• NOW LIVE! Into the Woods--new character species, eerie monsters, and haunting villains to populate the woodlands of your D&D games.

Modern/Delta Green - The Beginning of the End (COMPLETED)

In Media Res: Part 4 – Power and Pain

Morgan stepped out into the doorway of the cabin, cleaner and dressed differently. The clothes didn't fit perfectly but they would do. The others were looking at him strangely. He knew something was up.

Morgan kept one hand on the pistol but didn't pull it out. "What?"

Morowitz stabbed an accusing finger in the direction of the open trunk. "Did you do this s**t?"

Morgan peered into it. "Dead bodies, huh?"

"One shot to the head each," said Bean. "Clean. Quick."

"Maybe I did," said Morgan. "So what?"

"So what?" asked Morowitz. The big butcher knife was in his hand. "Maybe I don't trust someone who shoots little girls with a gun. Hand it over."

Morgan backed up. "No."

"I'm not gonna ask again, little man." Morowitz took another menacing step forward. "Hand it over or I will inflict a world of hurt…"

And then Morowitz remembered too…

He was wearing a leather mask that restricted his vision. He was just twelve. His sister, Deborah, was seventeen. She had tied him up. His Jewish foster parents had gone out for the night.

"Who do you love most in the world?" snapped Deborah.

"I don't know…you?"

She slapped him.

"What do you like most in the world?"

Morowitz sobbed. "Ice cream?"

She slapped him.

"What do you hate most in the world?"

"You!" shouted Morowitz. "Why are you doing this?"

She slapped him again.

Finally, she drew nearer and cupped Morowitz's face in her hands. "What is power?"

"I…" gasped Morowitz. "I don't know…"

"Pain," she whispered gently. Then she kneed him in the groin. The image of her torso in the leather corset filled his vision…

And suddenly Morowitz knew where he had seen the ink blot before.
 

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In Media Res: Part 5 – The Hunters Return

Jones looked back and forth between Morgan, who had his pistol drawn, and Morowitz, whose eyes fluttered wildly, knife still at the ready.

"Guys," said Jones. "There's a car coming!"

Morowitz snapped out of it, gasping. He looked around.

"We have to get out of here." Morowitz turned his back on the pistol-wielding Morgan and sat in the driver's seat. "You coming?"

Morgan didn't move. Bean was gone. Jones hopped in the passenger seat.

A full-size Chevy pickup truck towing a camper wound its way down the dirt road towards the cabin.

Morowitz stomped the gas pedal.

The sedan lurched forward, lights off, a dust cloud in the fading light.

"What are you doing?" shouted Jones, who realized at that moment he hadn't put on his seat belt.

Morowitz didn't answer. There was nowhere for either vehicle to swerve. The sedan smashed into the pickup truck just as Morowitz buckled himself in.

Metal smashed together with a jarring clang. The impact shook Morowitz's world.

He was momentarily panicked by the smothering scent of powder and cloth in his face until he realized it was the airbag deploying. Morowitz shoved off of it and stumbled out of the car.

Jones fell onto the dirt road from the passenger's side, blood gushing from his nose and mouth. His face swelled up from the impact with the dashboard. He kneeled there, on hands and knees, life pouring out of him.

"What in the hell?" shouted Olcott, the driver. He had a wicked bruise on his forehead. "What is wrong with you boys?"

Morowitz didn't need to exaggerate his condition. He stumbled towards them. "What the f**k man, didn't you see us?"

"Darryl, ain't that your car?" whispered Olcott's companion, Billy.

"Son of a…it is! Is that why you were in such a hurrRRKH!"

Before he could get the rest of the sentence out, Morowitz stabbed Olcott through the throat with his butcher knife. Billy, who had a hunting rifle in his hands, struggled to aim it at such close quarters. Morowitz shoved the rifle aside with his free hand and it fired, blasting a hole in Olcott's chest. He died instantly.

Billy panicked. Morowitz yanked the butcher knife out of Olcott's throat and threw it at the fleeing hunter. It lodged in the back of his neck. Billy flopped down in the dirt, paralyzed but not yet dead.

