I'm just grabbing bits and pieces, I'm getting tired of repeating myself and going nowhere.
You are trying to draw a parallel between musical notes which have specific physical measurable mathematical relationships with each other to story setting thematics, which do not.
Even in music theory though, your "objective" components only exist in a shared cultural context. There are various instances of regional folk music that do not adhere to the "rules" for those components.
The last sentence there is literal nonsense. I suspect something got list in translation. The ability to use a particular piece of music in a scene has nothing to do with the existence of archetypes and tropes.
Actually, it does. Musical tropes exist. The dramatic swell of music before the final confrontation or somethign epic happening is a trope. A trope that can then be subverted by starting that swell, starting that moment, and then cutting it off as something less dramatic happens. Or by using that dramatic swell of music for something as simple as heating up a burrito in the microwave.
We might have less writable math involved, but story elements do have something measurable in them. We can tell when a scene goes on too long, or a moment is too short. Being less precise doesn't mean these things don't exist.
Are you claiming authoritative consensus, or not. That would be a different claim.
I don't think I could claim a true consensus without somehow being able to poll a far larger portion of the community than I have access to. However, I can go and find a few sources in a few moments to show that this is not simply my own personal observation.
My internet is currently spotty, but this link
Tolkien and Dungeons & Dragons supposedly leads to an article that the preview says "In brief,
D&D (as constructed by Gygax) is not an extension of
Tolkien's secondary world; in many ways it lies entirely in opposition to its central themes and core values."
Once I can actually get my computer to go to the site, I plan on reading more of the article, but I think this is enough to at least show I'm not alone in this deduction.
So there's three things here.
1. Perhaps I need to read more criticism, but I rather suspect that claims of objective truth are rare, and frequently met with scorn.
2. And I haven't made this clear before, and I think it's one of the main reasons I find your claim so unbelievable, D&D is not a monolithic entity with one design intent and theme. The intents and themes are tied to the specific tables.
3. I didn't say all criticism is null and void. I said your particular criticism is not "proof" the assertion that hobbits "don't work in the D&D mythos"
I'm only going to address #2. DnD has its own set-up and its own tropes and themes. Yes, individual tables can change things and twist things one way or another, but to try and claim that each table is an island, and that DnD has no shared values is... just flat wrong. Yes, people can refine things in their own ways, but let us just take a single thing to prove my point. DnD magic is safe, and it does not harm a caster to cast magic.
Can an individual table change that? Sure, they can, but they are certainly changing a common core of DnD.
This is the closest you can come to a "fact"? You know what facts are, right?
Yes, I know what facts are. Is what I stated a fact? You aren't answering, you are deflecting.
An analogy.. I say "I have no interest in money.."
You say "Why don't you spend your time haggling with me over price?".
More accurate anology
"This is the price of this item compared to this other item"
"I have no interest in money, why are you being so elitist to put a price on things"
"IF you want to discuss the price, we can, but dismissing that prices are put on things at a basic level doesn't make any sense"
Fine.. whatever.
All Hobbits did the entire time was integrate themselves into like every society they came in contact with...again..whatever.
Not really? I don't believe Sam and Frodo integrated themselves into the Rangers, or into the lands of Mordor. I do believe Pippin as the King's Chancellor (I think that was the role he was given) was acting against the overwhelming society he found himself in.
But, you clearly don't care, so we can drop it.