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We got an official leak of One D&D OGL 1.1! Watch Our Discussion And Reactions!

Ondath

Hero
Can you explain your thinking here a bit more? I'm trying to stay on top of these developments, in part as a very frequent user of DDB.

My brain just exploded a bit. What an incredibly awful "perfect storm" that would be.
They might say you automatically "upgrade" to OGL v1.1 if you have any homebrew content you made that's sitting in DDB's servers, I guess? I know I have plenty of 5E homebrew I made for my home game, and if that somehow automatically switches me over to OGL v1.1 things would get really weird.
 

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It's almost like no one at Hasbro bothered to think of the impacts of this, or the optics of how this is going to look like. I see a lot of bad things, not any good things from this.
I think a 20-25% royalty is designed to force big players into "a more custom (and mutually beneficial) licensing agreement" with Hasbro. I know KS has revolutionized TTRPG publishing, but I don't see how anyone could eat that. It's prohibitive.
 


Alzrius

The EN World kitten
I think a 20-25% royalty is designed to force big players into "a more custom (and mutually beneficial) licensing agreement" with Hasbro. I know KS has revolutionized TTRPG publishing, but I don't see how anyone could eat that. It's prohibitive.
What's particularly odd is that, according to Gizmodo, the royalty percentage is only 20% for Kickstarter, and is 25% for other crowdfunding platforms. Why is WotC trying to funnel the crowdfunding of third-party content toward Kickstarter? Because they think they can get more royalty revenue that way?
 

Ondath

Hero
WotC may do a lot of stupid things that I don't agree with but I can't see them pissing into Critical Roles cheerios. They have them to thank for a lot of the high sales numbers. Losing Critical Role to a different game would be taking away money from their own pockets.
I'm sure they already have a special deal with Darrington Press and Critical Role Productions LLC. They already have a good business relationship, with the Wildmount sourcebook and the Netherdeep adventure being published by WotC, D&D Beyond being a longtime sponsor of the show and all. They certainly secured a deal with their biggest 3rd-party supplier before preparing this (and probably left them out of the sucky deal that we're all getting).

I can't say the same for Paizo and the others. Though I hope Darrington Press keeps in mind that Paizo was once a favoured partner for WotC in publishing the Dungeon and Dragon magazines as well...
 

What's particularly odd is that, according to Gizmodo, the royalty percentage is only 20% for Kickstarter, and is 25% for other crowdfunding platforms. Why is WotC trying to funnel the crowdfunding of third-party content toward Kickstarter? Because they think they can get more royalty revenue that way?
My guess is that it's just risk mitigation. They're more confident they'd be able to collect their share from products released through Kickstarter. But I'm just speculating.
 

DarkCrisis

Reeks of Jedi
Wasn't the Book of Erotic Fantasy a large source of kerfuffle back in the 3.5 days? Though I do remember WotC managing to get that product stopped in distribution for some reason.
Only thing I recall from that book (from the one time i read it) is the Distraction Bonus to AC. Which was used to explain why chainmail bikini armor could have a good AC bonus.
 

kenada

Legend
Supporter
Can you explain your thinking here a bit more? I'm trying to stay on top of these developments, in part as a very frequent user of DDB.
I don’t play or run 5e anymore, so it’s easy for me to request, but I simply don’t trust WotC. I’m also nervous having published homebrew content on D&D Beyond about being tainted by the OGL 1.1.
 


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