Morowitz checked the rifle. It was a .30-06. He looked through the scope. "Nice gun," he said to the dying Billy.

He checked the cab. There was a shotgun too. "Jones!" shouted Morowitz, turning to throw it to him.

A bloody trail began where Jones once kneeled. It swept around behind the sedan. Bean popped up, blood dripping from his mouth. "Jones is busy," he mumbled.

"Jesus," whispered Morowitz. He had half a mind to shoot Bean, but then he noticed movement out of the corner of his eye.

There were two other hunters in the camper. They ran, screaming for help.

Morowitz kneeled and, chambering a bullet, took aim through the scope.

The rifle cracked, and one of the men fell. But the other man made it out of sight.

Morowitz swore and ducked back in the cab. The CB was still off the receiver. It was on a police band.

Then he heard the helicopter.
 

In Media Res: Part 6 – Tightening the Noose

Morowitz ran. The helicopter's spotlight danced behind him, unhindered by brush or bruises from the car crash. It was all he could do, huffing and puffing, to stay ahead of it. The dirt road, tightly enclosed by brush, led an incriminating trail back to the cabin.

The light lingered mercifully on the car crash and what was left of Jones' corpse. It bought Morowitz time to get back to the cabin.

Morowitz's thoughts raced around in circles. He was a caged animal, trapped. He couldn't fight his way out of this one. There was nowhere to go.

His sister laughed at him from the dining room. What the hell was that?

Morowitz crept into the room, the tightening circle of police momentarily forgotten.

There was nothing but the faceless corpse on the table. The inkblot seemed to pulse at him, whispering, laughing. It beckoned him. Beckoned him onward.

The inkblot looked just like her torso, that of a buxom seventeen year-old girl in a corset. The same reflection of the black leather in the light, the same bell shape, the curve of her breasts at the top, the hemisphere of rigid material at the bottom…it was all there, now that he thought about it.

Was this what happened? Was this why they were here? Morowitz remembered.

Yes. His sister laughed again, quite clearly now, coming from the blot. Yes, this was it.

Well f**k that. Morowitz stabbed the blot with the knife.

And disappeared.
 

In Media Res: Part 7 – Morgan's Plan

Morowitz's plan, if he even had one, was dumb. But what Morgan watched Bean do to Jones was far, far worse.

The thrum of a police helicopter filled the air. A spotlight danced over the road, leading up to the cabin. A dark shape loped ahead of it. It had to be Morowitz.

Morgan shook his head. Dumb plan. He deserved to die.

Morgan remembered them all now. Johnny "The Smasher" Morowitz was the muscle, known for crushing skulls with his bare hands. Billy "Taste-Test" Bean was a serial killer who was fond of eating the brains of his victims. George "Incinerator" Jones was a pyromaniac…

Morgan looked around. Pyromaniac! Even in death perhaps Jones' skills could be put to good use.

There was noise in the forest. Men, shuffling quietly through the forest, their flashlights dancing a perimeter. It was an ever-tightening circle, converging on the house. The hunters had given them away.

An odd sound echoed from the house behind him. Breathing. Like the death rattle of the old man—his first kill.

No time for that though. Morgan had to get out. He retreated into the house, picking up the mix of chemicals that Jones had left behind.

Morowitz skulked past him into the dining room. Idiot.

Morgan needed a distraction. Morowitz might just provide it, with a little urging. Morgan took a lighter from the kitchen and lit Jones' homemade explosive. He threw the bomb at the far end of the house, down the hallway.

WOOSH! The concoction was expertly made. The flames took on a life of their own, licking up and down the corridor and filling it with smoke.

Just what Morgan needed. Now he needed Morowitz to come running out…

He didn't.

Morgan swore. What the hell was he doing in the dining room?

The cops were at the door. Morgan's hopes fell. He needed someone or something to break the line…

Bean rose up like a snake behind the cop. The cop gurgled as a paring knife jutted from his throat.

Morgan saw his opening and took it. He ran past Bean.

In the smoke, the cops didn't know who did what. The fearsome reputation of the four murders played on their worst fears. The police opened fire in a panic.

