lends itself to this sort of use quite well.
For those of you who don't know, in FATE-based games, the Aspect mechanic is at the heart of how the game is played. An aspect is a descriptor -- at best a sort of slogan or unique descriptor rather than a generic term. Those descriptors play an important role in the gameplay, are are used by the players to turn failures into successes, and by the game master to complicate the story for the players.
A PC or NPC has several aspects that define them (Duty-bound warrior, "No moss grows On me"). The room they're having their encounter in will have an aspect or two (Cluttered with boxes, Dimly lit). During the encounter, one of the things that players can do is add aspects to parts of the scene -- throwing a gluepot at a target might add "stuck to the floor" to an enemy. Each of these can be "invoked" to add or subtract modifiers to the success of a check.
What makes FATE work on a Fractal level is that, as you zoom out to see the larger story of the adventure, or the campaign, the region, the world -- each of these can also have an aspect, which operates with the exact same mechanics.
Of course, Aspects are not the only way in which the Fractal expresses itself in Fate. It's also possible to apply other micro game mechanics, like "stress" and "consequences" -- the damage mechanics for combat -- on a grander scale to organizations, cultures, campaigns, and so on.
Fractals in Other Games
Once you get the idea of the Fractal into your head, you'll start seeing it in other systems. For example. most games, from D&D to Savage worlds use combat mechanics like hit points and armor class for things like large vehicles and structures.
To take it a step further in those games, we might want to look at the mechanics that describe characters in D&D and how they might apply to macro campaign elements like organizations and nations. They might not have armor class and hit points, but they certainly could (and in some cases do) have others, like Alignment.
Depending upon your style and game system, these ideas may be of more or less use to you -- it's not easy to see a huge advantage to be gained, for example, in seeing a religious cult in D&D has having an alignment. Combat conditions might be interesting when applied on the macro level (can the cult be stunned? blinded? ) but the more abstract systems like savage worlds have a bit more flexibility there ("Shaken" when you're talking about a cult can mean something interesting because it's not quite so specific as "blinded".
Fractal Adventures
Here's an interesting moment in which my Google-Fu has failed me. My searches for articles on this subject turned up an interesting document about Fractal Adventure Design posted as a public Google Doc. The user who posted it is anonymous. There's no indication on the document of who wrote it, or if it's part of a larger project. So, if you're the author, or you know him -- post in the comments below and let me know.
The article presents an intriguing idea for a way to apply the Fractal concept to adventure design as a way to create and run adventures in a more flexible, responsive way -- so our adventures can move between macro and micro levels gracefully and allow us to allow players greater freedom and creativity in the game.
The cornerstone of the idea is to think of an adventure as a question. Can the players kill the legendary vampire Strahd von Zahrovich? Can they escape the pits of the slave lords?
Answering those questions leads us to other questions. Where will they find Strahd? What might they need to make it possible to defeat him? What allies might they find?
And, because this is fractal, answering THOSE questions leads us to more questions. What will those potential allies want in exchange for their aid? What sort of defenses will they have to overcome to find the magic sword they need? Can they overcome those defenses? How will they do it?
This network of nested questions becomes a flexible tree that can expand or contract as the players find answers to those questions. In some cases, they may have easy answers. Perhaps the party's token elf is the brother of a leader of a local elf tribe, and he can call upon filial obligations to get the tribe's aid against Strahd.
Other groups might need to complete a side quest to win over the Elven tribe's help -- what is that quest, what resources will it require to complete it, and so on. Playing out the completion of that quest finds the answers the question the same way the filial obligation did -- one took much longer to play out, but both could certainly be good play at the table.
Questions for D&D adventure Design
So, what does this really mean for our D&D games?
For me, it's more of a mindset than anything else. We can think of the adventures we run -- whether they're our own home-grown products or something off the shelf -- as a fractal nested set of questions.
Fractal methods give us a lens through which to study the adventure and be able to react more quickly when things go off the rails. Running Ravenloft, for example, we can be a lot more flexible when a PC comes up with some crazy plans to use extortion and other leverage to try to make the gypsies work for the party.
What do you think? Where are other examples of Fractals in game design? Do you think this can be a useful way to approach running your game? Writing for your game?
Additional Reading:
if that's what everyone really wants, 4e will be a HUGE HIT. It's got ALL of those things. 
