Trailer Harry Potter and the Philosopher's Stone (Season 1) trailer

because non-magical folks are never those things about groups they don't interact with normally.
I personally think that it’s all part of how effed up, poorly organised, precarious, and yet entitled and overconfident the WW is, and how desperately in need of change and progress, or even revolution, it is. But of course the author doesn’t agree with me about this and it will never happen.

In a certain way, the WW is very realistic because it’s a small community of inward looking people who’ve always considered themselves superior to everyone else they share the world with, and entitled to take what they like from it and ignore the rest. IIRC the entire population of the UK WW is smaller than an average English town (50k people, say) and its politics and self-aggrandisement remind me of parish and town councils in the Home Counties which I had to deal with in my work in the past. Hogwarts is the size of a small secondary school because it contains all the teenagers in said small town. This is honestly a very toxic environment, the sort that grows white supremacy and grievance like darkness grows mushrooms. The WW is overdue for a reckoning and the books don’t deliver, and I doubt any future media will.

I suppose one thing that’s interesting about this series is whether it’s explicitly and clearly set in the 1980s as the books were, and to what degree the writing leans into that, lampshading how different things were then and how they’ve changed. Many media made now but set then (see The Gold, for instance) can’t help but do this. But I doubt it, since the author is said to have a very solidly intervening hand.
 
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An interesting thing about HP is that there is a whole world to explore. You could make a Hogwarts show that was set at any time within a thousand year period, and do things that are new and interesting AND have call backs and fan service. Why hasn't HP been "milked" the same way as Star Wars. It's universe is certainly big enough.
Yes, exactly, this is interesting. We know there’s a wile global WW out there but the author doesn’t know or care how it works, there’s just some tiresome foreigner cliches that wouldn’t have gone amiss in Allo Allo*.

*A 1980s UK comedy series set in a French village in WW2 where the comedy mainly derives form the accents.

Beauxbatons is French Hogwarts and has a lot of girls - great, why is that, how does their magic and education differ, what’s the French WW like, let’s get some French writers in. Durmstrang is… Russian/German Hogwarts? WTF? Anyway, how has the WW held up through the Cold War, did the Stasi find out, what do they think about the role of wizards in the modern world, get in a writer or two who’s from Poland or Romania or wherever you want to focus. The rest of the world is basically a dumpster fire as written, make up your own stuff. There’s some good things in the prequel films, work with that.
 
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Beauxbatons is French Hogwarts and has a lot of girls - great, why is that, how does their magic and education differ, what’s the French WW like, let’s get some French writers in. Durmstrang is… Russian/German Hogwarts? WTF? Anyway, how has the WW held up through the Cold War, did the Stasi find out, what do they think about the role of wizards in the modern world, get in someone who’s from Poland or Romania or wherever you want to focus. The rest of the world is basically a dumpster fire as written, make up your own stuff. There’s some good things in the prequel films, work with that.
In the book there's a mix of boys and girls from both schools when they show up in book 4, but since you're on a bender of complaining, i'll just step aside and let you do so.
 

In the book there's a mix of boys and girls from both schools when they show up in book 4, but since you're on a bender of complaining, i'll just step aside and let you do so.
I’m not complaining, I’m suggesting stuff writers of future media could do with this. If Beauxbatons doesn’t have an excess of part-nymphs that’s great, one less thing to deal with. And yes, they’re not just French, they take Spanish and other students too, apparently.

(Which then begs the question of why - France has a similar population size to the UK and if you throw in the other countries that’s more like three times. Are there fewer witch children in continental Europe and if so why?)
 
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An interesting thing about HP is that there is a whole world to explore. You could make a Hogwarts show that was set at any time within a thousand year period, and do things that are new and interesting AND have call backs and fan service. Why hasn't HP been "milked" the same way as Star Wars. It's universe is certainly big enough.
They did try this with the fantastic beasts series. The first one I saw and was ok. My wife watched a YouTube video about the second. Apparently it retconned some major plot points from the first and had a convoluted plot.

I don't mind a retread of the past compared to new material, because I'm not sure the new material will be any good. Maybe (thinking aloud) the WW is simultaneously over and underdefined? Star Wars had tons and tons of blank space. The WW in modern times has these awkward bits that present challenges.

The worldbuilding in the WW is designed for a specific story. Quidditch is a dumb sport due to the way it maximizes the importance of a single character. And, apparently, the triumph of natural talent over practice. But it works great in book 1, which is a wish fulfillment story for children. Likewise, the time turners work as a plot device, but not so well as part of a coherent universe.

As long as you stay within that plot, you're ok; leave it and you'll have trouble.
 

Beauxbatons is French Hogwarts and has a lot of girls - great, why is that, how does their magic and education differ, what’s the French WW like, let’s get some French writers in. Durmstrang is… Russian/German Hogwarts? WTF?
Way better than the wildly insulting "I watched an old Western while drunk" take on Native American spiritual beliefs in the prequel movies.
 


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