Bean was shot by a stray bullet. He crawled to the door, screaming that he was trying to stop "The Opener…" The police paid him little heed as they beat him into unconsciousness with their clubs.

The helicopter above only fanned the flames, its spotlight whirling crazily over the billowing smoke.

Morgan implemented step two. He ran to the barn, where the horses were going wild. They weren't horses meant to be ridden, but Morgan didn't plan to stick with them for long.

He dragged one of the horses through the smoke and slapped its flank. It galloped through the confused mass of men, who were in danger of shooting each other in the conflagration.

Then, grabbing hold of the mane of the second horse, he hoisted himself up and kicked it into gear. The horse reared up, nearly throwing him, and took off down the road.

Behind him, the flames leapt from the cabin to the nearby woods. And like Satan hurled from Heaven, Morgan plunged through the inferno to the freedom beyond.
 

In Media Res: Conclusion

Morowitz had the dream again about his sister. He learned to love and hate the dream at the same time, yearning for closeness with the only relative he ever really knew but loathing the inevitable pain that came with it.

But this time a man in the suit was there. His sister was gone.

"Wow, now this is one interesting dream." He walked over, only partially visible through the leather mask Morowitz was wearing. "That can't be comfortable. Is it?"

Morowitz shook his head.

"Here." The man took the mask off of Morowitz, then released his other bindings so he was no longer strapped to the chair. "That's better." He was very tan, sleekly handsome, impeccably dressed.

"Are you going to hurt me?" Morowitz rubbed his wrists.

"Hurt you? Oh I should think not!" The man pulled up his own chair and sat down across from him. "I'm here to recruit you."

"Recruit me?" squeaked Morowitz. He was still a twelve-year-old boy in his dreams. "Who ARE you?"

The man smirked. "You can call me…The Opener of the Way. Way for short. I suppose you could call me The Opener…" he mused, "but really that's a little weird, don't you think?"

"Uh. Yeah. So, recruit me for what?"

"Well now that's a really good question. What are you good at?"

Morowitz shrugged.

"I know what you're good at," said Way. "See, right now you're just a scrawny punk who has a really weird sister with a pain fetish. But when you grow up…" Way's eyes lit up. "You're going to be huge! And nobody will ever threaten you again. What do you think of that idea buddy?"

Morowitz liked that idea very much and said so.

"Good. Well now there's a little thing you need to do. There's a storm brewing, something fierce. It's the beginning of a change of times." Way smiled. "My kind of times. With the storm is a flood, and that flood is going to reach right here – not right here, of course, but the other here, where you're sleeping right now, in Liberty Center. They're going to move you, and when they do, you're going to take the guard hostage. Can you do that?"

"Sure."

"Good, good. I won't lie to you…what comes next is pretty nasty. Are you up for it?"

Morowitz swallowed hard. "I…I think so."

Way smiled. "I've been chatting with several of your fellow inmates, but I like you most of all, pal." He patted Morowitz on the shoulder. "Some of your other friends…well let's just say they're better-suited to the other stuff. You know – shooting people in cold blood, slicing off tongues, that sort of thing. But you, you've got a rough kind of morals that I admire. I don't have any, myself. Morals, that is." He smiled again, like he had made a really funny joke.

Way reached over and painted something on the wall across from the chair that Morowitz sat in. He did it with just his thumb, but it smelled like the coppery scent of blood.

"All you have to do is paint this." Way pointed at the blot. "And then, if you're smart enough and you're strong enough and just ruthless enough, you have to remember who you are. And if you do that, you and you alone will be my most loyal servant in the end times. Can you do that?"

Morowitz nodded vigorously. "Yes!" he said, eager to please.

"Good. Now wake up. You've got a prison to escape from."
 

Chapter 55: The Music of the Spheres - Introduction

This story hour is from "The Music of the Spheres" by Kevin A. Ross from Chaosium's The Stars Are Right! You can read more about Delta Green at Delta Green. Please note: This story hour contains spoilers!

