24 Was about the war on terror, which is why I mentioned that one though. I didn't mention the two movies you did because I don't know if he has seen them (but he has certainly seen movies like those). I wasn't trying to avoid your examples. I just thought it best to stick to films I know he has seen
how is it complicated. If you believe in pacifism. Don't commit or endorse violence, but you can sit back and watch a film about violence. I really don't see the problem
It's complicated in that if something endorses something gross sufficiently aggressively, it becomes quite hard to take.
24 is a great example (I didn't see your post re: that earlier), so let's use that. I was in a similar position - I disagreed with the politics of the show, but enjoyed it. I've seen every episode of the Jack Bauer ones.
But I definitely enjoyed it less and less when it moved from being a show which was about some crazy nonsense going down over 24 hours, into a show that was
ideologically committed to certain ideas. Now, the good thing about 24 is that it was mostly completely inconsistent and incoherent, politically, because the writers and showrunner were clearly not aligned! If every season had had the ideological commitment to certain ideas that S7 had, for example, it'd have been unwatchable and awful (like S7 was), because it'd have just been mostly gross cheap propaganda (which is what a lot of S7 is - I think it's S7 anyway, the one with redheaded female Jack Bauer wannabe/sidekick).
I did a rewatch recently. S1 and S2 are pretty cool, because they're nuts and intentionally complicate and self-undermine ideological stuff (like S2 has Muslim terrorists, but it also has Muslim good guys*, and Western bad guys too, and just a lot of crazy conflicting plot lines). Whereas S3's gross and lazy stuff with the drug dealers, which never even really makes sense makes it quite hard to watch, and was where I ended up stopping my rewatch.
Predator is militarist, but in a dim and incoherent way that doesn't really say much. Whereas Zero Dark Thirty, well let's not talk about it too much lest we enter Da Politix Zone (forbidden), but has a insanely more coherently rendered ideology, one which is potentially much more objectionable should one disagree.
Re: violence there are movies where violence happens and it's cool and whoa, but there are also much more rarely movies which actually, genuinely, endorse violence, ideologically, which is a step beyond mere glorification.
D&D doesn't really endorse violence in an ideological way, particularly not colonial violence anymore, but I do think it's flirted with that before, especially in 1E.
* = To be clear, there is
some real racism in S2 of 24, no denying it, just flat racism, xenophobia and Islamophobia, but they are at least
trying to mitigate and complicate it. Whereas in S3 they seem to leaning in so hard to every cheap stereotype it actually becomes boring as well as gross.