JConstantine
Working-class warlock
Speaking of fae, another thing that differentiates Arthurian Legend from D&D-esque fantasy that's worth highlighting specifically is not simply the scale and prevalence of magic, but where it comes from and who utilises it. Magic is the domain of fae and other other-wordly entities, and pagans. It is never wielded by the good Christian protagonists, except magical items that were found/won/gifted. The Lady of the Lake is typically fae (obviously inspired by Greek nymphs); Morgan le Fay is variously a fae or the offspring of one; even Merlin is said to be the offspring of an incubus and a mortal woman.
The aforementioned Merlin (1998), has this transition from paganism to Christianity as a more prominent focal point than other adaptations.
Perhaps also worth noting is that Merlin, despite being an example of the archetypal wizard, was actually a bard. Just not the D&D conception.
Not sure how well all this actually translate into Daggerheart, though.
The aforementioned Merlin (1998), has this transition from paganism to Christianity as a more prominent focal point than other adaptations.
Perhaps also worth noting is that Merlin, despite being an example of the archetypal wizard, was actually a bard. Just not the D&D conception.
Not sure how well all this actually translate into Daggerheart, though.