• The VOIDRUNNER'S CODEX is coming! Explore new worlds, fight oppressive empires, fend off fearsome aliens, and wield deadly psionics with this comprehensive boxed set expansion for 5E and A5E!

D&D 5E Which parts of D&D came from Tolkien?


log in or register to remove this ad

Sacrosanct

Legend
I have a hard time saying something was the "main inspiration" to something when it makes up a small % of it. That just sounds counter. Existing myth and folklore make up way more to D&D than any one author. So it seems clear to me what the main inspiration was.

Again, Appendix N
 

Arilyn

Hero
Well yeah. I don't think anyone here is saying that he didn't directly pull from Tolkien. The obvious ones being hobbits and Balrogs. I think where my disagreement is when people start listing a whole laundry list of things they attribute to Tolkien that weren't, and/or saying or implying that we wouldn't have D&D without Tolkien, or it would be a completely different unrecognizable beast without Tolkien. I don't think those kinds of statements are remotely true, because I certainly remember fantasy being pretty darn popular with our without Tolkien as I have mentioned earlier. We have actual evidence to point to the rise of RPGs before Tolkien went through his resurgence of popularity in 1977.

So yeah, he was an influence. And yeah, Gary pulled some stuff from him. But Tolkien is not the end all/be all influence that led to D&D. Seriously, not only do we have Gary's own words, but we have Appendix N that literally tells us all of the other influences.

But Tolkien made it possible for older fantasy to be reprinted and for newer stuff to be published. Yes, Gygax pulled inspiration from a lot of sources, which are cited in Appendix N. It would have been very hard for people to get hold of those books if fantasy hadn't blossomed in the late 60s, however. Gygax and Arneson could have created a role playing game, in this environment, but I really don't think Gygax would have considered publishing it to be worth the financial risk. We can never know for sure, but I'm thinking without Tolkien paving the way, there would have been no room for an odd little fantasy game.

Eventually, as people have mentioned, role playing games would have emerged. The idea had been simmering, but it would have been under entirely different circumstances, and different timing.
 

Sacrosanct

Legend
But Tolkien made it possible for older fantasy to be reprinted and for newer stuff to be published. Yes, Gygax pulled inspiration from a lot of sources, which are cited in Appendix N. It would have been very hard for people to get hold of those books if fantasy hadn't blossomed in the late 60s, however. Gygax and Arneson could have created a role playing game, in this environment, but I really don't think Gygax would have considered publishing it to be worth the financial risk. We can never know for sure, but I'm thinking without Tolkien paving the way, there would have been no room for an odd little fantasy game.

Eventually, as people have mentioned, role playing games would have emerged. The idea had been simmering, but it would have been under entirely different circumstances, and different timing.

Fantasy blossomed in the 60s and 70s, but you keep ignoring how it wasn't Tolkien fantasy that was involved. It was S&S fantasy. And mythological fantasy. It wasn't until after the success of other fantasy genres before they decided to fund The Hobbit.

So yeah, seeing as how Gygax started putting D&D together in the early 70s, years before The Hobbit flim, I'm pretty sure he would have done the game the same way as he did it. He even said so himself.
 



hejtmane

Explorer
It really wasn't. I mean, yeah, it was popular. But it was less popular as a genre than sword and sorcery. Look at the media at the time (60s and 70s). It was almost all exclusively S&S. High Tolkienesque fantasy was not. I'm not saying he wasn't popular or well known or anything, but at the time, authors like Howard and Lieber were still more popular. We have actual evidence to show this by looking at what sorts of things were being created in the 60s and 70s. It wasn't until it became a cartoon, and immediately brought in a huge swath of young people into the fantasy (cuz that's what cartoons do) before high fantasy began to really rise.

So when you consider this, it seems clear D&D would have existed just as soon as it did. Things like the SCA and Tékumel had nothing to do with Tolkien, but laid the groundwork for RPGs.

*Edit* I mean, it took 40 years for a movie about the Hobbit to come out, and that was animated. Meanwhile, there were plenty of fantasy movies coming out (all of the Sinbad movies, all of the monster movies, etc). So he couldn't have been THAT super popular if no one was making a movie version of it while all these other fantasy movies were being made.

It was not until 1982 when the best one of all time came out The Sword and the Sorcerer; I jest I jest but it wins for the coolest most imprtaical sword of all time. The tri bladed sword hat can shoot of the blades for ranged attacks who needs a bow ha:p
 

Sacrosanct

Legend
It was not until 1982 when the best one of all time came out The Sword and the Sorcerer; I jest I jest but it wins for the coolest most imprtaical sword of all time. The tri bladed sword hat can shoot of the blades for ranged attacks who needs a bow ha:p

Nothing about the 80s was practical. In fact, the opposite. And I loved it. I am so glad I got to grow up in that decade. A decade where anything that sounded cool, no matter how ridiculous, always trumped what was practical. Kids these days don't know what they are missing :D
 

Celebrim

Legend
Sorry, but you're just plain wrong.

