Moorcock blasts Tolkien

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I just spent my lunch hour reading some Howard (thanks to the Wildeside Press) and I agree that Howard is not as polished as he could be. But he is raw, energetic, and hugely influencial.
Completely agreed. I love Howard's style. It's strong, very much "in your face", with potent images and words and not so much fluffy developments.

I particularly like his stories about Solomon Kane. This is just great. They have be re-printed recently, and you can find the anthology on Amazon, if I'm not mistaken.
 

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Sorry, but he admits to not having actually read the work he is criticizing. His opinion is, therefore, not an informed one. Ergo, his opinion is not as good as anyone else's....merely as good as anyone else's who hasn't read LotR.

RC
It's certainly possible for his opinion to be more informed, but don't you think he is making good points nonetheless? LotR really is about comfort, in my opinion. It is about strong moral standpoints. It is anti-technological and wishful to stand on these strong moral (some would call them conservative) standpoints.

After, you can always discuss the fact of criticizing these traits of Tolkien's writing, and it's very much related to the (left-wing/liberal/provocative) personality of Moorcock which is very much against all these things. I may not agree with the way it's presented or the conclusion drawn from the points, but the points remain, I think.
 

Aus_Snow said:
*sigh* Presumably, I've been lumped in with 'them'.
No, not at all! I agree with some of what you've said and disagree with other comments, but you've made your points fairly and honestly. To clarify, while there is plenty to disagree with in Epic Pooh, should one be so inclined, there is no reason to ascribe bitterness, small-mindedness, jealousy or other unsavoury traits to the essay's author just because one happens to disagree with him. I have no respect whatsoever for those who conduct themselves in that fashion.

As I've said a few times in this thread, I am a huge fan of both authors, but I see no reason to allow baseless personal comments on either Moorcock or Tolkien's motivations to go unchallenged from either side of the fence. As my posts in this thread show, I have an even opnion for both sides of the argument - just little patience for subjective unpleasantness.

Michael Moorcock has shown himself to have earned that very title you assign others (a "vitriolic hater"), from some of what I've read over the last couple of days.
See, this I don't agree with. Epic Pooh has plenty of criticism for Tolkien's writing, but is always polite about the Prof himself. That's the disconnect that I am talking about. Just because you disagree with someone's views, there's no reason to make them out to be some kind of embittered nutjob.

Anyway, as I said in a previous post, if anyone wants to get a clearer idea of just where Michael Moorcock stands/stood on such 'issues', I strongly suggest (for example) googling: [Moorcock Tolkien]. Something like that. Not a bad place to start at least (I seem to recall).

With some ease, you'll find a number of personal attacks of a quite venomous (and ludicrous) nature. These are Moorcock's own words, and they are rather damning.
You might well be right there (although I did the search you recommended and read through 5 pages of Google results without finding anything particularly heinous). Still, Moorcock has mellowed in recent years towards the Prof, which needs to be borne in mind. Anyway, if you want to point me in the direction of some choice nuggets, I'll happily stand corrected.
 

I don't have to go to Amazon to find the complete Solomon Kane stories...I have to go to my bookshelf! :D

Odhanan said:
LotR really is about comfort, in my opinion. It is about strong moral standpoints. It is anti-technological and wishful to stand on these strong moral (some would call them conservative) standpoints.

Well, I do agree that LotR is anti-technological and about strong moral standpoints. LotR suggests that there are clear moral actions, but that they are not always easy to see nor always what we would wish them to be.

If LotR is about comfort, it is the same comfort offered by the Book of Job: There is some purpose behind your suffering. (Except, of course, that Frodo is more like Moses...able to save his people, but not able to enjoy the benefits thereof.)


RC
 

I find LOTR "comforting" to read because I have read it many times and am familiar with it, not because the novel itself is intrinsically comforting. The thought that "many fair things will fade and be forgotten" is not comforting at all. YMMV.
 

PapersAndPaychecks said:
Read my post again. Was I talking about JRRT or his imitators?

JRRT's work is and remains extremely safe.

Raven Crowking said:
Define "safe" in this context....... :uhoh:

I think he meant the word safe to mean that despite Tolkien's popularity he is not on any banned book lists.

He didn't step on any of societies taboos. He didn't risk getting banned.