Our cast of characters includes:

  • Game Master: Michael Tresca
  • Deputy Bob Horner (Pyromaniac) played by Joe Lalumia
  • Deputy Donny Carpenter (Cult Leader) played by Jeremy Ortiz (Jeremy Robert Ortiz)
  • Sheriff Randy Kaufman (Brutal Thug) played by George Webster
Continuing the narrative of what happened to the world after our heroic agents sacrificed themselves to detonate a nuclear sub in Cthulhu's face, this scenario shows what happens when insanity hits middle America. Music of the Spheres has been kicking around in my files for years but I never knew how to handle it because its implications are world reaching. It's pretty much the end of the world and you don't just casually run the scenario in the middle of your campaign.

But then, I was ending the campaign in a way. With the birth of my daughter I knew I'd be taking a half-year hiatus. So instead of hapless human agents summoning Ghroth, I changed the scenario to Cthulhu's "death" sending a signal out to Ghroth via the radar array. This plays nicely into the narrative and reinforces the overall sense of a looming apocalypse.

By the second session the players were now in the groove of playing completely different characters, and I suspect they were frankly relieved to characters that were a bit more morally upstanding. All of them had memorable lines and portrayed their heroes valiantly. In this case it was Jeremy who really stepped up.

I stole liberally from The Crazies and Stephen King's "Cell," but the real star here is Blur's "Crazy Beat" which has been stuck in my head for years since I heard it. I made sure to play that song any time The Music of the Spheres was played, which really irritated everybody but me.

What this scenario gave me that I couldn't get from the main "superhero" agents was dependents. While Donny and Bob are single, Randy has a wife and two kids to worry about. They're not freewheeling agents out on a mission to save the world; they're just trying to save their home. And yet there ARE Majestic-12 agents running amok in this scenario in an attempt to contain the disaster (a disaster, it becomes clear, that cannot be contained). In other words, I wanted the players to see government agents as villains. Jeremy had his character cling to that notion right up to the very end, and his sacrifice was all the more poignant because of it.

Defining Moment: "Well THAT ain't normal!"

Relevant Media
  • [ame=http://www.amazon.com/gp/product/1416524517?ie=UTF8&tag=michaeltresca&linkCode=as2&camp=1789&creative=390957&creativeASIN=1416524517]Cell[/ame]: by Stephen King.
  • [ame=http://www.amazon.com/gp/product/B0021L8UXA?ie=UTF8&tag=michaeltresca&linkCode=as2&camp=1789&creative=390957&creativeASIN=B0021L8UXA]The Crazies[/ame].
  • [ame=http://www.amazon.com/gp/product/B000WWEW1E?ie=UTF8&tag=michaeltresca&linkCode=as2&camp=1789&creative=390957&creativeASIN=B000WWEW1E]Crazy Beat[/ame]: by Blur.
 

Music of the Spheres: Prologue

You got to get it together
You're shooting at me
You're just a teenage industry
Why are the C.I.A. having fun?
They think you're clever 'cos you've blown up your lungs​

--Crazy Beat by Blur​
HAYDEN, NB—"Gosh darn it Bob, why did I have to park my car across the street again?"

Annie, the dispatcher for the Hayden sheriff's office, rolled her eyes. Sheriff Randy Kaufman and Deputy Bob Horner were having their weekly argument about the supposedly reserved parking space again.

Bob grunted. "It's for whoever's on duty at the time."

Annie tried to interject. "Bob…"

"That may be, but I'm the Sheriff, and I need to be able to access the front door, especially in an emergency," replied Randy. "Besides, the Dodge Durango won't fit in the smaller spaces."

She tried again. "Randy…"

"Me too," said Bob.

Randy took off his hat and scratched the back of his head. "Man alive, Bob! Arguing with you is like arguing with a pole, you know that!"

"Excuse me, Randy…"

"Pole'd get its own parking space," muttered Bob.

"BOYS!" shouted Annie. They both looked at her. "If you two are done arguing there's been an incident over at the Osbourne house. Carrie's going on about dogs, something crazy's gotten into them."

Randy screwed his hat back on and made for the door.

"I'll drive," said Bob. "My car's closer."

Randy glared at him.
 

Music of the Spheres: Part 1 – Shhh

They came upon Dave first, the volunteer paramedic, hiding behind his ambulance.

