As most of you have no doubt heard by now, the WGA and the studios could not come to an agreement, and the writers strike has begun. This article here is one of the best I've found for summing up the issues at the heart of the strike, and the impact it might have on your TV viewing schedule.
It looks like both sides are digging in for a long strike, so after the networks run out of canned episodes to show, start looking forward to a lot more reality TV.Alan Sepinwall said:Without boring you too much with talk of contract law, what it boils down to is this: for decades, the TV business was set up in a way in which everyone -- the studios, the writers, the directors, the actors -- made a lot of their money on reruns, both reruns on the networks and in syndication. Whenever a writer's episode got repeated, he'd get a check.
In the current market, however, reruns are dead or dying. Fox never airs repeats of "24," for instance, or ABC with "Lost." Now the money is on DVDs and, soon (if not now), the Internet. The WGA has already lost the battle on DVDs, thanks to a short-sighted agreement on home video rights in the '80s (back when no one thought that people would pay money to own dozens and dozens of unwieldy videotapes); they get a tiny percentage for all those DVDs on your shelf. The Internet, however, is uncharted territory. No one knows how much money is there, but everyone knows that's where the business is moving, and the WGA -- and, when their contracts come up next year, the actor and director unions -- wants their piece of it. The writers say they only want what they're entitled to, the studios say they're being unreasonable, negotiations have barely progressed at all, and so now the writers are on strike.