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Lovecraft was a terrible author. The only decent thing he wrote was The Colour Out of Space. Everything else was overwrought, hacky, purple prose naughty word. The only reason he's remembered at all today is that he allowed other, better authors to play with his creations. If the Cthulhu stories were judged on their own merits alone, they'd have all gone out of print half a century ago.
Neil Gaiman (whom I don't particularly care for), Stephen King, Guillermo del Toro, Alan Moore, and John Carpenter all acknowledge Lovecraft influenced them. But then again, I hear The Butthole Surfers have a lot of other musicians who were their fans, so maybe you're right.
 

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Darned few good writers are fans of Lovecraftian language. But then neither was Lovecraft! It wasn’t false modesty when he talked about cursing his meager talents and wishes he could rise higher than he did. It’s all about:

1. The ideas, the fusion of his influences into cosmicism or cosmic horror and his knack for putting all his various personal enthusiasms to work in storytelling.

2. The times he did push past his usual limits. Like, there is nothing wrong with that first paragraph of “The Call of Cthulhu”, at all.
 


He wrote a mashup of Sherlock Holmes and Cthulhu called A Study in Emerald which is an absolute masterpiece. I think it's the best Cthulhu mythos story ever written by any author, and also the best Sherlock story ever written by any author, Conan Doyle included. It's truly brilliant. (Be warned that if you don't know much about Sherlock Holmes, some of the subtleties may go past you, especially in regard to the jaw-dropper of an ending).
Probably my all-time favorite short story.

(Not a hot take. It won a well-deserved Hugo Award back on 2004.)
 






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