I think many RPGs go this route...safe little money makers. Hol being a wonderful example of an exception. Dark Sun, Planescape, and (heck even) Spelljammer are other examples of unsafe settings.

Nothing wrong with safe. Everyone needs it at some point. The problem are ruts and getting stuck in them. IMHO many fantasy settings are rip offs of Tolkien. Eberron to me feels like an attempt at having it both ways...safe Tolkien feel...but modern and edgy.

Ptolus feels like another Eberron to me, but much much better. It feels safe to me. It has all the fantasy Tolkien staples such as snobish elves, standard dwaves, a 'Sauron' type defeated in a great war, etc....but all that is shallow stuff and the meat to Ptolus is the organizations, very complex groups. The setup of groups the players might agree with that have alliances with the villian groups is wonderful....I can just watch my players twist and squirm at their choices.
 

John Snow said:
Paying attention to what books say is not an invention of political correctness or of the modern era. However, assuming that every minor plot point in a book is profoundly significant IS.
Nice strawman there John! What I am doing is making a very specific argument about how Tolkien writes about non-white people.
Literary people need something to write about. If they just accepted that the racist subtext in Tolkien's books isn't really there, what would literature PhD candidates write their theses about?
So, anyone who is paid to write something can’t be trusted? I’ll just leave this argument aside for now. Well, in that case, I’m safe. I’m basing my conclusions solely on reading the words written in the books and I’m not being paid a cent.
Following your line of thought, the Elric stories are clearly an indictment of albinos.
I haven’t read these stories so I cannot say.
Gieven that most medieval societies WERE sexist, is it sexist to portray that?
No. You will note I’m not suggesting that LOTR is sexist. I’m suggesting it is racist.
I don't particularly think so. I'd argue you can learn more about Tolkien's opinion about women by looking at what Eowyn DOES do than at how many women characters exist in the books.
I agree. What matters is how an identity group is portrayed overall, not how frequently they appear in the book. I did not, for instance, agree with Jackson’s decision to enlarge Arwen’s part.
Just because I'm saying the stories don't have the theme, subtext, and metatext you claim they do doesn't mean they don't have any.
Good. Now we’re getting somewhere. Now, perhaps, we can have an intelligent discussion about the words Tolkien wrote and what we can glean from them.
It does mean I find it simplistic to read racism into the story simply because of its presentation of some characters as villains who are "swarthy" or "dark"
So, you see absolutely nothing significant in the fact that every single time any non-white human character is mentioned in LOTR, Tolkien tells his readers that they are evil?

Given that Tolkien could have made all the humans in the books as white as Aragorn, why do you think he chose to include non-white people? Perhaps if you offered an alternate theory of why the author might be choosing to include non-white characters, you might convince me of your views.
Especially when two of the central characters overcome the racism and prejudice of their own societies to become fast friends.
Indeed. Some kinds of prejudice are bad in Tolkien’s view. But what I am talking about is how Tolkien portrays members of racial groups that actually exist not whether he is racist towards groups that do not exist at all.
And all of these really significant villains are part of Sauron's faceless hordes.
That’s not the case. Take the guy in Bree. Take the Mouth of Sauron.

