dave2008
Legend
I'm am a man and I don't love cheesecake - what's your point. Whether someone does or does not like cheesecake says nothing about their manliness.I love cheesecake. I'm a man.
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I'm am a man and I don't love cheesecake - what's your point. Whether someone does or does not like cheesecake says nothing about their manliness.I love cheesecake. I'm a man.
I do think of DiTerlizzi and Planescape, WR & Eberron, and Brohm & Darksun, but those are setting - not D&D as a whole.
Perhaps it says the opposite, some would say.I'm am man and I don't love cheesecake - what's your point. Whether someone does or does not like cheesecake says nothing about their manliness.
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Everyone is dressed the same. The women are either in full plate or neck to ankle full length dress. ...
I am simply saying that when I think of a particular edition of D&D, it doesn't conjure up a particular "style" of art. I don't think of each edition having its own particular style, that is all. I think of artists having a particular style, but not editions themselves.I don't understand what you are trying to say.
All the editions post WotC had a ton of design work done in terms of style guides, etc. Lockwood was brought on not just to paint dragons but do all sorts of work. What does a goblin look like; how are we going to dress up and layout book pages; what are each line of books going to look like in terms of covers; etc. Schindehette wrote up all sorts of explanations and has talked in interviews about the design and style ethos of 4E. I paid less attention to 5E's process but it seems more self-consistent, not less.
This wasn't confined to settings like in 2E. Core 3E, 4E, and definitely 5E have clear style guides. IMHO half of the push-back on the Acquisitions Incorporated book is that it subverts the 5E style guide (not that it was originally conceived as a first party product).
Sorry, what am I missing? I'm not saying that this was done to some extent earlier, just that it was both more thorough, more professional, and (eventually) of higher quality in the last few decades. You can hand a sheaf of illustrations to me and I expect I'll have a good chance of telling you whether they come from 3rd, 4th, or 5th.
I agree with you points. Excellent response.@happyhermit : The barbarian with the tiger is much more in a "cheesecake" style - bare midriff and high thigh - than a lot of Larry Elmore's work, especially his work on the Basic line or for Dragonlance. Really, if you look at the classic artwork, only Clyde Caldwell regularly did a lot of work that I'd consider "cheesecake" and has that look as a consistent part of their oeuvre. A lot of the featured women in old school art are attractive but clearly sturdy and strong figures that don't look like they stumbled out of a boudoir nor are they likely to stumble into one.
I still insist that what's making that barbarian and tiger not trigger a sense that it is "cheesecake" is that the art is rougher, less finished, less polished, and more obviously not real, and that this less polished style applied to both men and women avoids the problem while still presenting more or less the same content.
And that doesn't even get into the issue of how different women will want themselves represented or how they would choose to represent women themselves. I won't even begin to try to address that except to say that it is a thing. What I will say is I'm uncomfortable just claiming old school art as whole was "cheesecake", and in particular dropping that conveniently as a label on every male artist working at the time, some of whom I don't really feel deserve the label.
I'm am a man and I don't love cheesecake - what's your point. Whether someone does or does not like cheesecake says nothing about their manliness.