Enterprise: Preparing for new sexy, action-packed season (longish)

Shadowdancer

First Post
The following story moved this week on the Associated Press wire. I don't know if it is on any of the AP websites, but here is a copy of the full story.

‘Enterprise’ soars into new sexy, action-packed season

LOS ANGELES (AP) —
When the director calls “Action!” on the set of UPN’s “Enterprise,” stuff really flies.

A vase being used as a club smashes and scatters as a beautiful alien spy whacks chief engineer Charles “Trip” Tucker III across the back of his skull.

Guest star Nikita Ager is wielding the weapon on the Paramount Studios soundstage. She’s playing the seductive Rajiin, who’s wormed her away aboard the starship Enterprise. Dressed in nearly transparent pajamas, she has a bar code tattooed across her upper torso and purple lenses in her eyes.

Ager hasn’t hit Connor Trinneer, who plays “Trip,” but rather his stunt double, Shawn Crowder. While Crowder gets up, looking a bit stunned, Trinneer gets a bloody fake gash dabbed on his head, then steps in to do the dialogue.

Even with stunt doubles, the cast members of this “Star Trek” prequel series are far from coddled. “See this bruise, see this bruise, this one,” says Jolene Blalock, who plays Vulcan subcommander T’Pol. “And I love every one of them.”

Blalock emphasizes there’s definitely more action on the third season of the UPN series, which premieres Sept. 10. Now in reruns, the show airs at 7 p.m. Wednesdays.

Earlier, T’Pol was in a “girl fight” with Rajiin. Stunt doubles handled some of the scuffle. Then the actresses took over. Rajiin pushed T’Pol hard onto the floor of the Enterprise’s sleeping quarters and hypnotized her into submission.

T’Pol has a new look, part of the producers’ overall effort to boost the energy and imagination of the series, which lost viewers last season.

Her work clothes are still cat suits, but in white and bright pastels rather than her drab brown outfits of previous seasons. Her bobbed Vulcan hairstyle is “slightly longer, slightly lighter,” Blalock says. “But, of course, I wouldn’t want to cover my ears!”

Half–Vulcan, half–human Mr. Spock, played by Leonard Nimoy in the ’60s “Star Trek” series, had pointy ears and slash–angled eyebrows.

T’Pol, a full Vulcan, also has those traits. But her decision to defy her race’s commanders and stick with human co–workers following last season’s Earth¾threatening finale means she may now open up emotionally.

“I think it’s great to have that character let her hair down a little bit and engage more,” says Trinneer. “Spock, because he was half–human, was very curious about stuff, and giving T’Pol some of that is a good thing.”

Along with providing comic relief for the show, “Trip” now has personal tragedy to cope with. He lost his sister in the finale’s cataclysm — an attack by a previously unknown alien group called the Xindi — and he’s been having some sleepless nights as a result.

T’Pol’s Vulcan acupuncture techniques are helping, but Trinneer says he doesn’t know whether romance will ensue, despite Trekkie fan speculation that it might. “A back rub is pretty much it,” he grins.

Assuming the terse Vulcan manner, Blalock sniffs at that description.

“That’s really a little too forward and sexy. We like to call it neuropressure, a medical reason for touching!”

Whatever the rub, all the characters are undergoing change this season as the 22nd–century spaceship seeks out the menacing Xindi.

Series creators Rick Berman and Brannon Braga have created a story line that allows for weekly conflict and resolution, but is essentially a 26–episode mission, “where there is a ticking clock . . . where Earth and humanity are at stake.”

Berman compares the structure to the original “Fugitive” series, with a singular direction and purpose, but also the opportunity for each episode to stand alone.

Scott Bakula, who plays Capt. Jonathan Archer, says the new season is “less about protocol, more about the job to do.” Besides commanding the Enterprise crew, Archer now supervises a tough onboard military team.

The “ante is up” on the action this season, Bakula says. “A great shot of adrenaline” has been pumped in, along with “crazy fun.”

Ager would agree the franchise continues to push new frontiers: “I’ve got bikinis bigger than the outfit Rajiin wears when she’s first seen. The costumer arrived with what looked like a roll of string to be strategically placed. I went, ‘This is “Star Trek?” ’ He went, ‘Yep!’ ”
 

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Just hope they put some effort into good stories and plots and don't rely on the 'girls' every week, that is why there is a Man Show and Spike TV. :)
 

Hand of Evil said:
Just hope they put some effort into good stories and plots and don't rely on the 'girls' every week...

But... But... They have string... Strategically placed string... :p
 

Long story arcs are always a good thing in my opinion.. they allow for each show to be more developed and interesting since they don't have to cram complete storylines into 45 minutes. I'm hoping they've dropped the time travel BS for now too. Anyways, I'll give it another season.
 



Hand of Evil said:
Let me tell you, most women have strings! :)

Oh, and to be fair...

Men do have a maturity date, after that... :)

I should have known better than to debate it with you. From the outset, afterall, I was talking to the hand... :p
 


uv23 said:
Long story arcs are always a good thing in my opinion.. they allow for each show to be more developed and interesting since they don't have to cram complete storylines into 45 minutes. I'm hoping they've dropped the time travel BS for now too. Anyways, I'll give it another season.

Long story arcs are good if some things happen -

1) Foreshadowing - there's no sense in planning out long story arcs if you can't go back and say, "Ooooh, THAT'S what this meant!". There's just no point if it's a 23-hour long episode. Which leads me to...

2) A Good Story - I'm sorry, but I've been less than impressed with a good number of the stories on Enterprise. They really need to beef up the writing, or else it's just going to be a slow, plodding story. Solved by...

3) Stuff Needs to Happen! Having a long story is nice, but stuff needs to happen from episode to episode. Having an hour of nothing happening is just frustrating, as I'm sure a lot of Robert Jordan fans will attest to. :) But...

4) Consequences - something that Star Trek writers are notoriously bad at. You can not go back to square one at the end of each episode! That's what made DS9 some of the best Trek out there! Writers that understand this principle, I mean.

If, and that's a big if, the Enterprise crew can do this, then maybe there's hope for the third season, time travel stuff and all.
 


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