Why don’t you offer an alternate theory of why Tolkien chose to make the humans who served Sauron mostly non-white whereas the humans who fought against him were all white?
Unless you're going to attach significance to the symbolism of the color black.
No. I’m attaching significance (not symbolism) to the fact that the areas of the map that are analogues of Central Asia and Africa are populated by non-white people who follow Sauron.
In which case you're attaching racist significance to the school of thought that bad things come from dark places.
No. I’m attaching significance to the fact that people who are described as “dark-skinned,” “swarthy,” or “slant-eyed” are all evil in Tolkien’s works. Every single one of them. To a man.
There are other examples I could give, like Saruman (the White) being one of the chief villains. Or the central role of Denethor in furthering Sauron's aims (a white male of the same race as Aragorn, but less lineage).
This isn’t news. I state the same thing in my original post. I’m not arguing 100% of the villains are non-white. That’s patently untrue. What I’m arguing is that 100% of the non-whites are villains.
There's plenty of subtext about the conflict between nature and technology, the danger of pride, the perils of playing god and so forth. There's mythological significance to things like "Men of the West"
Yes. And how they fell because of miscegenation. Nothing racist apparently about preaching the evils of race mixing and blaming the destruction of a whole society (Arnor) on it.
"the land in the East" or even that Sauron's minions came from the South. All of that is embedded in centuries of European mythology. Maybe you can argue that those myths themselves are racist, and you might be right.
Because Tolkien’s books are not 100,000 pages long, they do not include all beliefs held by premodern Europeans at all historical moments. Tolkien has selectively deployed a number of images and ideas from our premodern past. I think it is perfectly legitimate to form opinions about which ideas from the past he has included in his books and which he has excluded.
So I ask, does drawing on those myths make someone racist?
It can. Yes. If I am writing a book based on American cinema and I choose to make Birth of a Nation a major source for thematic elements and ignore every movie starring Sidney Poitier then yes. My choices are racist. There are all kinds of ideas in the European past that are not merely non-racist but anti-racist such as the Saint Christopher legends, Parzifal or Greek ideas about Egypt. Tolkien is choosing, despite his novels’ otherwise medieval themes to include a bunch of early modern and Victorian ideas about race that, frankly, were not even part of the medieval European worldview. In many ways, he is imposing his own time’s conservative ideas of race on a narrative inspired by a period in which people did not think in racial terms.
Even when they're clearly writing that racism and intolerance are BAD.
I’m really not appreciating this idea that we should ignore everything Tolkien says about non-white humans because he thinks white dwarves and white elves should get along.
Prophet 2B said:
Wow... You know absolutely nothing about J.R.R. Tolkien.

I'm going to strongly recommend you go read some Tolkien biographies and some of his other works before you say anything else along these lines, because you have absolutely no idea what you're talking about.
The novels speak for themselves. Your argument that Tolkien’s novels cannot be racist because of things he did in his personal life is a silly way of reading his work or any work of literature for that matter.

If I see something on the page of a book that is racist. The text on the page doesn’t change because of the writer is a member of the NAACP. The text stays the same. The book’s message stays the same. What is relevant to whether LOTR is racist is the text that comprises LOTR. LOTR can’t stop being racist because of things outside of the text that comprises it.
I could spend a good hour writing up a post detailing Tolkien's critiques of racism and what he believes concerning the equality of men and women (which we can find in other sources, either by him or people who knew him, etc. - studies have been done). But I don't really have the time.
Well, if you find the time I would be most interested.

But are you really saying that every person who says, “I’m not racist,” or “I believe everyone is equal,” is therefore not racist. Because many of defenders of institutionalized racism, at least in the US, have said exactly those things. Aren’t most racist statements prefaced with the words, “I’m not racist but…”?
This is just absurd. Completely and utterly. Tolkien was the farthes thing from a sexist
That’s great. But remember I’m not calling Tolkien sexist. I’m calling him racist.
and a racist that one could possibly be. His books had absolutely nothing to do with those topics.
Books that depict racial conflict have to do with race. Books that depict men and women interacting have to do with sex and gender. Books are about the things they contain. I don’t know how a book that included both male and female characters could avoid pertaining to questions of sex and gender.
billd91 said:
Considering that the number of non-white human characters in the story about whom we know anything of substance is very small, I think you're reading WAY too much into this.
Doesn’t it seem strange to you that non-white humans appear at all? Why bother to draw the reader’s attention to the fact that Sauron’s armies are full of black and Asiatic people? Most readers would just assume everyone was white if Tolkien did not specifically make mention of race.
Umbran said:
However, the problem is that since they aren't direct, literal, or explicit you cannot tell the difference between those that are placed there by the author, and those pieced together by the reader that have nothing to do with what they author thought.
I think you can. The fact is that just because literary studies is not physics doesn’t mean that any book can mean whatever its reader decides it means.
And even if one does find a subtext, we forget to include historical perspective. Let us consider one clear example: Tolkien was a sexist because he had no solid female characters.
People really want to make this an argument about sexism because then they can win. But the fact is that I agree with those who say Tolkien is not sexist. The reasoning you put forward here is not a good way to analyze a work of literature. The sexism argument is based on what isn’t in the text. My argument is about what is in the text.
Well, LotR was first published in 1954 - by today's standards pretty much every adult American and Brit of the time (including most women) were sexist. So, criticizing him for that is rather like criticizing him for being a man of his time.
Whereas arguing that miscegenation is wrong and filling Sauron’s legions with Asians and Africans is not commensurate with the views of educated people in the era of Brown v. Board of Education.
Failure to be a visionary on a particular topic is not a valid criticism.
Agreed. But that’s not what I am saying.
 

sckeener said:
I think he meant the word safe to mean that despite Tolkien's popularity he is not on any banned book lists.

