[sblock=Yoshiki only]The magical oil on Yoshiki's form evaporates as he channels his will into his punch, and while he finds he hasn't generated the level of cold power he expected, the hound seems to react to it with a sound akin to panic.
"Gotcha!" Garthia calls out as the monk becomes visible again, but his gloating is short-lived. Performing an almost preternatural acrobatic maneuver, the monk vaults backward, using the railing of the balcony to slow his descent.
Good thing, too, as he has just enough time to see that his intended landing spot is currently occupied by a small earth elemental. Yoshiki makes a sudden course correction, and lands at the base of the stairs, just behind the creature. The rest of the room is occupied by robes galore: a male and female pair of acolytes are exchanging failed blows on one side of the door, while a man in gray robes is trying to skewer another white-robed female with his rapier. A final white-robed acolyte cowers up against the southern wall of the room. Above him, Yoshiki hears the hound that assaulted him baying at the loss of its prey.
Note: squares with benches are difficult terrain. It costs double to move into or out of them. The females are in squares J7 and J4, though you can't identify who is whom until you hear someone speak, since everyone (including Yoshiki) is still masked.
[sblock=status updates]Dog 2: 12 damage (extra damage from cold vulnerability)
Yoshiki: no longer invisible.[/sblock]
[/sblock]
[sblock=Quioan only]Trapped in the parlor, Quioan hears a woosh of flame, then sees Garthia crowing, "Gotcha!"
The gloat is short-lived, however, as you see him apparently watch something moving through the air, then turn back to the parlor, saying to the apparently-empty room, "Looks like your friend left you to my tender mercies, fool." From through the door, Quioan can hear the baying of a hound.
[/sblock]
[sblock=Elenka and Audra]Even as Elenka and the elemental prepare to retaliate against their enemies, a gray-robed priest comes vaulting across the space from the balcony above. He nimbly catches the edge of the balcony, using it to swing down and land behind Elenka's elemental.
[/sblock]
"Gotcha!" Garthia calls out as the monk becomes visible again, but his gloating is short-lived. Performing an almost preternatural acrobatic maneuver, the monk vaults backward, using the railing of the balcony to slow his descent.
Good thing, too, as he has just enough time to see that his intended landing spot is currently occupied by a small earth elemental. Yoshiki makes a sudden course correction, and lands at the base of the stairs, just behind the creature. The rest of the room is occupied by robes galore: a male and female pair of acolytes are exchanging failed blows on one side of the door, while a man in gray robes is trying to skewer another white-robed female with his rapier. A final white-robed acolyte cowers up against the southern wall of the room. Above him, Yoshiki hears the hound that assaulted him baying at the loss of its prey.
Note: squares with benches are difficult terrain. It costs double to move into or out of them. The females are in squares J7 and J4, though you can't identify who is whom until you hear someone speak, since everyone (including Yoshiki) is still masked.
[sblock=status updates]Dog 2: 12 damage (extra damage from cold vulnerability)
Yoshiki: no longer invisible.[/sblock]

[sblock=Quioan only]Trapped in the parlor, Quioan hears a woosh of flame, then sees Garthia crowing, "Gotcha!"
The gloat is short-lived, however, as you see him apparently watch something moving through the air, then turn back to the parlor, saying to the apparently-empty room, "Looks like your friend left you to my tender mercies, fool." From through the door, Quioan can hear the baying of a hound.
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[sblock=Elenka and Audra]Even as Elenka and the elemental prepare to retaliate against their enemies, a gray-robed priest comes vaulting across the space from the balcony above. He nimbly catches the edge of the balcony, using it to swing down and land behind Elenka's elemental.
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