About the principle I described? I suggest you do some reading.

By your logic, we can't have a vampire book/movie without it being pulled from Anne Rice. And obviously that's not the case.

Yes, because this is an obvious straw man argument that at best just shows you don't understand what you are responding to.

We can obviously have vampire books and movies without it being pulled from Anne Rice, because obviously vampires preexist Anne Rice. But, if we observe fiction which contains elements about vampires that did not exist before Anne Rice wrote her stories, then we can conclude that that fiction descends not from vampire fiction generally but from Anne Rice specifically. So, yes, we can tell whether or not a piece of fiction was influenced by and owes its existence in part to Anne Rice's highly influential works. And likewise, we can tell whether the piece of vampire fiction is influenced by other highly influential works. For example, if we see a close association between bats and vampires, then we can be almost sure that the fiction was influenced by Bram Stoker's Dracula, because Bram Stoker mistranslated the word for 'moth' as 'bat' when researching his story. You might object that the writer was influenced to associate bats and vampires by tales of the vampire bat, but then you'd have to note that the 'vampire bat' was not even called the vampire bat until 1901 - four years after the publication of Dracula - even though it had been known to science for almost 100 years before that.

The rest of your post is just pure speculation. Not really accurate either.

No, your post is speculation. I have textual evidence. You have offered none. Moreover, you are citing the existence of a tale of the Arabian Nights that so far as I can tell does not exist. The Rocs of the Arabian Nights do not offer benevolent aid in stories that I'm familiar with, but rather carry off sailors inadvertently when the sailors strap themselves to carcasses.

1. Tolkien created the idea of giant eagles
2. Giant eagles already existed in Arabian myth and Tolkien used them to put into his own stories

It's clear that #2 is the accurate option.

First, #2 is clearly bogus. There are almost no elements common between say the 5th voyage of Sinbad and Tolkien's giant eagles, other than that both are large birds. But more to the point, neither of your speculations are what is at stake.

What you have to show is that the Monster Manual would end up with BOTH an entry for Roc and an entry for Giant Eagle without the influence of Tolkien, and that the entry for Giant Eagle - whatever it's source material - would have been familiar to the writer of the Monster Manual and suggested to them 'Chaotic Good' as an alignment. All I have to show is that the Roc entry clearly conforms to the description of the Roc of Arabian story and so is almost certainly derived from the Arabian stories, and that the Giant Eagle clearly conforms to the description of the Giant Eagles of Tolkien's stories and so is almost certainly derived from the Tolkien stories.

The existence of the two entries speaks for itself, and to my mind settles the question all by itself. No reader of the Arabian Nights alone would be likely to independently imagine two different types of 'Roc', name one of them independently 'Giant Eagle', and also independently imagine them as just large enough to bear a rider but not an elephant and as being generally benevolent. Nor is it reasonable to suppose that this hypothetical inventor in the 1970's is familiar with the Arabian Nights tale but not with Tolkien and is not influenced by Tolkien in his creation of the 'Giant Eagles'.

And further, until you actually show me this hypothetical story of rocs rescuing sailors on purpose because they are benevolent (and not trying to eat a sheep or cow carcass that the sailor has tied themselves to), your theory that Tolkien is influenced by the bestial Roc of Arabic lore and not by more proximal Eurpean ideas like Zeus's noble companion/sevant the Aetos Dios has more holes in it than Swiss cheese. Recall if you will that unlike the Roc, the Giant Eagles of Tolkien are the servants of Manwe the 'god' of the sky, and king of the 'gods' in Tolkien's legerdemain. These are features that the Roc does not have, but are clearly the features that inspire Tolkien's eagles as literal Deus ex Machina.
 
Last edited:

Sacrosanct

Legend
So, I dug this up-
http://grognardia.blogspot.com/2010/01/gygax-on-tolkien-again.html

It's interesting because it sources an interview with Gygax from 1974 (which, as noted, is prior to the threatened litigation). I agree with the final paragraph- that Gygax was annoyed by Tolkien's prevalence, didn't see it as a good model for fantasy roleplaying, and that while certain aspects were borrowed (as were aspects from many sources), it isn't nearly as prevalent as some here make it out to be.

Indeed. I'm looking for the article, but I distinctly remember that Gary only included halflings and the Balrog to appease the Tolkien fans, but would have rather left them out. So it's clear that D&D would very much have been created even if Tolkien didn't exist. Any claim that Tolkien directly led to D&D is simply false. The truth is closer to the opposite. D&D was created in spite of Tolkien. (By Gary's account. I should clarify that, that it's a bit tongue in cheek, and was meant as a play by Gary's words)
 
Last edited:

Remove ads

Top