"What's going on Dave?" asked Randy, warily approaching Dave. Bob trailed behind him.

"Something's up with Carrie," said Dave, eyes wild. "She's gone nuts. Leveled a shotgun at me! She's going on and on about the noise. Threatened to shoot the ambulance if I turned on the sirens." He shook his head. "She must be on drugs."

"Let me talk to her," said Randy. "She's probably been hitting the sauce again…"

"This isn't some trick to get a free ride to visit your pretty wife, is it?" snorted Dave.

Bob didn't laugh.

Randy forced a smile. "Being the town doctor qualifies Judy as your boss," he said. "But being my wife makes her my boss too so we'll keep that between us. Now stay back until I signal it's safe."

Dave nodded, serious now.

Carrie was pacing back and forth, a rabid animal on deranged guard duty.

"Carrie?" said Randy from around the vehicle. "Mind if I come talk to you?"

"Shhhh!" hissed Carrie, her eyes wild, her hair unkempt. She leveled a shotgun at him. "You keep your voice down or so help me I will shoot you!"

"Okay, okay." Randy lowered his voice, hands up in the air. "Okay, I'm going to approach real slowly but I need to get closer or else you can't hear me, now can you?"

Carrie seemed to find some logic in that and she nodded, never releasing her grip on the shotgun.

Randy crept closer. Carrie, never a particularly attractive woman, was torn up. One leg was soaked in blood. It looked as if she'd been mauled.

"Now Carrie," Randy asked once he was in earshot. "What's this all about?"

"The noise," whispered Carrie. "The noise. The dogs hate it."

"The dogs?" He gestured at Carrie's leg with a nod of his head, keeping his arms up. "Is that what tore you up like that?"

Carrie nodded, tears welling in her eyes. "The dogs...they killed Bill. Killed him. Ripped him apart." She refocused, shaking her head. "If that ambulance comes any closer I will shoot it, I swear!"

"I understand, I understand," said Randy, edging closer. "Dave's not going to do anything stupid because he doesn't want to get shot. But neither do you. And if you're worried about noise…I think maybe you should give me that shotgun before it goes off and makes a lot of noise. How about that?"

Carrie glanced at the shotgun, a former ally turned traitor. She began sobbing, deflated, as she slumped to her knees.

Randy gingerly took the shotgun away from her. He gestured behind his back to Bob, who ran over.

"Where's Julie?" asked Randy.

"The baby's inside," sobbed Carrie. "She's inside. The dogs'll eat her…if she wakes up…"

Randy clicked on his shoulder radio. "Donny, come in."

"What's up Sheriff?"

"You know those tranquilizer darts we bought after that black bear sighting last year?"

"Yeah?"

"Dust 'em off and bring 'em over to the Osbourne residence. And bring the tear gas too."

"For what?"

"I dunno yet. Just bring 'em."
 

Music of the Spheres: Part 2 – Dogtown

Randy padded up to the entryway, shotgun at the ready. Donny and Bob approached from the back. With any luck, this was all a misunderstanding, the drunken ravings of a woman who maybe beat her dog too many times.

Then Randy saw the blood and congratulated himself on being careful.

There was a lot of it. It was smeared, with unidentifiable chunks of something. The door had been slammed shut, forcibly, and bloody handprints – Carrie's, he guessed – were splattered along the doorframe. It was too much blood for just Carrie's wound, bad though it was.

Taking Carrie's mandate of silence seriously, Randy gingerly tried the door.

It was unlocked. He gently put pressure on the handle and pushed it inward.

It moved a few inches before stopping. Something was in the way.

Randy pushed again, and whatever was in the way rolled aside.

Randy looked down and the moisture fled his throat. It was a man's arm.

Peering around the door, Randy could see what a bloody trail that ranged up and down the hallway. It was most assuredly Bill's arm. The whereabouts as to the rest of Bill were unclear.

The gruesome scene was accompanied by the hiss of static from a radio. Randy counted his blessings; if there were dogs riled up by noise, the radio would cover his footsteps.

