Harm can be something that builds up slowly over time, perhaps from multiple and not always very visible sources. So, yes, there is the kind of easy-to-identify intense violence that marginalized people sometimes face. But there is also the slow, pervasive violence of everyday and structural discrimination. Art and the media landscape is a part of that. I think critique can be useful especially in identifying these not-as-visible, not-as-immediate forms, not because each one is so intensely harmful or violent necessarily, but because they form a language that on the whole works to marginalize some.