D&D 5E [5e] QL's Al-Qadim Game

Hahaha! Yeah, with Assassin and Sneak Attack, Ankabut can put a nice little alpha strike down. :)

Being high level definitely lends itself to hubris on the part of the players though. It can be a rude shock when one discovers that there are some pretty tough customers waiting in the monster manuals. :)

It's not what's in the manual; it's how you use it. B-)

[MENTION=20323]Quickleaf[/MENTION] question on crafting the Genie Prison. The discription states it takes 20 days to construct. What is considered a day? Salahuddin had started to craft one just before we left Tajar. But he has only been working on it at night before he rests. He has only been working about 2-4 hours each day. Also do the days need to be consecutive or can I stop working on it for a time then start again?

"Day" means the same thing it does in downtime. At least 8 hours per day muse be spent on the activity. If you're wanting to craft something in "spare time", a few hours here and there, well, if you're willing to go through the rigamarole of tracking hours go for it!

I think a good assumption would be 2 hours of crafting during "spare time" taken at the end of an adventuring/traveling day is reasonable.

So if you wanted to track by hours, you might record something like: genie prison 8 / 160 hours.

Another question I have the following feature:

Elemental Protection:

At 6th level, you gain protection against elemental forces, granting you advantage on your saving throws against elemental creatures, as well as exposure to flames, waters, winds, or the forces of earth. This also allows you to survive on any of the Inner Planes without the need for spell protection.

Does this grant me water breathing or any other benefits?

The portion in bold is a little vague. The first part makes sense. I get advantage on saves to fire, cold, electricity and the like. But survival on the elemental planes can be subjective. Does it let me fly/levitate on the plane of air? Does it allow me to burrow on the plane of earth? If yes does it allow those same abilities on the material plane?

Thanks for catching the vague language! That phrasing dates back to AD&D where the Inner Planes were often environmentally hostile. The intention is that – when traveling to the Plane of Water, for example, but NOT when leaping into an ocean – you would have water breathing and immunity to crushing pressure. Or when traveling to the Plane of Fire you'd be immune to the natural fires of that plane, but NOT from a fireball or efreeti's hurl flame. Or when traveling to the Plane of Earth you'd be immune to the crushing tectonic activity there, but NOT immune from an earthquake or earth elemental's attack.

However, that begs a question about the narrative: How do we explain a sha'ir being able to breathe underwater on the Plane of Water but NOT in a body of water on the Material Plane. My assumption was it had to do with favors owed to the sha'ir by genies of the corresponding element, or commanding minor elementals to aid him/her, or something to that effect.

However, that's a bit contrived. It may be better just to cut that section of the subclass feature entirely? I mean, advantage on so many saving throws is probably sufficiently powerful on its own, right?

I doubt during encounters like this that Akilah will do any more than she did. Buff + heal bot.

Perfectly respectable strategy. My sense of Akilah is that she's strongest when it comes to interaction & exploration, but relies on others to do the fighting for her. Which makes sense for a vizier.

I have to admit that I do worry that Lal will not quite be as effective as he should be... that attack was as about as good as he can give.

Not all combats are created equal. This one in particular emphasized dealing damage fast & there wasn't too much movement. Lal has an advantage in combats that last longer, have multiple enemies (ideally with several focusing on him), and require more movement. He's quite mobile. In addition to having a bit more out-of-combat utility than the standard barbarian, I also think it would be interesting to explore "non-standard uses" for his "rage" (e.g. performing feats of Strength like holding open a portcullis, hauling a rope holding a PC dangling over a chasm, etc).

[SECTION]Bladed Pirouette
Starting at 3rd level, when a creature misses you
with an attack while you’re raging, you may use your
reaction to do one of the following of your choice:
• Move 5 feet without provoking opportunity
attacks.
• Impose disadvantage on that creature’s next attack
before the end of your next turn.
• Deal slashing damage to that creature equal to
either your Strength or Dexterity modifier
(provided you’re wielding a slashing melee
weapon).[/SECTION]

Coupled with his AC 17, this makes Lal a very reactive character in combat. For example, if there were - theoretically - an attack on Tajar's throne room, and Lal was near the entrance when an attack missed him, he could move 5 feet without provoking AoO to potentially block the entrance. It's a very versatile feature than encourages you to draw enemy aggression towards Lal. Which could be a fun roleplaying opportunity with sentient foes, since that likely looks different for Lal than the typical D&D barbarian!