But what the hell kind of dogs were these? He tried to use the time waiting for Donny to ask Carrie what the dogs did, but he only got the sense they were big. On a property as large as the Osbourne's a family could have big dogs. There were two of them, Marla and Maple.

Big enough to tear a man's arm off? It was possible, if he were dead. From the far end of the hallway, Donny and Bob met Randy's gaze. He pointed at the dismembered arm.

Donny covered his mouth in horror. Bob's lips became a thin line.

They ducked into the other rooms, hypersensitive to the danger now. If Julie wasn't inside he'd have just locked the doors and set the house on fire rather than deal with this.

But Hayden was his town and he was the sheriff. Like it or not, it was his job to deal with things like this.

Bob was already up the steps by the time Randy decided to follow. He swore, silently. Bob never did listen to directions.

Randy covered the entryway behind Bob with his shotgun. He pointed Donny to the baby's room, evident by the pink bow on the handle. Bob approached the master bedroom.

There was a faintly unpleasant sound coming from the master bedroom. It was a moist sound. The sound of licking and chewing. The sound of eating.

The door was partially open. Bob teased it wider with the business end of his shotgun.

He could make out the tails of two dogs from behind the bed. It was a high bed, but he could still see their tails wagging like they were feeding on a treat. A bloody, lumpy trail swept along the entryway and out of sight to where the dogs were eating.

Behind Bob, Donny crept out of the room with Julie still asleep in his arms. He made his way to the steps.

"Sheriff? This is Annie, come back," shrieked the radio on Donny's shoulder.

Julie, startled by the crackle of the radio and Donny's movement, began to wail.

In the master bedroom the two mastiffs, Great Danes, looked up from the other side of the bed. Their muzzles were bright red.

"Son of a—" swore Bob. He fired his shotgun but the shot went wide.

The dogs cleared the bed in one leap. Nearly two hundred pounds of Great Dane slammed into Bob, who was not a small man, knocking him against the railing. The other one bounded over his prone form and into the hallway.

Randy fired his shotgun at the first dog, a glancing shot. The dog foamed at the mouth.

"Go Donny!" shouted Randy.

But the Great Dane was between Donny and the steps. Hoisting the squalling child in one arm like a football he leaped over the railing onto the steps.

Bob, prone, struggled to keep the other dog from biting his face off. It took a chunk out of his arm. Bob pulled his pistol and, shoving it up to the dog's gut, pulled the trigger.

The first dog, heedless of the conflict and its wounds, jumped over the rail into space…

And landed in front of Donny at the bottom of the steps. Randy couldn't believe it. Bullets weren't affecting them.

With reckless abandon, Randy leaped the stairway rail.

Just as the dog was about to leap again, Randy landed on the dog's back. There was a snapping sound from the Great Dane. The dog's back cushioned Randy's fall. It still hurt like hell.

Donny jumped over them both and ran out the front door.

"Dave!" shouted Donny at a full sprint. "Get over here!"

Randy rolled off the Great Dane. It was unconscious or dead, he couldn't be sure. All he could think of was Bob.

He ran back up the steps, pistol out. Bob was losing the fight, his struggles weaker. The Great Dane was shaking his arm like a rag doll.

Randy shoved his arm through the railing up to the dog's pointed ear and pulled the trigger. Its head kicked as the bullet penetrated the brain. It fell over instantly, dead.

Blood and dog brains were everywhere. Bob was unconscious from blood loss. Randy hoisted him in a fireman's carry down the steps.

The first dog's body was missing from the steps.

He made it as far as the door when the Great Dane caught up with them. Teeth gnashed at his leg, tearing his pants.

Randy shoved Bob's unconscious form through the front doorway. He flopped onto his back.

"Donny!" shouted Randy.

"I'm comin'!" Donny shouted out of the window of his cruiser. He drove it backwards up to the house, nearly smashing the trunk into the porch steps.

Randy spun around the front door to the outside and, kicking the dog viciously in the face, grabbed hold of the door and slammed it shut.

"Keerist," swore Randy, panting.

Donny dragged Bob near the cruiser, but wasn't able to easily lift him into the back seat. Bob was a big man.

