[James Bond] The next movie directed by Denis Villeneuve

Tom Holland would be absurd. Please don't. Jason Elordi could be interesting, in a Zennial throwback macho-with-deep-emotions heart-throbby sort of way. Don't know Harris Dickinson
I saw Dickinson in Murder at the End of the World (the computer did it.) He played a mumbling American computer nerd. All I can say for him is he makes Holland look like a good choice.

As for Elordi, he comes from the land of George Lazenby.
 

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Oh, and James Bond? Look, I think the announcement of the director is good news. But arguing about whether the reboot will be successful or not is a mug's game until we see the finished product. I do think that it bodes well since it shows that the new rights-holder is taking it very seriously and will invest in it.
Indeed. Predications are hard, especially if they pertain to the future. And predictions in media seem particularly hard. I mean, who needs Andor, a prequel about a secondary character in a prequel that answered questions that didn't need to be answered?

There goes too much into the success of a movie or TV show to reliably predict anything. Sure, Denis Villeneuveis a name that sounds promising to me, but maybe there will be too much (or too little) studio meddling, budget shortcuts, fluctation in cast or crew, hasty re-writes, bad editing, bad group think, a new pandemic...

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Personally, I wouldn't mind James Bond as "period piece". Don't try to fit him into today's world politics, make him a cold war spy again, and let him have an adventure in a (fictional) past.
But I'd also be fine if they went with today's world politics, maybe with direct references to real world nations and organizations, or inventing some alternate ones. It can all work.

Figure out what part of the Bond formula you need to adapt to go with the times, what to twist to surprise us, and what to keep to make it feel like a Bond adventure and not just any spy-drama.
 

After seeing the James Bond car chase video: That is something I like in all my "car era" action movies, but I particularly like the ones with narrow (European) roads and/or serpetines. Obstacles to avoid, fruit stands to crash into, jumps over obstacles, short cuts to take...
 

Personally, I wouldn't mind James Bond as "period piece". Don't try to fit him into today's world politics, make him a cold war spy again, and let him have an adventure in a (fictional) past.
But I'd also be fine if they went with today's world politics, maybe with direct references to real world nations and organizations, or inventing some alternate ones. It can all work.

Figure out what part of the Bond formula you need to adapt to go with the times, what to twist to surprise us, and what to keep to make it feel like a Bond adventure and not just any spy-drama.
I was thinking a heavily stylized 1960s film, but you could do something similar with style and make it more contemporary. First of all, you don't need the Cold War. At first I thought maybe you kind of do, because it was easier to make cartoonish villains out of Russians etc, due to limitations on information, but I think you can draw from contemporary ideas and make some very Bondian villians: The looming threat of techno-fascism, billionaire oligarchs, ideological terrorist factions, bio-warfare, etc. I mean, take your pick of any number of well-known business moguls and you could use them as a template for a Bond villain.
 

I was thinking a heavily stylized 1960s film, but you could do something similar with style and make it more contemporary. First of all, you don't need the Cold War. At first I thought maybe you kind of do, because it was easier to make cartoonish villains out of Russians etc, due to limitations on information, but I think you can draw from contemporary ideas and make some very Bondian villians: The looming threat of techno-fascism, billionaire oligarchs, ideological terrorist factions, bio-warfare, etc. I mean, take your pick of any number of well-known business moguls and you could use them as a template for a Bond villain.
Ultimately, with the movies this is already what they did. How many Bond villains were actually Cold War spies or governments? Very few. The villains are most often those very technofascists, billionaires, and international criminal conspiracies operating from outside of the Cold War participants. When Cold War relations were invoked was more often because SPECTRE was playing the poles off against each other or there was a risk of the Soviets (or even Americans) handling the situation their typical, less nuanced heavy-handedness compared to British subtlety.
 

Ultimately, with the movies this is already what they did. How many Bond villains were actually Cold War spies or governments? Very few. The villains are most often those very technofascists, billionaires, and international criminal conspiracies operating from outside of the Cold War participants. When Cold War relations were invoked was more often because SPECTRE was playing the poles off against each other or there was a risk of the Soviets (or even Americans) handling the situation their typical, less nuanced heavy-handedness compared to British subtlety.
Right, I think the last Bond film that felt cold war-ish to me was Goldeneye and it did quite a bit to put it to bed. Honestly, I like the too powerful individual(s) approach better than governments anyways.
 

Ultimately, with the movies this is already what they did. How many Bond villains were actually Cold War spies or governments? Very few. The villains are most often those very technofascists, billionaires, and international criminal conspiracies operating from outside of the Cold War participants. When Cold War relations were invoked was more often because SPECTRE was playing the poles off against each other or there was a risk of the Soviets (or even Americans) handling the situation their typical, less nuanced heavy-handedness compared to British subtlety.
Yes, good point. And there's newer elements that can be folded in. I mean, a rogue AI could feature as a villain.
 

Right, I think the last Bond film that felt cold war-ish to me was Goldeneye and it did quite a bit to put it to bed. Honestly, I like the too powerful individual(s) approach better than governments anyways.
Tomorrow Never Dies was on the right track with Elliot Carver, the media baron gone megalomaniac. It's still very contemporary if you switch traditional media for social media.
 

Sometimes it's about scheduling conflicts. According to Variety, Nolan was considered, but he is too busy with his Homeric Odyssey movie. Cuaron was also considered but removed himself from the short list to work on other projects.
 


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