barsoomcore said:
Not fair? Well, I dunno. What I find most deplorable is the state of the acting in Hong Kong these days. The Storm Riders and The Twins Effect both suffered from sub-par performances, I thought. I mean, plotwise, it's pretty hard to defend something like Swordsman II -- I've seen that film a zillion times and I'm not sure I really know 100% what's going on. But Brigitte and Jet and everyone else in it are so absolutely committed to whatever it is they're doing that you end up not caring. Ekin Cheng has a great look, but he's no Chow Yun-Fat or Tony Leung (either one). I think we got lucky for a while there -- Hong Kong had a startling combination of fearless director/producers, creative choreographers and cinematographers, and immensely talented actors -- which combined with just the right economic conditions resulted in a period of really intense creativity and productivity. Many of those people have left, or gotten too old to maintain their former levels (God love you, Jackie Chan, but you'll never make Supercop again), or just aren't doing those kinds of films anymore (I'm thrilled Maggie has a Best Actress at Cannes, but I sure wish she was going to be in Police Story IV) and new blood hasn't filled the vacancies.
Oh, I dig. Heck, if you'd dropped that extra 'D' out of my name, I'd agree with that paragraph 100%/

Ekin Cheng is mostly just a pretty face, for sure, but I mean...who
is a Chow Yun-Fat, other than the man himself? I long for the day when he finds an American vehicle both worthy of his talents and supported by marketing (though I have a fondness for Replacement Killers and Corruptor, both).
As for Jackie Chan, well, he may not be making the Supercop, but I think
this is a pretty good thing. On the other hand, we've got someone like Tony Jaa (I forget his proper Thai name, Pharoon something) to fill the void.
Personally, I think that Hong Kong just no longer goes full bore because they
can't, given the current political climate. Some folks, like John Woo, have left for good. But I don't think Hong Kong has gone completely south. Plenty of good stuff is still being made, but it isn't all just kung-fu smackdowns. I'd like to see To's "Breaking News", Wong's "Jiang Hu", and "Warriors of Heaven and Earth", for example.
I also think that part of it is that HK is no longer the center of the Asian film universe, any longer. Thailand and South Korea are getting films made that evoke HK of a previous era. And that's good, as long as it doesn't result in another "Ecks versus Sever". Ow.