Saw King Kong with the missus on Friday. Great flick. Great flick. But not a perfect one. In some ways, it still doesn't measure up to the original. Luckily for me, what I liked best about the original was the more straightforward aspects; a gigantic gorilla fighting dinosaurs and then running rampant through New York. Given the improvements in movie-making technology, there's almost no way that this movie could fail to be the best ever in those respects.
It also kind of monkeys (if you'll forgive the pun) with the high concept of the first movie. The Arabian proverb about the beast and beauty is still present, but it's not really whole point of the film. Maybe this is a conceit of Peter Jackson's too, but Kong is painted as the most sympathetic character in the movie by far, and it really changes the tenor of the movie from a monster movie to a tragedy about a really quite extraordinary individual creature. It's not really possible to imagine Faye Wray's Ann Darrow grieving for the death of Kong, or trying to prevent it in any way.
Still, I think the change works for me. Frankly, to me Kong himself was always the most interesting part of the movie too. But, like I said, I like the story for it's more straightforward elements; I'm usually either indifferent or oblivious to symbolism and "meaning" in adventure movies. On the other hand, I'm a huge fan of dinosaurs. And to me that was King Kong's strength; it was a great adventure movie. The symbolism only worked because it wasn't too prevalent, or too ham-fisted. In fact, I think that's exactly why the 1976 remake was so poorly recieved; it did have ham-fisted symbolism throughout the movie; all kinds of it; Kong as a representation of lust, Kong as a representation of nature, Charles Grodin as a representation of evil corporations despoiling the natural world and exploiting folks right and left, etc. And the adventure was sorely lacking; there weren't even any dinosaurs. Also the man in the gorilla suit was just stupid looking; Willis O'Brien's stop motion Kong looked tons better even 43 years earlier. But the point I'm trying to make is that sometimes an adventure story should stick to what it does best and not try to be anything more; it can tend to hurt it rather than help it.
Where the movie doesn't work well are some of the other Peter Jackson-isms. He seems to have a habit of "I'll force this scene to be emotional!" trainwrecks where overblown music, highly dramatic over-acting and directing tricks; slo-mo, long close-up focus on misty eyes, etc. to try and force emotion into otherwise fairly innocuous events. Ann Darrow taking the first step onto the steamer was a good example. In fact, I strongly suspect that the entire first hour or so of the movie will bore me to tears by the time I have this movie on DVD. The little sub-plot about Jimmy was unnecessary and didn't really go anywhere; the whole thing should have been cut in editing, in my opinion. That was an example of another Peter Jacksonism--throwing little subplots in that don't do anything other than bog down the pacing. Once the group gets to the island, though, the movie is pretty much just non-stop thrills and chills. Julie was literally sore after the movie because she had been so tense for so long. And the tragic spin Jackson took on the story made the last act surprisingly touching and moving.
Overall, I still highly recommend the film, and I highly recommend seeing it in theaters where you can take advantage of the huge screen and sound systems. I'll be seeing this again (and maybe again still) in theaters, and I will be picking this up on DVD as soon as it's available.