Spoilers Star Trek: Deep Space Nine

Can we also talk about how the real, original Miles O'Brien is just straight dead? And he straight gets replaced by a version of him from two and a half hours into a slightly different future? And the writers (through Julian) are just like "Just don't think about it"? Does this never get brought up again? Because it is deeply disturbing
Wait! What? When does that happen?!
 

log in or register to remove this ad



Can we also talk about how the real, original Miles O'Brien is just straight dead? And he straight gets replaced by a version of him from two and a half hours into a slightly different future? And the writers (through Julian) are just like "Just don't think about it"? Does this never get brought up again? Because it is deeply disturbing
He could form a club with Harry Kim!

And maybe the boring doctor guy from Disco who was reborn as a mushroom.
 

And maybe the boring doctor guy from Disco who was reborn as a mushroom.
...

ijlsrpdp81dc1.gif
 

Can we also talk about how the real, original Miles O'Brien is just straight dead? And he straight gets replaced by a version of him from two and a half hours into a slightly different future? And the writers (through Julian) are just like "Just don't think about it"? Does this never get brought up again? Because it is deeply disturbing
From Memory Alpha:
The script of this episode received an uncredited rewrite by Ronald D. Moore. (AOL chat, 1997) It was Moore's idea to kill the present O'Brien and replace him with a duplicate from the future.
WHY AM I NOT SURPRISED!!!

Oh god it continues:
Moore was also part of the writing staff for the Star Trek: The Next Generation episode "Second Chances", where the team temporarily considered killing off William T. Riker and replacing him with his own transporter duplicate. (Star Trek: Deep Space Nine Companion, p. 218)
This was his second attempt at doing this! Goddamn. It's got such Moore vibes.
 



Just watched Badda-Bing Badda-Bang, which is a pretty good episode and IIRC the first one of those I haven’t actually seen before.

It’s also a really interesting one in a couple of ways - the first, and more trivial, is that it really felt like a RPG moment. The PCs have come up with a plan to rob the casino and as the GM you feel you can’t tell them it’s not a very good plan - there’s no slack in it and they’re way too much into the period and aren’t using most of their main advantages - but you just have to grit your teeth and hope they muddle through, which thankfully they do.

The second is the issue about civil rights in 60s America, which both Benjamin Sisko and Avery Brooks have every right to express their dissatisfaction about. But they’re just supposed to ignore it and go along with the game because everything is better now. And yes, things may be better in the 24th century, but they certainly weren’t in 1999 and they aren’t now - this is some arrogant Francis Fukuyama end-of-history nonsense. If there’s one thing we’ve learned painfully in the last decade it’s that these issues are never, ever settled for good. It’s perfectly possible for racism, sexism, homophobia etc to be worse again in the 24th century.

You know what? Avery Brooks is right. Any Star Trek series should address social justice with relevance to today and the past, because that’s the only way it’ll be relevant to the future we all aspire to.
 


Remove ads

Top