He didn't step on any of societies taboos. He didn't risk getting banned.

So, basically, you think the argument is that Tolkien's work wasn't primarily different from what was being offered elsewhere? Which of the "fantasy staples" were staples before Tolkien? Claiming that he didn't push the boundaries because hordes followed him to settle the land he opened up (and, often, ruining it in the process) has nothing to do with whether or not LotR is safe or original.

And, FYI, Tolkien has been banned, just not on a widespread basis. The sheer scope and popularity of his work, combined with the fact that there wasn't yet a significant Religious Right Anti-Fantasy concern yet, has prevented banning. Because, even if he was writing as a Catholic, JRRT's Middle Earth has a nordic soul. It's message is not one of preservation; it's message is that preservation is doomed to fail. It's message is not that the world is ours to do with as we please; it is that we are stewards who imagine ourselves kings.

The success of The Hobbit was a shocker, but even given its popularity, LotR was such a different animal that it wasn't originally published as it was intended (six volumes). There was no certainty that LotR would be popular. There were no shelves filled with fantasy novels at book stores. Tolkien was doing something new....or re-inventing something very old. He was pushing boundaries. He wasn't anti-society, but whether or not one is anti-society has nothing to do with whether or not one is "safe".

If this really was a comfortable, easy book

(1) Why is it so hard to get through? IMHO, this is a book that requires dedication. Comfortable books are those that offer only distraction.

(2) Why, in all the plethora of imitators, has no one been able to reproduce this "comfortable" model and make it work?

In effect, it is as though one is claiming that Joyce or Tolstoy are easy, comfortable reads. They might be, if you know their work very well, but to most they are not.

You are perhaps conflating "familiar" with "comfortable." When you say of Ptolus that it has "all the fantasy Tolkien staples such as snobish elves, standard dwaves, a 'Sauron' type defeated in a great war" you are at once acknowledging that those ideas would not be "staples" were it not for JRRT, while at the same time suggesting that these shallow and debased versions of what JRRT did are somehow the same as the use of the original themes and characters in LotR.

Not even close.

RC
 

fusangite said:
So, you see absolutely nothing significant in the fact that every single time any non-white human character is mentioned in LOTR, Tolkien tells his readers that they are evil?

Wormtongue is an example of a white human character in LotR that I would say is pretty specifically evil.

Please give me one example of a non-white human character in LotR that is Tolkien says is evil. I need something to work with here.

RC
 

Raven Crowking said:
Wormtongue is an example of a white human character in LotR that I would say is pretty specifically evil.

Please give me one example of a non-white human character in LotR that is Tolkien says is evil. I need something to work with here.

RC
I am guessing that Bill Ferny would fit the bill. I recall him being described as "swarthy". Don't recall what colour the Mouth of Sauron was, though - sorry.

It's a matter of record that Tolkien himself was an ardent anti-racist and and outspoken critic of the nazi's race doctrine and apartheid, for example. He also donated money to anti-apartheid causes. So while you could argue that he was nevertheless racist (and so hypocritical, cynical or just a liar), I don't think that the facts would bear this out.

I do think it's possible that LotR could contain racist elements, however. A reader can infer whatever he likes from the work. The intent of the author must carry some weight in this consideration, however. In such a case, I would argue that, if LotR has racist elements, they are scarcely conscious and certainly not malicious.

The fact that the Middle Earth legendarium was intended as a "myth for England" may have something to do with the predominance of "white" races. It could easily be the case that Tolkien decided that the regions beyond this core area would be under the control of the enemy - hence the people from those regions are "swarthy" by default, rather than by design.

At the end of the day, it's not a subject that motivates me to great passion. Looking at the author and his life, I see no evidence for racism and so I find desires to read such motivations into his writing to be somewhat suspect. As someone has already said, sometimes an orc is just an orc.
 

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