Sure. But it's not as if that book was produced ex nihilo, in a cultural and historical vacuum.I still stand by the opinion the original Greyhawk paladin was extremely heavily modelled on one particular character from one specific book
Sure. But it's not as if that book was produced ex nihilo, in a cultural and historical vacuum.I still stand by the opinion the original Greyhawk paladin was extremely heavily modelled on one particular character from one specific book
What people? What publishers are we discussing?But of course I am talking about in the context of people publishing RPG products. You may not think that's a factor they should be paying attention to, but it is absolutely one they do pay attention to.
Professionals obviously should take this into account. Someone publishing something on DTRPG as a hobby can possibly afford to ignore it, as long as tney do not care about sales and would have written the same thing even if no one read itBut of course I am talking about in the context of people publishing RPG products. You may not think that's a factor they should be paying attention to, but it is absolutely one they do pay attention to.
Ok, but focus too much on what the most people will pay you for and you get WotC, so I'm strongly inclined to lean more on the side of bespoke subsystems and more niche interests. I honestly think you get better games that way, and better games should be a priority IMO over more profit once you hit the place that covers your financial needs for the project in question. If money was the most important thing it's likely you would be in some other industry (again, unless you're a high-up in WotC).So I publish RPG material, and frankly I can't imagine doing so without taking this into account. How popular, for which we might read common, a particular play style is, or a set of expectations is, pretty obviously needs to be accounted for by anyone publishing any kind of material for RPGs.
I generally give my money to small companies and independent creators, because they're more likely to prioritize the product over the profit, and I believe that leads to better material.Professionals obviously should take this into account. Someone publishing something on DTRPG as a hobby can possibly afford to ignore it, as long as tney do not care about sales and would have written the same thing even if no one read it
I published an RPG and a supplement and took no account of this whatsoever. I just published the game I wanted to make.So I publish RPG material, and frankly I can't imagine doing so without taking this into account. How popular, for which we might read common, a particular play style is, or a set of expectations is, pretty obviously needs to be accounted for by anyone publishing any kind of material for RPGs.
You're very much like Ron Edwards and the forge hipsters in this regardI generally give my money to small companies and independent creators, because they're more likely to prioritize the product over the profit, and I believe that leads to better material.
In that regard, yes.You're very much like Ron Edwards and the forge hipsters in this regard![]()
This is more about D&D being behind the times than a modern game and 5e is the easiest D&D edition to make a character for. (Having recently tried I'd argue that 5e is probably easier than 2e as well). But one of the things I wanted to do when I wrote my 4e retroclone was make character creation easy and fast rather than a chore while keeping significant variety.Today, I find the area where complexity has surpassed the point of usefulness, at least in D&D, is character generation.