Pushing Daisies - anybody watch?

I enjoyed last night's episode a lot (didn't want to go to the cheese box to get a snack and miss something), but it wasn't quite as strong. The whimsy was there, but the "mystery" was so very predictible. I kept hoping for an odd twist in there somewhere.
 

log in or register to remove this ad

I liked it, but I've only seen the pilot so far. I can see it getting old really fast, which isn't a good thing in my mind.

My first thought was that it would have worked better as a movie.
 

Love it. I love everything about it, and hope they can retain the fairy-tale atmosphere balanced with dark humor. It seems like it could get really old, really quick - it's a very delicate balancing act to make such a thing work, and I hope they can pull it off.

What really nails it for me is the narration :)

[Digby (Ned's golden retriever that he can never touch) hops up in a chair to lick Olive's face] Narrator: "While Olive considered how much she loved Digby for paying attention to her when the pie maker did not and Digby considered how much he liked salt..."
 

WayneLigon said:
What really nails it for me is the narration :)

[Digby (Ned's golden retriever that he can never touch) hops up in a chair to lick Olive's face] Narrator: "While Olive considered how much she loved Digby for paying attention to her when the pie maker did not and Digby considered how much he liked salt..."

Heh, when I saw the second ep that line had me cracking up.

That said, there are some aspects of the narration I wish they'd stop - like the whole years/months/hours/minutes/seconds thing. I understand the show isn't just about death, but what we do with the time in life we have, but even so it's annoying.
 

LightPhoenix said:
I liked it, but I've only seen the pilot so far. I can see it getting old really fast, which isn't a good thing in my mind.

My first thought was that it would have worked better as a movie.

This was actually my same thought in the middle of the second episode. I thought the first was neat, different, entertaining, but by the middle of the second episode, I was like 'crap, there's gonna be at least 10 more episodes like this, isn't there' and decided after the end of that episode to stop watching it.
 

Mistwell said:
A musical number in Episode 2? Gutsy, and it worked.

See... And that musical number had me thinking, 'boy... I hope that there's not going to be a lot of singing parts to this, that'd totally ruin it.'

But then, I dislike music in general, so I can't really expect the makers of the show to cater just to me (well, I can, but I'd be sorely disappointed).

Still, I enjoy the show and hope that it continues on for quite a while.

Later
silver
 

Now this is a show I wish we could watch:

TVWeek: Cop show with zombies and necrophilia

'Babylon Fields'—CBS’ Buried Zombie Necrophilia Pilot Unearthed

Zombie sex on CBS.

That is what we missed this fall.

During the development season, CBS’ “Babylon Fields” was considered an early front-runner for greenlight. Granted, “apocalyptic zombie drama” may have sounded like a strange premise for a TV series, but no more so than the rest of CBS’ slate of vampire detectives, kids in ghost towns, musical gamblers and swinger couples.

“Babylon” starred Ray Stevenson, Kathy Baker and Amber Tamblyn. Stevenson was one of a trio of actors from HBO’s stellar “Rome” to land plum roles in fall pilots (the others were Kevin McKidd, the star of NBC’s “Journeyman,” and Polly Walker, who has a supporting role in CBS’ “Cane”).

Even after announcing its “Babylon”-less fall lineup at upfronts, CBS executives held out the possibility of a midseason order. Sadly, “Babylon” missed the final cut. Had the show received a pickup, “Babylon” would have taken CBS’ fall 2007 experimentation phase to a whole new level. “Babylon” just might be the weirdest pilot you have never seen.

The show explores the emotional and societal ramification of loved ones coming back from the dead. You know, like in “Pet Sematary.” But by the end of the episode, the zombie thriller is crossed with a crime procedural. So small-town police detective Stevenson is given a murder to solve while zombies wander the streets. It's “ZSI.”

The “Babylon” brand of zombies are not all moany-stumbly like in most films about the living dead. But they remain, quite clearly, deceased—autopsy scars, open wounds, bad skin, worms, etc. The zombies walk back to their former homes. They talk to their former loved ones. And have sex with them.

We proudly present an all-too-brief look at “Babylon Fields.”

Video clips at the link.
 




Pets & Sidekicks

Remove ads

Top