Rystil Arden
First Post
*Claudia nods.*
"Here--take a look."
*She hands him the sketchbook. On the front page is her current sketch. Using shading and line quality that fluctuates between wispy and ephemeral and dark and precise, Claudia has created a fairly unusual but still visually appealing triple-aspect portrait. In the center bottom of the page, tiny and afraid, huddled up with her arms over her knees and shivering, obscured as if inside a body or soul, is an innocent little girl with big wide eyes, who looks on powerlessly as facing outward in front is her full form, which is divided in two by a line that goes from sharp to wispy and shadowy. The right half has features of remarkable beauty and lighthearted joy, each one drawn precisely and perfectly to proportions, but the left is a shadowy, dark, wispy, and indistinct. Not ugly as if drawn poorly, but not beautiful--hazier, darker, perhaps a bit malevolent in nature. The background of it all is surrounded by wisps of shadows and rays of light that offset the portraited figures.*
"Here--take a look."
*She hands him the sketchbook. On the front page is her current sketch. Using shading and line quality that fluctuates between wispy and ephemeral and dark and precise, Claudia has created a fairly unusual but still visually appealing triple-aspect portrait. In the center bottom of the page, tiny and afraid, huddled up with her arms over her knees and shivering, obscured as if inside a body or soul, is an innocent little girl with big wide eyes, who looks on powerlessly as facing outward in front is her full form, which is divided in two by a line that goes from sharp to wispy and shadowy. The right half has features of remarkable beauty and lighthearted joy, each one drawn precisely and perfectly to proportions, but the left is a shadowy, dark, wispy, and indistinct. Not ugly as if drawn poorly, but not beautiful--hazier, darker, perhaps a bit malevolent in nature. The background of it all is surrounded by wisps of shadows and rays of light that offset the portraited figures.*