With Brother Martin gone, Fatcoin inspects the kitchen. It would be better described as a small pantry. There is a fireplace and a few cabinets. All in all there are several dozen apples, a small cask of some sort of meal, possibly corn, and several dry loaves of bread. There also appears to be some dried strips of meat, perhaps 10 pounds of it cured for storage.
In the corner of the kitchen, a set of stone steps lead up to a opening in the ceiling, presumably to the acolyte's dormitory.
As the others prepare for the night, James and Fatcoin look about the chuch. To the left of the vestibule there is another room, but the door to it is locked tight.
The great stone columns run nearly the length of the church. Stained glass windows run up the side walls of the church, six to each side each four feet high. Composed of mosaic pieces of red, green and blue, the primary image on the windows is a ruby colored starburst-the symbol of St. Cuthbert.
At the darkened end of the nave, the two find the altar is a large but simple rough hewn rock. Unadorned in any way, it is flanked on each side by four life size stautues.
Each statue is solid marble, the skillfully carved image of a robed man. Each one looks down from a dignified pose. In the intermittent flashes of lightining, James also notices that each statue holds something in their right hands, wooden clubs of worn dark wood whose heads are wrapped with bands of metal.
Sadly Fatcoin spies no gems on the statue. His eye however, trained in observation, appreciates the quality of the church and its interior, far above anything usually found in a simple rural vilage.
OOC: Attached is a crude floorplan. Each square is 5 feet.