[SECTION]Dance of Death
At 6th level, you gain one of the following features of
your choice.
Whirling Rend. When you score a critical hit or
reduce a creature to 0 hit points with a slashing
melee weapon, you can make a melee weapon attack
as a bonus action.[/SECTION]

When it comes to combat, it's always in Lal's interest to go "crit fishing" through any means at his or the party's disposal. Haste, for example, would be a brilliant spell to cast upon Lal (and could be interpreted as some kind of trance state). Also, Lal is the ideal one to make a "finishing stroke" against an enemy; narratively, you could play this as being merciful and saying a prayer over the fallen, or that he's just oblivious to what he's doing and the momentum of his tabor keeps him swinging wildly.

[SECTION]Display Weapon Prowess
At 10th level, you can take an action outside of
combat or before any enemies have acted within
combat to display your prowess with a quick sword
dance. Make a Charisma (Performance) check
opposed by the Wisdom saving throw of any hostile
creatures with a CR less than your character level
witnessing your display. Each creature failing the
save is left with shaken morale. If combat is
avoidable, the creature will attempt to parlay or else
back away slowly. Whereas if combat is unavoidable,
the creature is incapacitated until the end of its first
turn in combat. A creature that succeeds the save
cannot be affected by your Display Weapon Prowess
for 24 hours.
Generally, only sentient creatures that have a
conception of greater and lesser skill can have their
morale shaken. At the DM’s discretion mindless
creatures like zombies may be unaffected.[/SECTION]

This affects CR 10 or less hostile creatures. That includes things like ogres and hill giants and wyverns! Surprise obviously mucks with this, but this is a very potent subclass feature – so potent (especially given that Lal gets advantage on initiative checks from Feral Senses), that it's one I'm hoping we'll playtest to see whether or not it needs toning down.
 
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That was my first interpretation of the ability but couldn't figure why it wouldn't work on the material plane. Advantage to all those those damage is still pretty nice. Maybe include some benefit for your patron Genie's elemental plane perhaps grant protection from elements once refresh on a short or long rest. Not sure if that is to much for a 6th lvl feature.
 

I've always thought of it as a kind of alteration of the self. When you go to the plane of water, you transmute yourself into a version of yourself that is adapted to survive there. And so on. You become a sort of 'creature with an elemental subtype,' kind of.
 


He's not weak, but his design as a character is rather straightforward - no feats, plain +2 weapon etc, and his stats aren't the best. I sort of agonized over that (feat or strength?) but I decided to go for reliability instead of big flashy damage. I also fear that at higher levels barbarians fall a bit behind fighters and paladins... but we shall see.

As far as out of combat utility, I think that reflects the general background design of 5e which is *brilliant* IMO, one of the best improvement of the game. It allows him to be more social, but at the same time not taking outlander negates the "nature guide" side of the more "usual" barbarian, so it was a trade-off.
 

Barbies shine for damage when they just accept they're going to get hit and forgo a shield in favor of a 2 hander; relying on Rage for damage mitigation instead of AC. They can be very tanky, with support. The rage damage bonus plus the innately high damage of 2H weapons keeps them in the running for damage. They can't spike damage the way rogues or paladins can...and even the smaller spikes of Hunter Rangers and Battlemaster fighters are things they lack. But they have a lot of raw durability and the capacity to just keep smashing and smashing.

One thing with barbarians: Grapples are good. They're strength ability checks, and you get advantage on them while raging. Going for grapples and feats that enhance grapples can be strong, though is feat-intensive. Similarly, a lot of other combat maneuvers use Str checks too.
 

Ok, moving on to spheres... :) Oh man I wish I could post a video :D (it moves!!)
 

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The last thing Husam said that he was doing was heading to the caves to look for a place to entomb the body. He didn't see the flying man and he didn't overhear any of the talk about him (I was paying attention to see if anyone spoke above a whisper and they only did when it was in code). Long story short, Husam is clueless about what's going on and is hiking towards the caves.

I don't want Husam to ruin the scene by clomping down and spooking the mage that Amina has so carefully scouted out (unless folks thinks that funny or dramatically moves the plot forward). Is it okay to assume that the hills have multiple caves and that Husam is not heading towards the mage one? That should preserve what's going on for everybody and Husam will still be close enough to hear the fireball that the mage hurls down on his friends. Does that work for everybody?
 


Either way works. I kept looking for a reason for Husam to turn back, but you guys were super stealthy. The only really public thing that happened was Lal bent down and started drawing in the dirt while telling a story. Husam knows Lal. He knows those stories last forever. He picked up his pace.

Anyway, as long as Husam is in the area and not ruining the scene, I'm good.
 

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