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Irrelevant, as Star Wars isn't written by historians. (For one thing, historians know to outline before writing.) Filmmakers can and do fall in love with largely discredited ideas from the past.

I will get to the other points when I have a spare moment (But I won't respond to each and every one as I think giving you the last word on some points is better than going back and forth on them). I guess my point is two fold here: It is relevant because people in these conversations bring up great man theory a lot (and I think it is a more nuanced discussion that is beneficial but harmful to media when over simplified). The other part is I don't see Star Wars as an endorsement of Great Man theory. In fact I would tend to assume George Lucas doesnt hold that view based on interviews and his work in general. But I think he likes the tropes of legends and myth and that is the genre he is operating in. And for an operatic space movie, those tropes work. Using them isn't promoting great man theory (instead of saying these tropes should not be used---which I think is a bad idea because it takes a lot of art and lot of potential feelings off the table----it is much better that people be more equipped to watch movies, read books, and understand they aren't always simple promotions of ideas that can be extracted from tropes. I think Star Wars is telling a much deeper story using those kinds of tropes (because they resonate)

That said I also have no problem with a science fiction story going in complete different dreciotns than this. There is ample science fiction that gets into ideas about history and the causes of history, and science fiction is fertile ground for those kind of thought experiments. I even think Johnson is a good director for that kind of science fiction (it is why I liked Looper). But I think it just isn't a good fit for the kind of story star wars tells (which again I would say works best when it feels like Excalibur or Conan the Barbarian----a marriage of fairly simple mythic tropes with powerful music).
 

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"Did someone slip LSD into my soda at the popcorn counter?"

What I mean is both are operatic. They've you emotionally with the right mixture of music and simple stark story telling. Neither is particularly nuanced. But it feels tremendous like watching Don Giovanni or something. Those feelings were not feelings any of the new movies were able to create for me (both the Abrams films and the Johnson movie).

It didn't even register as particularly political to me. That it seems so political to some folks may be about what they brought with them into the theater, to misquote Empire.

I am responding to points about stuff like Great Man theory. One of the reasons you gave was that, and democratization of the force (I have seen both points made a lot in favor of Last Jedi). The conversation about the past is certainly meta in the Kylo Ren scene (and arguably political too). It is less about whether it is political, meta, or whatever and more about it feeling like very heavy handed messaging that somewhat overtakes the plot
 



Unpopular opinion-

Alignment languages are not just cool, they're sexy.

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download (4).jpg


I'm too sexy for my alignment too sexy for my alignment
Alignment's going to leave me
 

I will get to the other points when I have a spare moment (But I won't respond to each and every one as I think giving you the last word on some points is better than going back and forth on them). I guess my point is two fold here: It is relevant because people in these conversations bring up great man theory a lot (and I think it is a more nuanced discussion that is beneficial but harmful to media when over simplified). The other part is I don't see Star Wars as an endorsement of Great Man theory. In fact I would tend to assume George Lucas doesnt hold that view based on interviews and his work in general. But I think he likes the tropes of legends and myth and that is the genre he is operating in. And for an operatic space movie, those tropes work. Using them isn't promoting great man theory (instead of saying these tropes should not be used---which I think is a bad idea because it takes a lot of art and lot of potential feelings off the table----it is much better that people be more equipped to watch movies, read books, and understand they aren't always simple promotions of ideas that can be extracted from tropes. I think Star Wars is telling a much deeper story using those kinds of tropes (because they resonate)

That said I also have no problem with a science fiction story going in complete different dreciotns than this. There is ample science fiction that gets into ideas about history and the causes of history, and science fiction is fertile ground for those kind of thought experiments. I even think Johnson is a good director for that kind of science fiction (it is why I liked Looper). But I think it just isn't a good fit for the kind of story star wars tells (which again I would say works best when it feels like Excalibur or Conan the Barbarian----a marriage of fairly simple mythic tropes with powerful music).
There are a lot of folks nowadays that seem to think certain types of stories and story beats should simply never be used again, with the strong implication that you are wrong for liking them.
 

In retrospect.

Given your age when Empire came out, you missed how big of a splash Star Wars made when it came out. My brother and I saw it more than a dozen times in the theater in the first year, and we were hardly alone. By the time Empire came out, audience members literally knew every word of the original screenplay (which is why so many older fans were upset about the story changes in the special editions).

And then Empire came along and announced that a lot of that wasn't true.

It wasn't a Highlander 2 rejection of the premise of Star Wars (which would have required, I guess, something like it turning out to all have taken place on Earth or something), but a lot of people felt that making the wise Gandalf-type into a liar was really upsetting and an attack on the core of the original movie, that the Rebellion getting its butt handed to it was a disturbing development and an intentional rejection of the hopeful nature of the first movie and I remember literal fights on the playground over the question of whether Darth Vader was telling the truth about being Luke's father.
Sure, and I wasn't there so I can only go by what you and others have told me (the overall impression I had was people by and large liked the twist, but that is just from the vantage point I occupied growing up in the 80s and hearing accounts from adults I knew---and since then hearing from friends who were a little older than me). One thing I did hear was the critique of Obi Wan. But what I think I heard more than people being upset he was turned into a liar (honestly it is a fairly understandable lie given the circumstances) was more eye rolling at Obi Wan's later explanation of it being true 'from a certain point of view'. I don't think the first trilogy is above critique. I am not a particularly adamant star wars fan (I would even be reluctant to label myself a fan, since Star Wars fan means something more invested than I have been).