Donny reached into the trunk instead and came back out with a canister of tear gas.

"This should help," he said, handing the canister to Randy.

"I dunno, Donny. That one dog should be dead. Bob must've emptied his entire pistol into one of 'em. What the hell is wrong with these dogs?"

"I dunno, but it ain't right," said Donny. " Ready?"

Randy nodded. Taking a deep breath, Donny opened the door.

The dog, which had gone silent when the door closed, was instantly at the opening, blood-flecked muzzle snarling and barking with rage. Donny slammed it in the snout with the butt of his shotgun. Randy pulled the pin and threw the tear gas inside.

The dog's barking turned to a piteous whine.

"Finally," said Donny. "That should do it—"

Shattering glass at the bay window signaled that the dog wasn't finished with them yet. Covered in broken glass, half-blind from the tear gas, the Great Dane struggled to its feet.

The dog made its way towards the unconscious Bob.

"Son of a…" Randy fired his pistol at it. "Stay down!"

It kept coming.

The engine of the cruiser revved. Donny was back behind the wheel. He slammed the gas pedal.

The dog looked up, ears pricked at the sound but unsure as to the source. The cruiser smashed into the dog, tossing it up into the air and over the hood. With a high-pitched squeak it finally lay still.

Randy leaned down on his knees, panting. Donny pulled the car back around.

"What the hell were they feedin' them dogs?"

"I dunno Donny," said Randy. "But it ain't normal."
 

The Music of the Spheres: Part 3 – Take Me Out to the Ballgame

Randy's cruiser screeched to a halt in front of the local high school. Donny arrived a few seconds after.

A baseball game was being played under the lights. Students, faculty, and townspeople filled the wooden bleachers.

"Regional playoffs!" Randy shouted to Donny, jogging out of his cruiser. "Everybody's here…"

The mayor, the pastor, and all the VIPs a small town had to offer were present. All eyes were on the sheriff and his deputy.

Donny's hand was on his holstered pistol. He kept a low profile as they advanced on the stadium.

Now they knew why Annie was urgently trying to get in touch with them. A dark figure walked out of the shadowy woods beyond the outfield. Weaving like a drunkard, he walked right onto the playing field, oblivious to the game.

"Is that…Rory?" asked Donny uncertainly.

It was a man of fifty. A local pig farmer.

"Yeah," said Randy, his lips a thin line. "That's Rory Hamill all right. And he's carrying a shotgun."

Heads turn and mouths fell open in the bleachers and dugouts, everybody staring in collective disbelief. It was surreal. A guy with a gun walked past Petey Jenkins in left field.

"Want me to start evacuating folks?" asked Donny.

"Too risky," said Randy. "He might just start shooting 'em. I'm going to try to calm him down. You approach from the side, out of his line of sight. And for Pete's sake keep your weapon holstered!"

Donny nodded but didn't take his hand off his holstered pistol as he ducked.

Randy approached Rory, hands up. "Rory! Hey Rory! What's going on, huh?"

Rory got as far as the infield before Randy got his attention. He stopped, glassy-eyed, head lolling sickly to one side.

"Rory?" Randy tried to keep his voice modulated and calm, but it was difficult knowing all eyes were on him. "What's up? You okay?"

Rory cast a glance around the field. A dizzying number of faces out there. All eyes on him. He wobbled a little, caught himself.

"Rory? You realize you're standing in the middle of a field with a shotgun?" Randy continued his approach, hands up. "Why don't you put that down, huh?"

Rory's gaze floated back to Randy. This time it was different. Harder. Deadly.

"Now Donny!" shouted Randy.

Rory leveled the shotgun, bringing his eye to the sights. He drew back on the trigger and…

The shotgun blast went wide as two hundred pounds of former Hayden football star Donny smashed Rory sideways. It was a perfect tackle – if a high-speed camera could take a snapshot of the moment Donny was parallel to the ground and he hit Rory with his shoulder.

But that was only the adrenaline pumping through Rory's veins and in another second Rory was on the ground. Randy tore the weapon away from him. Only then did he become aware of the screams and the scrambling in the stands.
 

Into the Woods

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