fusangite said:
So what if LOTR appeals more to men than to women? I don't understand why anyone feels the need to argue about it. It seems like a self-evident truth.
The author is not stating that every single woman on the face of the earth will be uninterested in fantasy war movies but that most women will be less interested than men. It's a sound observation.
My beef with statements like this isn't that they are or aren't
accurate -- it's that they aren't
useful, critically speaking.
Having made the observation, now what? The only use of such an argument (in a critical sphere) seems to be, as the woman writing for Salon suggested, providing a means of shutting down debate. If you can say, "This is uninteresting to me because I'm a woman," well, there's not much anyone can say about that.
"No, you're not."
Doesn't work so well. And of course you can provide anecdotal evidence to the contrary, but as fusangite's pointed out that doesn't do anything to reverse the general trend.
But while such observations are useful for marketing weasels who need to design posters and predict profit margins (and the fact that Hollywood remains as crappy at that as ever suggests that these generalizations are less accurate than people want to believe they are), they offer no interesting critical insights, and are rightly considered unhelpful when made as critical opinions of a work.
The reason I'm uninterested in
Mona Lisa Smile isn't because it's a "chick flick" -- I loved
Four Weddings,
Erin Brockovich,
Sense and Sensibility, all of which could probably be described as "chick flicks" -- but because it sounds
bad. I may have read reviews which said, "This sucks because it's a chick flick" -- but those wouldn't discourage me. It's reviews which say, "This sucks and here's half a dozen reasons why," that make me steer clear.
Now it may be perfectly true that most men look at the poster and say, "Chick flick," and don't go. That doesn't make it an interesting critical statement.