But I don't doubt there were fights on the playground over it (I sure remember fights over other media on the playground when I was a kid).



In retrospect, all of that stuff worked out.
Yes, I think we agree here. Where I disagree, is my sense is things like the Last Jedi, while they were praised by a lot of critics when they came out, will not be seen to have worked out as well in retrospect. Now I could be wrong. I don't want to give the impression this is some objective view everyone has to agree with. I just strongly feel this way about the new trilogy. And I don't think it is unique to the new trilogy either (it isn't like it is especially bad compared to other things being made in the last ten years). But I have noticed a lot of the media that comes out feels much more of the moment and disposable (tons of movies that drove conversations a few years ago seem forgotten). Now that is always happening, but it seems more prevalent today to me and I think a big reason why is the way movies and shows are being constructed in response and or anticipation of online discourse around the film.

There are definitely exceptions, and I don't want to give the wrong impression here, I do think there will be things that Last Jedi will be remembered for. Like I said, it is a beautiful film, probably the most beautiful star wars film ever shot, and that is definitely an achievement on Johnson's part. There are also a lot of elements of the film that work individually even if they fail to tie to other parts of the trilogy (and that last part is only half on Johnson, maybe less, because he didn't make the third movie, and had he done so, I imagine he would have tied a lot of those threads together.

Still, I don't think it was Empire Strikes back level in terms of how it will be remembered. It did have warmth (primality in the Finn and Rose relationship) but for me it lacked that emotional heft and operatic vibrato of Vader extending his hand, revealing he is Luke's son and Luke making a choice (beats of that were in Last Jedi but they felt so off and pale compared to Empire to me).

But again, Disney, for reasons I would love to hear articulated by someone in the know some day, didn't think that any kind of pre-planning was necessary, either before or after TLJ.

Where I agree with you is 80 percent of this is on Disney at least. There was no coherent planning, they even seemed to pit directors against one another, and by extension portions of the fandom against one another (I mean I might disagree with you about last jedi's quality as a movie but there is no reason for you and me, or anyone taking any position on a star wars movie to dislike one another or engage with one another in a hostile way online: and I think Disney helped stoke some of that, seeing it as a type of marketing).

Yes. And yet, Andor and Rogue One and season one of the Mandalorian show it's not necessary for it to be the center of successful Star Wars stories.

Sure, that definitely seems to be true. At the same time, the only thing really getting me to a star wars movie is those original characters, as I haven't had any interest in the Mandalorian, Rogue One or anything else they have released. I went to the prequels for Anakin's backstory and I came to the new movies hoping we would have a new generation of sky walkers (and to be fair we kind of did, but it was really weirdly plotted out and didn't land emotionally for me: and the thing that matters most for my viewing is that a film land emotionally)

Your complaints mostly boil down to "this didn't work for me," but you're characterizing them more along the lines of "this doesn't work, period," which isn't true, even if you don't agree with the folks for whom it worked for.

If I am, I apologize. I don't pretend that any of this is objective. I do think my criticism of having a three part story where each entry is at war with another part is sound (I even think you might agree with that). But even that is a subjective take (I am sure there is someone out there who is fascinated by the strange structure of the trilogy). So definitely not intending my statements to be seen as objective statements of fact (there is a heavily implied IMO in most of my posts I think)


Again, different strokes for different folks. When Snoke got cut in half, it was literally the first time in decades (since Empire, to be precise) that I was surprised by a Star Wars movie and didn't know what was coming next. And I found that thrilling.

And that is fair, if you loved it, I can' take that away from you. All I can say is it didn't land the same for me. I do think it would have landed well had they followed that with Ren and Rey joining together (I think that would have been a genuinely interesting shift in direction). So to the extent that this plot beat could have fed that, I don't fault it. I wasn't especially into Snoke, so I can't say that aspect of the movie was something that broke it for me.
 

Sure, that definitely seems to be true. At the same time, the only thing really getting me to a star wars movie is those original characters, as I haven't had any interest in the Mandalorian, Rogue One or anything else they have released.
I think this might be the crux of our disagreement. I watch Star Wars for stories of an intergalactic society at war. The OT characters and their extended community are just a portion of that to me, rather than the star of the show. (I am not sure if anyone from the OT other than Mon Mothma appears in Andor, for instance.)

So we want different things from these movies and it makes sense that they are not equally successful when judged by those different standards. For sure, TLJ would not be as satisfying for you if the Star Wars movies are about the Skywalkers and company. For me, looking at how it depicts a galaxy at war (we finally get to see war profiteers!), it checks a ton of my boxes.
 

He should never should have been allowed to swing that hammer. The sequel trilogy deeply suffered from a lack of cohesive vision. There's nothing wrong with a big narrative shift in something like Andor, or a film separate from the core series. But doing such a thing in the penultimate episode of a 40+ year saga is a mistake, and it hurt the brand.

This is a tangential point, but The Last Jedi only became the penultimate episode of an a 40 year saga when Disney decided they should market Rise of Skywalker as the culmination of the "Skywalker Saga". When it was being written, it was the middle act of the first sequel trilogy (a far more appropriate designation when building on a saga whose central plot arcs were resolved in 1983).
 

Unpopular opinion: the absolute worst trend in RPGs is charging for your alpha, beta, or playtest materials.
I'm trying to remember which company I saw doing that first, maybe Fantasy Flight Games? I just remember thinking to myself nobody would pay to be a beta tester.
 

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