So mustaches can be drawn on the Mona Lisa? But I thought that OA was art that should be preserved for the sake of posterity? This is one reason among many why I'm not terribly convinced about the authenticity of people complaining about censorship because it's okay for WotC to self-censor themselves by rewriting the text. And there is virtually no outrage about preserving the "history of the game" or the "original text as written" when it comes to CoS and ToA. Silence. Crickets.
Do I really need to debase myself to the level of giving you the drawing of a timeline? OA was published in 1985, CoS in 2016, ToA in 2017. The last 2 are still part of WotC's current organised play.
So you expect me to answer to your comparison between La Gioconda and OA, while you yourself fail to answer mine between OA and Tolkien (who
isn't in the public domain)?
Regardless of what you stated, I am asking your opinion about how the general trend regarding discussion has gone from largely denying any racism to adopting a discourse that attempts to relativize the racism.
My personal opinion about this is irrelevant, since I already stated (
again, post #8) that even books such as Mein Kampf should be available. So even a written statement from Zeb, wherein he admits that OA is racist, still wouldn't change my opinion on this matter.
If that is truly the most compelling argument one can muster, then the Titanic is already sinking.
And yet I'm still waiting for you to offer a more compelling alternative.
Going back through the conversation from the point where you bring up Bram Stoker's Dracula (and posts before that), that does not appear to be the case as you were responding to
@Undrave (and
@Umbran) regarding accessibility and public entitlement to written works. So why are you shifting the goal posts now and framing this discussion about what is "better"?
Because you as well as others disregard the difference between public domain (meaning widely and often freely available) and copyright when you propose to ban OA (but suggesting that we could still buy a physical copy). And when users like Snarf Zagyg posit that a lot of works (even in the public domain) contain offensive ideas, someone like Neonchameleon starts reasoning that some works should remain while others shouldn't (even though one could argue that they all contain some form of offensive content), that OA should be removed but Star Trek TOS should remain. Since you don't listen to my arguments against banning
any work, I'm posing counterarguments derived from your own flawed reasoning. So, again: does a publisher have a moral obligation to stop spreading offensive content, even if it is part of the public domain?