replicant2
First Post
Steel_Wind said:Contrast this transparency of obvious "new" directions and "false conflicts" in both Wheel of Time and Sword of Truth with GRRM's Song of Ice and Fire. I do not see the false conflict, save perhaps between Jaime and Cersei Lannister. (Any other intra-Lannister conflict was foreshadowed from the very first chapters in GoT - GRRM was always going there.)
More importantly, I do not detect a false change in metaplot direction to deliberately lengthen the story. While it may well be that the tale "grew in the telling" and is taking much longer to reach its goal than first thought, it does not seem to me that GRRM has bent his tale out of shape or diverted its course from that originally intended with respect to his main plot. It's simply taking him longer to get where he was always going. The emerging subplot in AFFC involving the High Septon and the sparrows seems a little contrived and out of place in light of the previous books perhaps. But that's really the only part in SoIaF where there seems some artificiality. GRRM is doing, on a comparative basis, extremely well with such an unexpected meandering, as it has not affected the main metaplot.
I think that is the principal difference between comparing the overly long Wheel of Time to the not-yet-overly-long Song of Ice and Fire. It is a distinction with a difference.
You make some good points here, Steel Wind--at least from my recollection. It's been over two years since I've read A Feast for Crows, and my memories of it are a bit hazy.
However, your post prompted me to check out the Wiki entry on A Song of Ice and Fire, and the recap of A Feast for Crows again reminded me of how little actually occured in the novel. You're right in that there are no "new directions" or "false conflicts," but there's also a lot of needless meandering and side developments without any semblance of pay-off.
There was some interesting character development in Feast, and I if I didn't become a fan of Jaime Lannister over the course of the book, I at least now see him as an interesting three-dimensional character with strengths and flaws. I liked the Brienne chapters. But as for the rest, it was like Martin spent it playing around in Westeros, showing us some neat cultures and personalities in an indulgent and largely unnecessary world-building exercise. The whole book just felt watered-down and in need of an edit.
I've heard many people describe Crows as a "calm before the storm" or a book that "sets up big events to come." That may be, but was a 700-page tome really necessary to accomplish this?